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Soundtrack News & Reviews

Soundtrack News & Reviews

October 11, 2012 | By | Add a Comment

Reviews of BSX Records’ well-done re-recording of Vangelis’ Blade Runner score + Cliff Martinez’ Arbitrage (Milan Records), and quick soundtrack news.

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Soundtrack News & Reviews

Soundtrack News & Reviews

October 11, 2012 | By

Reviews of BSX Records’ well-done re-recording of Vangelis’ Blade Runner score + Cliff Martinez’ Arbitrage (Milan Records), and quick soundtrack news.

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OCD and As Good As It Gets

OCD and As Good As It Gets

August 9, 2012 | By

James L. Brooks’ Oscar-winning comedy-drama As Good As It Gets gets its due on Blu via Twilight Time + CanCon at TIFF & The First Weekend Club.

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MISCELLANEOUS

MISCELLANEOUS

October 25, 2010 | By | Add a Comment

Return to: Home / Exclusive Interviews & Profiles . ANDREW BURASHKO (director) A review of The Art of Time Ensemble’s live theatre production of Orson Welles’ The War of the Worlds, plus an interview with director Andrew Burashko. . . RAE ANN FERA (curator / programmer / journalist) Podcast with TIFF Bell Lightbox Programmer & […]

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May-October Behaviour in the Bedroom: Stay As You Are (1978) + Breezy (1973)

May-October Behaviour in the Bedroom: Stay As You Are (1978) + Breezy (1973)

December 4, 2016 | By

Two tales of May-October lovers: Alberto Lattuada’s Stay as You Are / Così come sei (1978) on Blu from Cult Epics + Clint Eastwood’s Breezy (1973) from Universal.

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Podcast with Mama’s composer Fernando Velazquez, and Nostalgic Shockers

Podcast with Mama’s composer Fernando Velazquez, and Nostalgic Shockers

February 8, 2013 | By | Add a Comment

Just uploaded is a podcast with Fernando Velazquez, the lauded Spanish composer of the current box office hit Mama. Also new: Editor’s Blog on nostalgic horror, plus reviews of Joe Dante’s underrated and very badly treated The Hole (Alliance / EOne), and the underrated Devil (Universal), the latter featuring a terrifying score by Velazquez.

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Podcast with Mama’s composer Fernando Velazquez, and Nostalgic Shockers

Podcast with Mama’s composer Fernando Velazquez, and Nostalgic Shockers

February 8, 2013 | By

Just uploaded is a podcast with Fernando Velazquez, the lauded Spanish composer of the current box office hit Mama. Also new: Editor’s Blog on nostalgic horror, plus reviews of Joe Dante’s underrated and very badly treated The Hole (Alliance / EOne), and the underrated Devil (Universal), the latter featuring a terrifying score by Velazquez.

Read More

Podcast with Mama’s composer Fernando Velazquez, and Nostalgic Shockers

Podcast with Mama’s composer Fernando Velazquez, and Nostalgic Shockers

February 8, 2013 | By

Just uploaded is a podcast with Fernando Velazquez, the lauded Spanish composer of the current box office hit Mama. Also new: Editor’s Blog on nostalgic horror, plus reviews of Joe Dante’s underrated and very badly treated The Hole (Alliance / EOne), and the underrated Devil (Universal), the latter featuring a terrifying score by Velazquez.

Read More

One Last Buh-Buh Bah-Boo

One Last Buh-Buh Bah-Boo

October 4, 2012 | By

Some quick TIFF Bell Lightbox news, and a review of Twilight Time’s High Time (1960), one of Bing Crosby’s last major roles during the sixties, co-starring a bevy of young snots including Fabian, Tuesday Weld, Yvonne Craig, and Richard Beymer.

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Blockbuster Canada – A Cautionary Tale of Greed, Indolence, & Stupidity

Blockbuster Canada – A Cautionary Tale of Greed, Indolence, & Stupidity

September 2, 2011 | By | 1 Comment

Editor’s Blog on the demise of Blockbuster Canada and the potential fall-out, the continuing importance of indie video labels during home video’s transition to niche distribution, and Twilight Time signs a deal with Sony, with the original Fright Night and Mysterious Island coming to DVD and Blu.

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