With colour and CinemaScope, the 1955 version of Ruth McKenney’s tales retains most of the same characters from the original film, with some unique modifications. Gone is the setting of WWII and the need to economize, as are opening scenes in which sisters Ruth (Betty Garrett) and Eileen (Janet Leigh) make it clear…
Return to: Home / Blu-ray, DVD, Film Reviews / E . Film: Excellent/ BR Transfer: Excellent/ BR Extras: Good Label: Twilight Time/ Region: All / Released: January, 2013 Genre: Suspense / Thriller / Film Noir Synopsis: A bank teller is blackmailed into stealing $100,000 from her branch but attempts to foil her tormentor’s scheme by immediately involving […]
Yes, it’s Family Day, that elitist holiday that doesn’t guarantee a day off for the eloctorate at large, except those under the provincial and banking employ. On this otherwise standard working day for regular stiffs, I’ve uploaded a long and windy review of Blake Edwards’ underrated suspense classic Experiment in Terror (1962), newly released by Twilight Time in Blu-ray, sporting a clean stereo isolated score track of Henry Mancini’s excellent music.
Return to: Home / Blu-ray, DVD, Film Reviews / H . Film: Good/ BR Transfer: Very Good/ BR Extras: Good Label: Twilight Time / Region: All / Released: August, 2012 Genre: Comedy Synopsis: A 54 year old restauranteur is intent on showing his bratty kids the worthiness of getting a university degree by doing the 4-year session all […]
Writer / director / producer Blake Edwards passed away December 19 at the age of 88, leaving behind wife Julie Andrews, two children, and an extraordinary body of work…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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