Reviews of two distinct genre outings starring Diane Keaton: the romcom Baby Boom (1987) on Blu via Twilight Time + John Le Carré’s The Little Drummer Girl (1984) from Warner Archives.
Former husband and wife team of Charles Shyer and Nancy Myers (Private Benjamin, Father of the Bride, Father of the Bride Part II) concocted this surprisingly effective update of a classic screwball comedy, and although the pair may not have intended Baby Boom to be a time capsule of mores and conflicts of women juggling career and family in the mid-1980s…
The absurdity of John Le Carré’s plot may have been the key attraction for Hill: an American actress working in a London rep theatre is recruited by the Israeli secret service to pretend she’s the lover of the bomber’s brother, acting out the role with her own real background until the bomber’s identified and ultimately neutralized…
Review of Woody Allen’s first formal drama on Blu, the Bergmanesque Interiors (1978) from Twilight Time.
Billed as Woody Allen’s first formal drama, Interiors is sandwiched between his much-lauded and awarded classics Annie Hall (1977) and Manhattan (1979), and although this creative gamble was nominated for 5 Oscars, including Best Director and Best Writing, Interiors has aged into an overly mannered snapshot of a wounded matriarch and her bickering family…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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