
Drive-in Memories, Part 1: Going Attractions (2013) + Hot Docs & TJFF update
Review of April Wright’s fun documentary Going Attractions: The Definitive Story of the American Drive-in Movie (2013) + short update on Hot Docs and TJFF 2015.
Review of April Wright’s fun documentary Going Attractions: The Definitive Story of the American Drive-in Movie (2013) + short update on Hot Docs and TJFF 2015.
April Wright’s feature-length documentary began around 2006 when the writer / director / producer became fascinated by large abandoned fields beholding huge screens or disintegrating neon signs which harkened back to the heyday of a uniquely American invention, the drive-in cinema…
Clark Gable at Fox: Soldier of Fortune + The Tall Men (1955)
Clark Gable’s 1955 diptych is comprised of an underrated gem + a dud: the stellar THE TALL MEN on Twilight Time Blu + SOLDIER OF FORTUNE on Fox DVD.
Examining the Image: Mike Wallace Is Here (2019) + Jane Fonda in Five Acts (2018)
Two recent docs on TV and cinema icons: MIKE WALLACE IS HERE (2019) from Magnolia + JANE FONDA IN FIVE ACTS (2018) from HBO.
Future U.S. President Andrew Jackson in 3 unique productions: THE PRESIDENT’S LADY (1953) on Twilight Time Blu + Cecil B. DeMille’s 1938 and 1958 productions of THE BUCCANEER from Olive Films.
Podcast: Austin Wintory’s REMNANTS + ERICA (2019)
In a new podcast, composer Austin Wintory discusses scoring the interactive PS4 video game ERICA + the eclectic music on the compilation album REMNANTS.
Podcast: Austin Wintory’s REMNANTS + ERICA (2019)
In a new podcast, composer Austin Wintory discusses scoring the interactive PS4 video game ERICA + the eclectic music on the compilation album REMNANTS.
Dante Tomaselli’s Out-of-Body Experience (2019)
Admirers of Dante Tomaselli’s prior sonic explorations will be quite surprised at the shift the director of Torture Chamber (2013) and Desecration (1999) took with his latest album, titled Out-of-Body Experience, released July 4th, 2019 via TuneCore…
ArtScopeTO 09: Interview with Photographer Pengkuei Ben Huang
ArtScopeTO Podcast interview with photographer Pengkuei Ben Huang, whose series SOLEMN PINES FADING THINGS is running at Toronto’s Urban Gallery as part of the 2019 Scotiabank Contact Photography Festival.
Distilling the career, the creative and industry accomplishments of Steven Spielberg into even a 147 mins. doc is quite a chore, but like her subsequent portrait…
Director Raoul Walsh may have been attracted to The Tall Men by the oddness of the story, in which former Confederate Col. Ben Allison (Clark Gable) rescues young lass Nella Turner (Jane Russell) from an Indian massacre, falls for her one night…
DVD: Soldier of Fortune (1955)
Upon it’s original theatrical release, Clark Gable’s first picture after being ‘dumped’ by longtime studio MGM wasn’t well appraised by critics, and although the passing years may have enhanced the film’s curio value…
DVD: Mike Wallace Is Here (2019)
The title of Avi Belkin’s highly entertaining documentary on 60 Minutes’ most recognizable investigative journalist refers to the fear that could…
Jane Fonda in Five Acts (2018)
Few actors from a dynastic Hollywood family have had such a varied career as Jane Fonda, and Susan Lacy’s lengthy but never dull documentary is comprised of five chapters that trace…
Written during his busiest period (1968-1970), Quincy Jones’ score for John and Mary was quite sparse, leaving obligatory space for the film’s myriad dialogue exchanges and source music, but the score is memorable for being atypical of the material Jones was writing at the time: action comedies (The Italian Job, The Hell with Heroes), comedies (Bob & Carol & Ted & Alice,Cactus Flower), and the funky style of They Call Me MISTER Tibbs!
For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman’s Excalibur (1981) and Jim Henson’s The Dark Crystal (1982)…
LP: Bourne Identity, The (2002)
The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics…
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