Comes a Horseman may be regarded as a revisionist western – its setting near the end of WWII offers an interesting series of culture clashes between returning war veterans, locals, traditionalist cow herders, and the emerging postwar economy that would boom with oil and mineral mining in formally pristine environments…
Billed as Woody Allen’s first formal drama, Interiors is sandwiched between his much-lauded and awarded classics Annie Hall (1977) and Manhattan (1979), and although this creative gamble was nominated for 5 Oscars, including Best Director and Best Writing, Interiors has aged into an overly mannered snapshot of a wounded matriarch and her bickering family…
Woody Allen’s examination of fame, adulation, and the worth of a comedian’s career is filtered through a Felliniesque lens that’s still a bit of a challenge 35+ years since its release, perhaps because, to paraphrase fan salvos aimed at central character Sandy Bates, ‘it’s not as funny as his older films…
Review of Bruno Mattei’s PREDATOR-ROBOCOP-ALIENS rip-off ROBOWAR (1988), starring Reb Brown, new on Severin Blu.
Jean Peters at Fox: Anne of the Indies (1951) + A Man Called Peter (1955)
Reviews of Jean Peters’ mid-career actioner ANNE OF THE INDIES (1951) and feature film swan song A MAN CALLED PETER (1955) on Twilight Time Blu + some Editorial Blather.
Dante Tomaselli’s Out-of-Body Experience
Interview with filmmaker, composer, and sound artist Dante Tomaselli regarding his new CD, OUT-OF-BODY EXPERIENCE (2019).
Agusti Villaronga’s Moon Child: a Mystical Thriller for Adults
Review of Agusti Villaronga’s mystical thriller MOON CHILD / EL NINO DE LA LUNA (1989), on Blu via Cult Epics.
That Stock Company Guy, Dick Miller
Review of Elijah Drenner’s giddy doc THAT GUY DICK MILLER (2014) from Indiecan.
Dante Tomaselli’s Out-of-Body Experience (2019)
Admirers of Dante Tomaselli’s prior sonic explorations will be quite surprised at the shift the director of Torture Chamber (2013) and Desecration (1999) took with his latest album, titled Out-of-Body Experience, released July 4th, 2019 via TuneCore…
ArtScopeTO 09: Interview with Photographer Pengkuei Ben Huang
ArtScopeTO Podcast interview with photographer Pengkuei Ben Huang, whose series SOLEMN PINES FADING THINGS is running at Toronto’s Urban Gallery as part of the 2019 Scotiabank Contact Photography Festival.
Podcast interview with LES MISERABLES’ John Murphy
Podcast interview with composer John Murphy and his recently-scored BBC mini-series LES MISERABLES (2018).
BR: Robowar / Robot da Guerra (1988)
Alongside Strike Commando (1987) and Shocking Dark (1989), Robowar is an important entry in Bruno Mattei’s tropical rip-off series in which the plot, scenes, dialogue, and characters of an American hit film(s) are slightly reworked, as done by the husband & wife team of Rossella Drudi and Claudio Fragasso…
Although she’d made her film debut opposite Tyrone Power in the big budget historical adventure-drama Captain from Castile (1947), Fox put starlet Jean Peters through the familiar career-building programme …
BR: Man Called Peter, A (1955)
While the film’s titular subject of former U.S. Senate chaplain Peter Marshall was (and may remain) the film’s main draw, the production is also known among classic film fans Foxologists as Jean Peters’ final film…
BR: Moon Child / El niño de la luna (1989)
After making his feature film debut with the striking and deeply unsettling drama In a Glass Cage (1986), Spanish auteur Agusti Villaronga’s next project was something more dreamy and less controversial (to a point)…
DVD: That Guy Dick Miller (2014)
There have been documentaries on the faces and voices of character actors we’ve seen but can never place, but Dick Miller is a different animal – a hugely prolific character actor and emeritus magnus of…
Written during his busiest period (1968-1970), Quincy Jones’ score for John and Mary was quite sparse, leaving obligatory space for the film’s myriad dialogue exchanges and source music, but the score is memorable for being atypical of the material Jones was writing at the time: action comedies (The Italian Job, The Hell with Heroes), comedies (Bob & Carol & Ted & Alice,Cactus Flower), and the funky style of They Call Me MISTER Tibbs!
For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman’s Excalibur (1981) and Jim Henson’s The Dark Crystal (1982)…
LP: Bourne Identity, The (2002)
The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics…
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