The idea a producer would go to the trouble of filming a 3D movie with underwater gear and see it released flat by studio Fox, then disappear from distribution makes the creation of September Storm an absurdity, and yet in spite of these unintentional mishaps, this orphan film became a high-profile restoration project for the 3-D Film Archive…
Reviews of 3 unique film noirs: Sam Fuller’s House of Bamboo (Twilight Time), William Keighley’s The Street with No Name (Fox), and Mark Stevens’ Cry Vengeance (Olive Films).
Not unlike House of Strangers (1949), The Street with No Name is a fellow noir that’s perhaps been overshadowed by its bigger, and in this case, crazier colour CinemaScope remake, Sam Fuller’s House of Bamboo (1955), but Harry Kleiner’s story and William Keighley’s direction managed to form a near-perfect 1948 thriller that’s more true crime than noir…
After working his way up to A-level pictures at Fox and peaking with The Street with No Name (1948) and The Snake Pit (1948), Mark Stevens slowly slid into B pictures again, eventually settling into TV with the occasional feature film – Fate is the Hunter (1964) being a rare A-level venture…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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