Reviews of On the Avenue (1937) from Fox + the CinemaScope remake Let’s Make Love (1961) on Blu via Twilight Time.
Marilyn Monroe’s final film for 20th Century-Fox is a sort-of remake of the studio’s 1937 Irving Berlin-penned musical On the Avenue, augmented with different classic songs by Jimmy Van Heusen & Sammy Cahn…
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Adventures in Laserdisc and Pro Logic, Part 1: Mortal Kombat
Editor’s Blog on the fun / absurdity of watching MORTAL KOMBAT on laserdisc and in Dolby Pro Logic using a convoluted series of connected vintage & contemporary gear. Yes, really.
Solo Narratives 1: The Guilty / Den skyldige (2018)
Review of the tense, single-person narrative THE GUILTY / DEN SKYLDIGE (2018) from Magnolia.
Werewolves, Sex, and Steamy Delinquents
WEREWOLF IN A GIRLS’ DORMITORY / LYCANTHROPUS (1961) gets a deserved second chance in Severin’s lovely Blu-ray.
Review of Spielberg (2017), Susan Lacy’s engaging doc on the iconoclastic filmmaker from HBO.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Podcast: Austin Wintory’s REMNANTS + ERICA (2019)
In a new podcast, composer Austin Wintory discusses scoring the interactive PS4 video game ERICA + the eclectic music on the compilation album REMNANTS.
Dante Tomaselli’s Out-of-Body Experience (2019)
Admirers of Dante Tomaselli’s prior sonic explorations will be quite surprised at the shift the director of Torture Chamber (2013) and Desecration (1999) took with his latest album, titled Out-of-Body Experience, released July 4th, 2019 via TuneCore…
DVD: Guilty, The / Den skyldige (2018)
Told entirely from the perspective of one person, The Guilty is ostensibly about the last hours of a detective shoved into dull administrative duty as a dispatcher…
BR: Werewolf in a Girl’s Dormitory / Lycanthropus (1961)
The original title of this Italian-Austrian co-production made more sense: the girls are actually delinquent young women in a remote juvenile facility being terrorized by a rabid creature…
Distilling the career, the creative and industry accomplishments of Steven Spielberg into even a 147 mins. doc is quite a chore, but like her subsequent portrait…
Director Raoul Walsh may have been attracted to The Tall Men by the oddness of the story, in which former Confederate Col. Ben Allison (Clark Gable) rescues young lass Nella Turner (Jane Russell) from an Indian massacre, falls for her one night…
DVD: Soldier of Fortune (1955)
Upon it’s original theatrical release, Clark Gable’s first picture after being ‘dumped’ by longtime studio MGM wasn’t well appraised by critics, and although the passing years may have enhanced the film’s curio value…
Written during his busiest period (1968-1970), Quincy Jones’ score for John and Mary was quite sparse, leaving obligatory space for the film’s myriad dialogue exchanges and source music, but the score is memorable for being atypical of the material Jones was writing at the time: action comedies (The Italian Job, The Hell with Heroes), comedies (Bob & Carol & Ted & Alice,Cactus Flower), and the funky style of They Call Me MISTER Tibbs!
For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman’s Excalibur (1981) and Jim Henson’s The Dark Crystal (1982)…
LP: Bourne Identity, The (2002)
The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics…
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