MMM is a screwball comedy reformulated into a pitch black misadventure where dangerous entanglements recur with greater intensity, and the nonsense begins when against Larry’s wishes Carol agrees to accept an invitation of coffee & cake by senior neighbours Paul and Lillian House…
Alice is clearer example of Woody Allen revisiting his familiar template of an unhappily married woman going through a series of personal adventures before she decides it’s time to change her life and begin a second and more enlightened phase that may not even require a husband or boyfriend…
The joy (and perils) of infidelity are centre-frame in Paul Mazursky’s Bob & Carol & Ted & Alice (1969) + Woody Allen’s Husbands and Wives (1992), on Blu via Twilight Time.
Woody Allen’s last film starring Mia Farrow is one of his best and darkest comedies, hyper-fixating on the (largely) negative effects of infidelity – the film earned Oscar nominations for writing and supporting actress (Judy Davis) – but its most powerful moments…
Reviews of two Woody Allen satirical classics – Bananas (1971) + Everything You Always Wanted to Know About Sex* But Were Afraid to Ask (1972) – on Blu via Twilight Time.
Woody Allen’s reteaming with Take the Money and Run (1969) co-writer Mickey Rose struck pure gold in this poke at contemporary politics in which a moron becomes the leader of a South American country after it undergoes a Cuba-like revolution…
One of the toughest challenges for any film built around a series of thematically connected sketches is consistency of quality, and offering enough variation so that no segment is redundant nor feels disconnected from the original concept. Everything You Always Wanted to Know About Sex…
Reviews of Woody Allen’s formal feature directorial debut Take the Money and Run (1969) from KL Studio Classics, the short mockumentary Men of Crisis: The Harvey Wallinger Story (1971), and the underrated drama September (1987) from Twilight Time.
Running a compact 25 mins. Men of Crisis: The Harvey Wallinger Story is a satire of the Nixon Administration, which was past the halfway point of its first term mandate when the short was scheduled for airing in February of 1972, but as the lore surrounding this ‘lost’ film goes…
Released the same year as Radio Days, Woody Allen’s September retains the cast members Mia Farrow and Dianne Wiest, but the tone harkens back to the auteur’s Interiors (1978), a more dour and overwrought attempt at Serious Drama…
The Lost One: Peter Lorre’s Der Verlorene (1951)
Review of Peter Lorre’s lone film as director – the grim & gripping DER VERLORENE / THE LOST ONE (1951), from Germany’s Arthaus.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Review of Craig Baxley’s combustible cult classic I COME IN PEACE / aka DARK ANGEL (1990) on Blu from Scream Factory.
Super Action in Superscope: UNDERWATER! (1955) + VERA CRUZ (1954)
Two Superscope classics on Blu: John Sturges’ fluffy UNDERWATER! (1955) from Warner Archives + Robert Aldrich’s outstanding buddy western VERA CRUZ (1954) from MGM.
Three films connecting director Luigi Cozzi, actor & temperamental cyclone Klaus Kinski, & producer Augusto Caminito.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Podcast: Austin Wintory’s REMNANTS + ERICA (2019)
In a new podcast, composer Austin Wintory discusses scoring the interactive PS4 video game ERICA + the eclectic music on the compilation album REMNANTS.
Bandolero! (1968) + 100 Rifles (1969) and au revoir to Twilight Time
Reviews of two Raquel Welch westerns – BANDOLERO! (1968) + 100 RIFLES (1969), and Twilight Time bids farewell!
Twilight Time’s stellar Blu-ray features one of the heaviest fact-filled commentary tracks by Cinema Retro’s Lee Pfeiffer, historian Paul Scrabo, and Dean Martin biographer Tony Latino…
This may not be the greatest western produced near the end of the decade, but it’s an important marker of several transition points – of the western being re-embraced by studios…
DVD: Verlorene, Der / The Lost One (1951)
A thinner Peter Lorre is Dr. Karl Rothe, rechristened Dr. Neumeister, administering routine prescriptions and treatments to war refugees in a daily grind that’s neither pressing nor interesting…
DVD: Deathmaker, The / Totmacher, Der (1995)
Adapted from the actual psychiatric examination records of Germany’s infamous serial killer of prostitute boys, this is one of the finest dramatizations of a shrink extracting information…
Written during his busiest period (1968-1970), Quincy Jones’ score for John and Mary was quite sparse, leaving obligatory space for the film’s myriad dialogue exchanges and source music, but the score is memorable for being atypical of the material Jones was writing at the time: action comedies (The Italian Job, The Hell with Heroes), comedies (Bob & Carol & Ted & Alice,Cactus Flower), and the funky style of They Call Me MISTER Tibbs!
For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman’s Excalibur (1981) and Jim Henson’s The Dark Crystal (1982)…
LP: Bourne Identity, The (2002)
The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics…
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