May-October Behaviour in the Bedroom: Stay As You Are (1978) + Breezy (1973)
Two tales of May-October lovers: Alberto Lattuada’s Stay as You Are / Così come sei (1978) on Blu from Cult Epics + Clint Eastwood’s Breezy (1973) from Universal.
Two tales of May-October lovers: Alberto Lattuada’s Stay as You Are / Così come sei (1978) on Blu from Cult Epics + Clint Eastwood’s Breezy (1973) from Universal.
Just uploaded is a podcast with Fernando Velazquez, the lauded Spanish composer of the current box office hit Mama. Also new: Editor’s Blog on nostalgic horror, plus reviews of Joe Dante’s underrated and very badly treated The Hole (Alliance / EOne), and the underrated Devil (Universal), the latter featuring a terrifying score by Velazquez.
Just uploaded is a podcast with Fernando Velazquez, the lauded Spanish composer of the current box office hit Mama. Also new: Editor’s Blog on nostalgic horror, plus reviews of Joe Dante’s underrated and very badly treated The Hole (Alliance / EOne), and the underrated Devil (Universal), the latter featuring a terrifying score by Velazquez.
Just uploaded is a podcast with Fernando Velazquez, the lauded Spanish composer of the current box office hit Mama. Also new: Editor’s Blog on nostalgic horror, plus reviews of Joe Dante’s underrated and very badly treated The Hole (Alliance / EOne), and the underrated Devil (Universal), the latter featuring a terrifying score by Velazquez.
Some quick TIFF Bell Lightbox news, and a review of Twilight Time’s High Time (1960), one of Bing Crosby’s last major roles during the sixties, co-starring a bevy of young snots including Fabian, Tuesday Weld, Yvonne Craig, and Richard Beymer.
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