The Mad Magician was one of the most successful 3D films during the format’s first theatrical wave, but it also felt like House of Wax’s lesser but not quite idiot cousin, and expectations for the former film to match the latter’s success in energy, quality, and ghoulishness…
Review of Jack Arnold’s superb 3D bug-eyed monster classic, It Came from Outer Space (1953), restored by the 3-D Film Archive and released by Universal in a 3D / 2D combo on Blu-ray.
A sci-fi classic of the first order, It Came from Outer Space is packed with a mass of genre clichés, some of which were seeded in a script co-authored by Ray Bradbury, but the film remains oddly fresh, perhaps because it’s neither a full-on bug-eyed monster movie, nor a minimalist thriller…
Two entries in Rita Hayworth’s separate comebacks in the 1950s: the restored 3D version of Miss Sadie Thompson (1953) on Blu from Twilight Time + Fire Down Below (1957) on DVD from Sony, and a lengthy Editor’s Blog on being ‘consistently unreasonable.’
In 1949, Rita Hayworth retired from Hollywood to marry Prince Aly Khan, but when the marriage began to fracture (due in part to Khan’s affairs with other women), Hayworth began to return to acting, and the pair formally divorced in 1953. Columbia’s goal was to bring back the Love Goddess in a series of vehicles tailored to her known, branded screen persona…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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