MacGillivray Freeman Films built a reputation for top-notch underwater and aerial cinematography in large film formats like IMAX, and The Living Sea manages to offer a good balance of stunning imagery showcasing underwater locations in Bar Harbor, Hawaii, Monterrey, and Palau…
Quick recap of this weekend’s interesting (to me) screenings, plus NASA’s video of the Dark Side of the Moon, and the Ontario Government’s decision to shut down most of Ontario Place forthwith, henceforce, herewith, and now, with the future of world’s first permanent IMAX theatre – the Cinesphere – up in the air.
This year marks the end of NASA’s shuttle program, and tied to the retirement of the fleet of three remaining ‘flying bricks’ are a trio of IMAX documentaries: Hubble 3D and Space Station 3D (both Warner Home Video), Solarmax from Sling Shot Entertainment, plus the 2000 non-IMAX Discovery Channel doc Inside the Space Station (Artisan)…
Return to: Home / Blu-ray, DVD, Film Reviews / S Film: Excellent/ DVD Transfer: Excellent/ DVD Extras: Excellent Label: Sling Shot Entertainment/ Region: 1 (NTSC) / Released: April 2, 2002 Genre: Documentary / Space / IMAX Synopsis: Informative and visually arresting documentary on the violent 11-year cycle when the sun’s polar regions shift, causing interstellar disturbances. […]
Return to: Home / Blu-ray, DVD, Film Reviews / S Film: Very Good/ DVD Transfer: Excellent/ DVD Extras: n/a Label: Warner Home Video/ Region: 1 (NTSC) / Released: July 15, 2005 Genre: Documentary / Astronomy / Space / IMAX Synopsis: IMAX documentary on the gradual assembly of the International Space Station’s first modular phases in Earth’s […]
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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