Return to: Home / Exclusive Interviews & Profiles / Music Producers . BABY STEPS (1977-1978) After co-founding Starlog Magazine in 1976 with partner Norman Jacobs, Kerry O’Quinn furthered his interest in the science-fiction and fantasy realms through a series of side projects under the Starlog banner, and perhaps the most fondly regarded are the handful of […]
Return to: Home / Exclusive Interviews & Profiles / Music Producers . The music in Derek Lawton’s new 3-disc set of Prisoner music is both testimony to the show’s enduring popularity – on DVD, Blu-ray and CD – and a validation of the quality music written by composers for the Chappell Music Library, one of […]
Return to: Home / Exclusive Interviews & Profiles / Music Producers . Interviewed in June for Kritzerland’s latest CD release, the original recording for Stephen Sondheim’s Evening Primrose, label bigwig Bruce Kimmel provides some backgound on this rare Sondheim work that’s pretty much been hidden from view since it’s telecast in 1966 on ABC, as […]
Return to: Home / Exclusive Interviews & Profiles / Music Producers . Since his first compilation albums from the 1950s – Backgrounds for Brando and Love Scenesfor Dot Records, in 1958 – Elmer Bernstein unofficially (and perhaps unconsciously) began preserving the fine work of his peers and idols. During the 1960s, he started to re-record […]
Return to: Home / Exclusive Interviews & Profiles / Music Producers . Mad Doctor of Blood Island marks the debut release from Elysee Productions, a new soundtrack label created by producer Tim Ferrante. A longtime soundtrack fan, Ferrante’s been under the spell of Tito Arevalo’s music for decades, and his long quest to release an […]
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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