{"id":115,"date":"2010-10-02T11:58:15","date_gmt":"2010-10-02T15:58:15","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?page_id=115"},"modified":"2011-05-25T10:07:40","modified_gmt":"2011-05-25T14:07:40","slug":"dvd-music-column-mftm-2001-2006","status":"publish","type":"page","link":"https:\/\/kqek.com\/mobile\/?page_id=115","title":{"rendered":"DVD Music Column (MFTM &#8211; Print Edition, 2001-2006)"},"content":{"rendered":"<p><em>Return to: \u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home<\/a> \/ <a href=\"http:\/\/kqek.com\/mobile\/?page_id=112\">DVD Music Column (Music from the Movies<\/a>)<\/em><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><span style=\"text-decoration: underline;\">Please note<\/span>: each link will open up a BIG jpeg scan of the original article. The list below is is reverse-chronological order, beginning with MFTM&#8217;s last print issue in 2006.<\/p>\n<ul>\n<li>Issue 50\/51 ,\u00a0<em>pages <\/em>107-108\u2014 \u201cThe Perfect Format \u201d \u2014 using a handful of DVD releases, the template for the perfect filmmusic concert disc is examined, exploiting the immense potemtial to capture and deliver live film music to the masses. [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM5051a.htm\" target=\"_blank\">1<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM5051b.htm\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li>Issue 48\/49 ,\u00a0<em>pages 43-44 <\/em>\u2014 Profile of Image Entertainment\u2019s boxed set,\u00a0<em><strong>The Films of Charles &amp; Ray Eames<\/strong><\/em>, focusing on the scores by Elmer Bernstein, plus the stellar documentary,\u00a0<em><strong>Shostakovich Against Stalin: The War Symphonies<\/strong><\/em>. [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM4849a.htm\" target=\"_blank\">1<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM4849b.htm\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li>Issue 47,\u00a0<em>pages 77-78<\/em> \u2014 \u201cAnd Now For Something A Little Bit Different\u201d \u2014 examination of three unique experimental films that employ dynamic original music scores:\u00a0<strong>Bodysong<\/strong> (featuring music by Jonny Greenwood),\u00a0<strong>Decasia <\/strong>(featuring an experimental score by Michael Gordon), and\u00a0<strong>The Mystery of Picasso<\/strong>(boosted by a lively, episodic score by Georges Auric). [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM47a.htm\" target=\"_blank\">1<\/a> &#8211;\u00a0<a href=\"http:\/\/mondomark.com\/wordpress\/?page_id=122\" target=\"_blank\"><\/a><a href=\"http:\/\/mondomark.com\/wordpress\/?page_id=122\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li>Issue 45\/46,\u00a0<em>pages 117-188<\/em> \u2014 \u201cReturning to The Twilight Zone\u201d \u2014 detailed examinations of Volumes 1 and 2 of the original\u00a0<strong>Twilight Zone<\/strong> series, with comments from Image Entertainment regarding the inclusion of isolated score tracks. [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM4546a.htm\" target=\"_blank\">1<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM4546b.htm\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li>Issue 44<em>, page 66 \u2014<\/em>\u201cThe Plight of the Mega-Trilogies\u201d \u2014<em>&#8211; <\/em>pros &amp; cons of elaborate boxed sets, focusing on the original\u00a0Star Wars Trilogy<em> <\/em>(Episodes 4-6), the\u00a0Matrix Trilogy,\u00a0and the\u00a0Lord of the Rings Trilogy. [Read<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM44.htm\" target=\"_blank\">HERE<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li>Issue 43,\u00a0<em>pages 64-66 \u2014<\/em>\u201cThe Restoration of William Walton\u2019s Battle of Britain\u201d \u2014 detailed, chronological history of Sir William Walton\u2019s rejected score, ultimately released on CD by Ryko and Varese Sarabande, and restored on DVD in MGM UK\u2019s Region 2 two-disc Special Edition. 2004 Interviews with original\u00a0<strong>Battle of Britain<\/strong> editor Timothy Gee, original recording engineer Eric Tomlinson, and album producer \/ music supervisor James Fitzpatrick. [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM43a.htm\" target=\"_blank\">1<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM43b.htm\" target=\"_blank\">2<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM43c.htm\" target=\"_blank\">3<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li><em>Issue 42, pages 100 &amp; 102 \u2014<\/em>\u201cThe Lord of the RIngs\u201d\u00a0<em>\u2014<\/em> the first two films spread out over four massive DVD releases. [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM42a.htm\" target=\"_blank\">1<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM42b.htm\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li><em>Issue 41, pages 100-102 \u2014<\/em>\u201cThe Alien Quadrilogy\u201d \u2014 detailed commentary on composer interviews in Twentieth Century-Fox\u2019 massive set. [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM41a.htm\" target=\"_blank\">1<\/a>&#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM41b.htm\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li><em>Issue 37, pages 29-32 \u2014<\/em>\u201cThe Composers Speak Part 3\u2033 \u2014 reviews of 14 DVDs with composer commentaries \/ isolated scores, released in 2003, spanning\u00a0<strong>The First Nudie Musical<\/strong><em>, <\/em><strong>The Lady In White<\/strong><em>,<\/em><strong>Frailty<\/strong><em>, <\/em><strong>Queen of the Damned<\/strong><em>, <\/em><strong>The Divine Secrets of the Ya-Ya Sisterhood<\/strong><em>, <\/em><strong>The Way of the Gun<\/strong><em>, <\/em><strong>Urban Legends 2: The Final Cut<\/strong><em>, <\/em><strong>The 6<\/strong><sup><strong>th<\/strong><\/sup><strong> Day<\/strong><em>, <\/em><strong>Starship Troopers<\/strong><em>, <\/em><strong>Death and the Compass<\/strong><em>, <\/em><strong>Final Fantasy: The Spirits Within<\/strong><em>, <\/em><strong>Titus<\/strong><em>, <\/em><strong>Planet of the Apes (2002)<\/strong><em>, <\/em>and\u00a0<strong>The Duellists<\/strong><em>. <\/em>[Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM37a.htm\" target=\"_blank\">1<\/a>&#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM37b.htm\" target=\"_blank\">2<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM37c.htm\" target=\"_blank\">3<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li><em>Issue 35\/36, pages 75-77 \u2014 <\/em>\u201cThe Composers Speak Part 2\u2033 \u2014 reviews of 12 DVDs with composer commentaries \/ isolated scores, released between 2001-2003, including\u00a0<strong>The Fog<\/strong><em>, <\/em><strong>Doctor Zhivago<\/strong><em>,<\/em><strong>Lawrence of Arabia<\/strong><em>, <\/em><strong>The Message \/ Mohammad: Messenger of God<\/strong><em>, <\/em><strong>Shaft<\/strong><em> (1971), <\/em><strong>Resident Evil<\/strong><em>, <\/em><strong>Blade 2<\/strong><em>, <\/em><strong>Moulin Rouge<\/strong><em>, , <\/em><strong>E.T.<\/strong><em>, <\/em><strong>Koyaanisqatsi<\/strong><em>, <\/em><strong>Powaaqatsi<\/strong><em>, <\/em><strong>Spider-Man<\/strong><em>, <\/em><strong>The Last Waltz<\/strong><em>, <\/em><strong>The Others<\/strong><em>, <\/em><strong>A Beautiful Mind<\/strong><em>, <\/em><strong>Hannibal<\/strong><em>, <\/em><strong>Crimson Rivers<\/strong><em>, <\/em><strong>Ghosts of Mars<\/strong><em>, <\/em><strong>The Cat \u2018O Nine Tails<\/strong><em>, <\/em><strong>Suspiria<\/strong><em>, <\/em><strong>Opera<\/strong><em>, <\/em>and\u00a0<strong>Solar Max<\/strong> <em>. [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM3536a.htm\" target=\"_blank\">1<\/a>&#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM3536b.htm\" target=\"_blank\">2<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM3536c.htm\">3<\/a> ]<\/em><\/li>\n<\/ul>\n<ul>\n<li><em>Issue 34, pages 64-5 \u2014<\/em>reviews of\u00a0<strong>Legend<\/strong>,\u00a0<strong>Rebecca<\/strong>,\u00a0<strong>Notorious<\/strong><em>, <\/em><strong>Traffic<\/strong><em>, <\/em><strong>The Image <\/strong><em>\/ <\/em><strong>The Punishment of Anne<\/strong><em>, <\/em><strong>The Women<\/strong><em>, <\/em><strong>The Harvey Girls<\/strong><em>, <\/em><strong>Re-Animator<\/strong>, and\u00a0<strong>The Usual Suspects<\/strong><em>. <\/em>[Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM34a.htm\" target=\"_blank\">1<\/a>&#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM34b.htm\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li><em>Issue 33, page 69 \u2014<\/em>reviews of\u00a0<strong>First Men In The Moon<\/strong><em>, <\/em><strong>Barabbas<\/strong><em>, <\/em><strong>The Bad And The Beautiful<\/strong><em>, <\/em><strong>Little Women<\/strong><em> (1933), <\/em>and\u00a0<strong>The Saragossa Manuscript<\/strong><em>.<\/em><em><strong> <\/strong><\/em>[Read<em> <a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM33.htm\" target=\"_blank\">HERE<\/a><\/em> ]<\/li>\n<\/ul>\n<ul>\n<li><em>Issue 31\/32, pages 98-101, <\/em>\u201cThe Composers Speak Part 1\u2033\u00a0<em>\u2014<\/em> reviews of 20 DVDs with composer commentaries \/ isolated scores, released between 1999-2001, including\u00a0<strong>Ravenous<\/strong><em>, <\/em><strong>Boiler Room<\/strong><em>, <\/em><strong>Book of Shadows: Blair Witch 2<\/strong><em>, <\/em><strong>The Corruptor<\/strong><em>, <\/em><strong>The Matrix<\/strong><em>, <\/em><strong>Joan of Arc <\/strong><em>(1927), <\/em><strong>Pee Wee\u2019s Big Adventure<\/strong><em>,<\/em><strong>Edward Scissorhands<\/strong><em>, <\/em><strong>The Family Man<\/strong><em>, <\/em><strong>Hollow Man<\/strong><em>, <\/em><strong>Blade<\/strong><em>, <\/em><strong>Fly Away Home<\/strong><em>, <\/em><strong>Frequency<\/strong><em>, <\/em><strong>Pleasantville<\/strong><em>,<\/em><strong>Rush Hour<\/strong><em>, <\/em><strong>Se7en<\/strong><em>, <\/em><strong>Tenebre<\/strong><em>, <\/em><strong>Phenomena<\/strong><em>, <\/em><strong>Final Destination<\/strong><em>, <\/em>and\u00a0<strong>City of Angels<\/strong><em>.<\/em> [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM3132a.htm\" target=\"_blank\">1<\/a>&#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM3132b.htm\" target=\"_blank\">2<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM3132c.htm\" target=\"_blank\">3<\/a> &#8211;\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM3132d.htm\" target=\"_blank\">4<\/a> ]<\/li>\n<\/ul>\n<ul>\n<li><em>Issue 29, pages 68-69, <\/em>\u201cThe Omen Quartet on DVD.\u201d [Read Parts\u00a0<a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM29a.htm\" target=\"_blank\">1<\/a>&#8211;\u00a0<a href=\"http:\/\/mondomark.com\/wordpress\/?page_id=122\" target=\"_blank\"><\/a><a href=\"http:\/\/www.kqek.com\/mrh_cv\/mftm_column\/MFTM29b.htm\" target=\"_blank\">2<\/a> ]<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Return to: \u00a0Home \/ DVD Music Column (Music from the Movies) . Please note: each link will open up a BIG jpeg scan of the original article. The list below is is reverse-chronological order, beginning with MFTM&#8217;s last print issue in 2006. Issue 50\/51 ,\u00a0pages 107-108\u2014 \u201cThe Perfect Format \u201d \u2014 using a handful of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":112,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8nuyW-1R","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/115"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=115"}],"version-history":[{"count":5,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/115\/revisions"}],"predecessor-version":[{"id":2961,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/115\/revisions\/2961"}],"up":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/112"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}