{"id":1490,"date":"2010-11-18T00:56:57","date_gmt":"2010-11-18T05:56:57","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?page_id=1490"},"modified":"2015-01-14T02:31:43","modified_gmt":"2015-01-14T07:31:43","slug":"soundtrack-reviews-e","status":"publish","type":"page","link":"https:\/\/kqek.com\/mobile\/?page_id=1490","title":{"rendered":"Soundtrack Reviews – E"},"content":{"rendered":"

To distinguish material that’s still archived at the old KQEK.com website, these soundtrack reviews (still to be integrated into the new database) do not\u00a0appear in bold. They are no less ripe with content, however, but may have display issues on certain devices.<\/p>\n

\n

A<\/a>\u00a0 | \u00a0B<\/a>\u00a0\u00a0| \u00a0C<\/a>\u00a0\u00a0| \u00a0D<\/a>\u00a0\u00a0| \u00a0E<\/a>\u00a0\u00a0| \u00a0F<\/a>\u00a0\u00a0| \u00a0G<\/a>\u00a0\u00a0| \u00a0H<\/a>\u00a0\u00a0| \u00a0I<\/a>\u00a0\u00a0| \u00a0J<\/a>\u00a0\u00a0| \u00a0K<\/a> \u00a0| \u00a0L<\/a> \u00a0| \u00a0M<\/a> \u00a0| \u00a0N<\/a><\/strong><\/strong>\u00a0 | \u00a0O<\/a> \u00a0| \u00a0P<\/a> \u00a0| \u00a0Q<\/a> \u00a0| \u00a0R<\/a> \u00a0| \u00a0S<\/a> \u00a0| \u00a0T<\/a> \u00a0| \u00a0U<\/a> \u00a0 \u00a0\u00a0V<\/a>\u00a0 | \u00a0W<\/a> \u00a0| \u00a0X<\/a> \u00a0| \u00a0Y<\/a> \u00a0| \u00a0Z<\/a><\/strong><\/p>\n

 <\/p>\n

Eagle, The<\/a> (2011)<\/p>\n

El Cid<\/a> (1961)<\/p>\n

Electricity (2014)<\/strong><\/a><\/p>\n

Eroina <\/a>(1971)<\/p>\n

Evening Primrose<\/a> (1966)<\/p>\n

Evil Dead<\/a> (2013)<\/p>\n

Exorcist, The <\/a>(1973)<\/span><\/span><\/p>\n

 <\/p>\n

A<\/a>\u00a0 | \u00a0B<\/a>\u00a0\u00a0| \u00a0C<\/a>\u00a0\u00a0| \u00a0D<\/a>\u00a0\u00a0| \u00a0E<\/a>\u00a0\u00a0| \u00a0F<\/a>\u00a0\u00a0| \u00a0G<\/a>\u00a0\u00a0| \u00a0H<\/a>\u00a0\u00a0| \u00a0I<\/a>\u00a0\u00a0| \u00a0J<\/a>\u00a0\u00a0| \u00a0K<\/a> \u00a0| \u00a0L<\/a> \u00a0| \u00a0M<\/a> \u00a0| \u00a0N<\/a><\/strong><\/strong>\u00a0 | \u00a0O<\/a> \u00a0| \u00a0P<\/a> \u00a0| \u00a0Q<\/a> \u00a0| \u00a0R<\/a> \u00a0| \u00a0S<\/a> \u00a0| \u00a0T<\/a> \u00a0| \u00a0U<\/a> \u00a0 \u00a0\u00a0V<\/a>\u00a0 | \u00a0W<\/a> \u00a0| \u00a0X<\/a> \u00a0| \u00a0Y<\/a> \u00a0| \u00a0Z<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

To distinguish material that’s still archived at the old KQEK.com website, these soundtrack reviews (still to be integrated into the new database) do not\u00a0appear in bold. They are no less ripe with content, however, but may have display issues on certain devices. A\u00a0 | \u00a0B\u00a0\u00a0| \u00a0C\u00a0\u00a0| \u00a0D\u00a0\u00a0| \u00a0E\u00a0\u00a0| \u00a0F\u00a0\u00a0| \u00a0G\u00a0\u00a0| \u00a0H\u00a0\u00a0| \u00a0I\u00a0\u00a0| \u00a0J\u00a0\u00a0| \u00a0K \u00a0| […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1474,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8nuyW-o2","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/1490"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1490"}],"version-history":[{"count":12,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/1490\/revisions"}],"predecessor-version":[{"id":10454,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/1490\/revisions\/10454"}],"up":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/1474"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}