To distinguish material that’s still archived at the old KQEK.com website, these reviews (still to be integrated into the new database) do not\u00a0appear in bold. They are no less ripe with content, however, but may have display issues on certain devices.<\/p>\n
A<\/a>\u00a0 | \u00a0B<\/a>\u00a0\u00a0| \u00a0C<\/a>\u00a0\u00a0| \u00a0D<\/a>\u00a0\u00a0| \u00a0E<\/a>\u00a0\u00a0| \u00a0F<\/a>\u00a0\u00a0| \u00a0G<\/a>\u00a0\u00a0| \u00a0H<\/a>\u00a0\u00a0| \u00a0I<\/a>\u00a0\u00a0| \u00a0J<\/a>\u00a0\u00a0| \u00a0K<\/a>\u00a0\u00a0| \u00a0L<\/a>\u00a0\u00a0| \u00a0M<\/a>\u00a0\u00a0| \u00a0<\/strong>N<\/a>\u00a0\u00a0| \u00a0O<\/a>\u00a0\u00a0| \u00a0P<\/a>\u00a0\u00a0| \u00a0Q<\/a>\u00a0\u00a0| \u00a0R<\/a>\u00a0\u00a0| \u00a0S<\/a>\u00a0\u00a0| \u00a0T<\/a>\u00a0\u00a0| \u00a0U<\/a>\u00a0\u00a0 \u00a0\u00a0V<\/a>\u00a0 | \u00a0W<\/a>\u00a0\u00a0| \u00a0X<\/a>\u00a0\u00a0| \u00a0Y<\/a>\u00a0\u00a0| \u00a0Z<\/a><\/strong><\/p>\n <\/p>\n <\/p>\n P2 (2007)<\/a><\/p>\n Package, The (1989)<\/strong><\/a><\/p>\n Paganini Horror (1989)<\/strong><\/a><\/p>\n Painkiller Jane (2005)<\/a><\/p>\n Painkiller Jane (2007)<\/a><\/p>\n Painted Desert, The (1931)<\/a><\/p>\n Painted Hills, The (1951) <\/a><\/p>\n Pal Joey (1957) <\/strong><\/a><\/p>\n Pandora and the Flying Dutchman (1951) <\/a><\/p>\n Pandorum (2009) <\/a><\/p>\n Panic in the Streets (1950) <\/a><\/strong><\/p>\n Panic in Year Zero! (1962) <\/a><\/p>\n Paper Heart (2009) <\/a><\/p>\n Party, The (1968)<\/a><\/p>\n Passenger, The \u00a0\/ Passager, le (2014)<\/a><\/strong><\/p>\n Passion of Anna \/ En Passion (1969) <\/a><\/p>\n Patch of Blue (1965) <\/a><\/p>\n Patrick (1978)<\/a><\/p>\n Paura: Lucio Fulci Remembered, Vol. 1 (2008) <\/a><\/strong><\/p>\n Peacock (2009) <\/a><\/p>\n People from Space (1999)<\/a><\/p>\n Perdita Durango \/ Dance with the Devil (1997)<\/strong><\/a><\/p>\n Perfume of the Lady in Black, The \/ Il profumo della signora in nero (1974) <\/strong><\/a><\/p>\n Persona (1966) <\/a><\/p>\n Peter and the Wolf \/ Sergei Prokofiev’s Peter and the Wolf (2006) <\/a><\/p>\n Peyton Place (1957) <\/a><\/strong><\/p>\n Phantom, The (1931) <\/strong><\/a><\/p>\n Phantom from Space (1953) <\/a><\/p>\n Phantom Light, The (1935)<\/a><\/strong><\/p>\n Phantom of the Opera (1925)<\/strong><\/a><\/p>\n Phantom Planet, The (1961) <\/strong><\/a><\/p>\n Phase IV (1974) <\/a><\/p>\n Phenomena (1985) <\/a><\/p>\n Philadelphia (1993) <\/strong><\/a><\/p>\n Phobia \/ Phobia: A Descent Into Terror (1980) <\/strong><\/a><\/p>\n Picnic (1955)<\/strong><\/a><\/p>\n Pioneer \/ Pioner (2013)<\/strong><\/a><\/p>\n Pipeline \/ Truba (2013)<\/strong><\/a><\/p>\n Piranha \/ Piranhas (1995)<\/a><\/p>\n Piranha 2: The Spawning (1981) <\/a><\/p>\n Piranha 3D (2010) <\/a><\/p>\n Piranha 3DD (2012) <\/strong><\/a><\/p>\n Pirates (1986)<\/a><\/p>\n Pirates of Blood River, The (1962)<\/a><\/strong><\/p>\n Piscine, La \/ The Swimming Pool (1969)<\/strong><\/a><\/p>\n Pit Stop (1969)<\/strong><\/a><\/p>\n Play Dirty (1969)<\/strong><\/a><\/p>\n Play Misty For Me (1971)<\/a><\/p>\n Pleasures of Being Out of Step, The (2013)<\/strong><\/a><\/p>\n Plot to Kill Hitler, The (1990) <\/a><\/p>\n Poltergeist (1982) <\/strong><\/a><\/p>\n Polytechnique (2009)<\/a><\/p>\n Pony Soldier (1952) <\/strong><\/a><\/p>\n Poor Ones, The \/ Poor, The \/ Miserable, The \/ Zavallilar (1975)<\/a><\/p>\n Port of Shadows \/ Le Quai des brumes (1938) <\/a><\/p>\n Poseidon (2006)<\/a><\/p>\n Poseidon Adventure, The (2005)<\/a><\/p>\n Possession of Joel Delaney, The (1972) <\/a><\/p>\n Postman Always Rings Twice, The (1946)<\/a><\/p>\n Pound of Flesh (2010) <\/strong><\/a><\/p>\n Power, The (1984)<\/strong><\/a><\/p>\n Prayer for the Dying, A (1987)<\/a><\/strong><\/p>\n President\u2019s Lady, The (1953)<\/strong><\/a><\/p>\n Prettykill \/ Tomorrow’s Killer (1987)<\/strong><\/a><\/p>\n Prime of Miss Jean Brodie, The (1968) <\/a><\/strong><\/p>\n Primeval (2007) <\/a><\/p>\n Privilege (1967) <\/a><\/p>\n Prince of Foxes, The (1949) <\/a><\/p>\n Prince Valiant (1954)<\/a><\/p>\n Private \/ Fallo! (2003)<\/a><\/strong><\/p>\n Private Lives of Elizabeth and Essex, The (1939) <\/a><\/p>\n Project Moon Base (1953)<\/strong><\/a><\/p>\n Prom Night (1980)<\/strong><\/a><\/p>\n Prophecy (1979)<\/a><\/p>\n Provocation \/ Provocazione (1995)<\/a><\/p>\n Pruitt-Igoe Myth, The (2011) <\/a><\/p>\n Psych-Out (1968) <\/a><\/p>\n Public Enemy, The (1931) <\/strong><\/a><\/p>\n Pulgasari \/ Bulgasari (1985)<\/a><\/p>\n Pumping Iron (1977) <\/a><\/p>\n Punishment Park (1971)<\/a><\/p>\n Puphedz: The Tattle-tale Heart (2002)<\/a><\/p>\n Purple Rose of Cairo, The (1985)<\/strong><\/a><\/p>\n Putty Hill (2010)<\/a><\/strong><\/p>\n <\/p>\n A<\/a>\u00a0 | \u00a0B<\/a>\u00a0\u00a0| \u00a0C<\/a>\u00a0\u00a0| \u00a0D<\/a>\u00a0\u00a0| \u00a0E<\/a>\u00a0\u00a0| \u00a0F<\/a>\u00a0\u00a0| \u00a0G<\/a>\u00a0\u00a0| \u00a0H<\/a>\u00a0\u00a0| \u00a0I<\/a>\u00a0\u00a0| \u00a0J<\/a>\u00a0\u00a0| \u00a0K<\/a>\u00a0\u00a0| \u00a0L<\/a>\u00a0\u00a0| \u00a0M<\/a>\u00a0\u00a0| \u00a0<\/strong>N<\/a>\u00a0\u00a0| \u00a0O<\/a>\u00a0\u00a0| \u00a0P<\/a>\u00a0\u00a0| \u00a0Q<\/a>\u00a0\u00a0| \u00a0R<\/a>\u00a0\u00a0| \u00a0S<\/a>\u00a0\u00a0| \u00a0T<\/a>\u00a0\u00a0| \u00a0U<\/a>\u00a0\u00a0 \u00a0\u00a0V<\/a>\u00a0 | \u00a0W<\/a>\u00a0\u00a0| \u00a0X<\/a>\u00a0\u00a0| \u00a0Y<\/a>\u00a0\u00a0| \u00a0Z<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" To distinguish material that’s still archived at the old KQEK.com website, these reviews (still to be integrated into the new database) do not\u00a0appear in bold. They are no less ripe with content, however, but may have display issues on certain devices. A\u00a0 | \u00a0B\u00a0\u00a0| \u00a0C\u00a0\u00a0| \u00a0D\u00a0\u00a0| \u00a0E\u00a0\u00a0| \u00a0F\u00a0\u00a0| \u00a0G\u00a0\u00a0| \u00a0H\u00a0\u00a0| \u00a0I\u00a0\u00a0| \u00a0J\u00a0\u00a0| \u00a0K\u00a0\u00a0| \u00a0L\u00a0\u00a0| \u00a0M\u00a0\u00a0| […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":615,"menu_order":16,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8nuyW-ab","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/631"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=631"}],"version-history":[{"count":76,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/631\/revisions"}],"predecessor-version":[{"id":20503,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/631\/revisions\/20503"}],"up":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/615"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}