{"id":76,"date":"2010-09-27T20:48:31","date_gmt":"2010-09-28T00:48:31","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?page_id=76"},"modified":"2010-12-02T00:06:50","modified_gmt":"2010-12-02T05:06:50","slug":"music-producers-label-producers-label-profiles","status":"publish","type":"page","link":"https:\/\/kqek.com\/mobile\/?page_id=76","title":{"rendered":"MUSIC PRODUCERS (Label Producers, Label Profiles)"},"content":{"rendered":"

Return to: Home <\/a>\/ Exclusive Interviews & Profiles <\/a><\/em><\/p>\n

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MIKAEL CARLSSON<\/a><\/strong> (soundtrack producer \/ distributor \/ writer)<\/em> MovieScore Media label producer Mikael Carlsson talks about his pioneering steps to establish an online soundtrack service, and the success he’s enjoyed in making available fresh film music from up-and-coming composers as downloadable MP3 albums. There’s several key reasons why the digital format continues to make inroads on the traditional CD format.<\/p>\n

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JAMES CIRRONELLA<\/a><\/strong> (producer<\/em>) <\/span>Jim Cirronella discusses the production of the definitive Night of the Living Dead<\/strong> soundtrack CD which features all the Capitol Hi-Q music that director George Romero used to score the film.<\/p>\n

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TIM FERRANTE<\/a><\/strong> (soundtrack producer) <\/em>Tim Ferrnate discusses Elysee Productions’ debut CD release, Tito Arevalo’s Mad Doctor of Blood Island<\/strong>, and the nature of releasing rare soundtracks composed for cult exploitation shockers.<\/p>\n

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GEORGE FOX \/ 2M1 RECORDS<\/a><\/strong> (soundtrack producer)<\/em> 2M1 Records’ co-owner George Fox describes the soundtrack label’s machinations, and the resilience of the compact disc among collectors and audiophile connoisseurs.<\/p>\n

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LUKAS KENDALL<\/a><\/strong> (soundtrack producer \/ editor \/ publisher)<\/em> Lukas Kendall talks about Film Score Monthly’s latest release – the megaset of Elmer Bernstein’s legendary Film Music Collection! Spanning 13 albums released during the seventies, the series was funded by the composer himself, and recorded with first-rate musicians and recording engineers.<\/p>\n

Long a Holy Grail among collectors, Bernstein’s re-recorded suites were the only source to enjoy rare, previously unreleased music by Bernard Herrmann, Alfred Newman, Alex North, Miklos Rozsa, Dimitri Tiomkin, and Franz Waxman, and after a nearly 30-year absence, they’re back in a limited set.<\/p>\n

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BRUCE KIMMEL<\/strong><\/a> (soundtack producer \/ filmmaker)<\/em> – 2010 – Soundtrack producer Bruce Kimmel discusses releasing the music of Albert Glasser (The Boy and the Pirates<\/strong>) and Hugo Friedhofer (One-Eyed Jacks<\/strong>) on his Kritzerland label.<\/p>\n

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BRUCE KIMMEL<\/a><\/strong> (soundtack producer \/ filmmaker) – 2008 – <\/em>Interviewed in June for Kritzerland’s latest CD release, the original recording for Stephen Sondheim’s Evening Primrose<\/strong>, Bruce Kimmel provides some backgound on this rare Sondheim work that’s pretty much been hidden from view since it’s telecast in 1966 on ABC, as part of the network’s short-lived Studio 67 series.<\/p>\n

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DEREK LAWTON<\/a><\/strong> (producer<\/em>) An interview with CD producer Derek Lawton regarding the production & release of the new 3-disc soundtrack set, The Prisoner: The Complete Chappell Recorded Music Library Cues<\/strong>.<\/p>\n

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KERRY O’QUINN<\/a><\/strong> (soundtrack producer \/ editor \/ publisher)<\/em> During the 1970s and 1980s, Kerry O’Quinn, co-founder of Starlog Magazine<\/strong>, produced a series of notable soundtrack albums that today remain benchmarks of quality and production, plus time capsules of a period when the commercial viability of film music was deemed by some as ‘foolhardy.’<\/p>\n

Showcasing the music of Bernard Herrmann, Ferde Grof\u00e9, and the still-forgotten Albert Glasser, our lengthy WKME-enhanced conversation chronicles the launch of Starlog Records<\/strong>, it’s unique projects, and O’Quinn’s eventual decision to change careers after a long and fruitful involvement with Starlog<\/strong>‘s diverse enterprises.<\/p>\n

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DAVID SCHECTER<\/strong> (soundtrack producer)<\/em> Herman’s Stein’s robust dramatic score for Charles Beaumont’s The Intruder<\/strong> (1962) is discussed in the first <\/a>of our three-part interview with Monstrous Movie Music producer David Schecter.<\/p>\n

In the second<\/a> of our three-part interview with\u00a0Schecter, we discuss the premiere release of Ralph Carmichael’s original score for The Blob<\/strong> (1958).<\/p>\n

In the third part<\/a> of our three-part interview,\u00a0Schecter discusses the Valentino library cues used in the B-movies like The Brain That Wouldn’t Die.<\/strong><\/p>\n

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Return to: Home \/ Exclusive Interviews & Profiles . . MIKAEL CARLSSON (soundtrack producer \/ distributor \/ writer) MovieScore Media label producer Mikael Carlsson talks about his pioneering steps to establish an online soundtrack service, and the success he’s enjoyed in making available fresh film music from up-and-coming composers as downloadable MP3 albums. There’s several […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":63,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8nuyW-1e","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/76"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=76"}],"version-history":[{"count":25,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/76\/revisions"}],"predecessor-version":[{"id":1746,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/76\/revisions\/1746"}],"up":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/pages\/63"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}