{"id":10016,"date":"2014-11-07T14:54:33","date_gmt":"2014-11-07T19:54:33","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=10016"},"modified":"2014-11-08T03:15:13","modified_gmt":"2014-11-08T08:15:13","slug":"elia-cmiral-podcast","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=10016","title":{"rendered":"Elia Cmiral Podcast"},"content":{"rendered":"<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/EliaCmiral_pic_m.jpg\"><img loading=\"lazy\" class=\"alignleft  wp-image-10020\" alt=\"EliaCmiral_pic_m\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/EliaCmiral_pic_m.jpg\" width=\"300\" height=\"200\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/EliaCmiral_pic_m.jpg 500w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/EliaCmiral_pic_m-300x200.jpg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Elia Cmiral is one of Hollywood\u2019s golden secrets \u2013 a composer skilled in writing for large orchestra, electronics, and hybridizing sounds from both disciplines into dynamic scores for any genre.<\/p>\n<p>Best-known for the breakthrough scores for the 1988 cult thriller <strong>Apartment Zero<\/strong> (screaming for a special edition Blu-ray release) and John Frankenheimer\u2019s <strong>Ronin <\/strong>(1998), Cmiral\u2019s also scored period dramas like Juraj Herz\u2019 <strong>Habermann<\/strong> (2010), and a multitude of horror films, including the 2008 indie shocker\u00a0<strong>Splinter<\/strong> (a beautiful soundscape of mangled electronica), and the vicious scores for\u00a0<a href=\"http:\/\/www.kqek.com\/dvd_reviews\/v2z\/2646_WrongTurn2003.htm\"><strong>Wrong Turn<\/strong><\/a>\u00a0(2003) and <strong>The Deaths of Ian Stone<\/strong> (2007).<\/p>\n<p>His latest works include the shocker <strong>Cam2Cam<\/strong>, and the third part of the <strong>Atlas Shrugged <\/strong>series,<strong> Who is John Galt?<\/strong>\u00a0of which the grandly orchestral music is available on CD directly from Atlas Productions, and digitally from iTunes and Amazon.com.<\/p>\n<p>In our conversation, Cmiral discusses scoring <strong>Who is John Galt?<\/strong> and <strong>Cam2Cam<\/strong>, plus being the subject of a new documentary by fellow Czech director Petr Kanka \u2013 <strong><a href=\"http:\/\/www.imdb.com\/title\/tt3976336\/combined\" target=\"window\">Elia Cmiral: Part 1<\/a><\/strong>, which premiered at the <a href=\"http:\/\/www.ceskatelevize.cz\/ct24\/kultura\/287781-hollywoodsky-skladatel-elia-cmiral-stesti-i-praci-hledam-v-zahranici\/\" target=\"window\">Golden Prague International Television Festival<\/a>.<\/p>\n<p>Hopefully the doc will be released on video, if not online, for everyone to enjoy.<\/p>\n<p>I\u2019ll have related soundtrack reviews shortly \u2013 I\u2019m just finishing up on posting a Q&amp;A with director Dante Tomaselli at my Rue Morgue blog \u2013 but here\u2019s the link for the podcast on Youtube:<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/65zkUmm94bs?list=PL2p8vQBk0xcuBPZPh1WDA_YGg2X-DQaSE\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>Those interested in the visuals can see HD extracts and read some background info at <a href=\"http:\/\/bigheadamusements.com\/wordpress\/?p=1523\" target=\"window\">Big Head Amusements<\/a>.<\/p>\n<p>Lastly, feel free to check out the <a href=\"http:\/\/kqek.com\/mobile\/?page_id=11\">Interview Archive<\/a> to read my prior interviews with Cmiral.<\/p>\n<p>Cheers,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Podcast interview with composer Elia Cmiral regarding Atlas Shrugged Part 3, Cam2Cam, and being the subject of a new documentary by Czech director Petr Kanka.<\/p>\n","protected":false},"author":1,"featured_media":10019,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,11],"tags":[3111,3108,27,2562,2563,3109,3110,4214],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/EliaCmiralpodcast_featured.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-2By","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10016"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10016"}],"version-history":[{"count":7,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10016\/revisions"}],"predecessor-version":[{"id":10035,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10016\/revisions\/10035"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/10019"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}