{"id":10028,"date":"2014-11-08T16:51:32","date_gmt":"2014-11-08T21:51:32","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=10028"},"modified":"2015-12-01T14:09:12","modified_gmt":"2015-12-01T19:09:12","slug":"an-interview-with-torture-chambers-director-dante-tomaselli","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=10028","title":{"rendered":"An Interview with Torture Chamber&#8217;s director, Dante Tomaselli"},"content":{"rendered":"<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/TortureChamber_poster.jpg\"><img loading=\"lazy\" class=\"alignleft  wp-image-10042\" alt=\"TortureChamber_poster\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/TortureChamber_poster.jpg\" width=\"192\" height=\"288\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/TortureChamber_poster.jpg 320w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/TortureChamber_poster-200x300.jpg 200w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/a>Just posted are reviews of Dante Tomaselli\u2019s latest film release, <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=10025\">Torture Chamber<\/a><\/strong> (Cinedigm Home Entertainment), and the first of the director\u2019s three soundtrack \/ concept albums, the haunted house music-effects immersion <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=10027\">Scream in the Dark<\/a><\/strong> (MVD Audio \/ Elite Home Entertainment), and if you jump over to my <a href=\"http:\/\/kqek.com\/mobile\/?p=12226\">Rue Morgue blog<\/a>, I\u2019ve a lengthy interview with the director on the making of <strong>Torture Chamber<\/strong> plus the cancelled thriller <strong>The Ocean<\/strong>, and his first two albums, including <strong>The Doll<\/strong>, which is reviewed in the November issue of Rue Morgue. (Those interested in a prior and equally lengthy Q&amp;A I did with Tomaselli can go <a href=\"http:\/\/kqek.com\/mobile\/?p=991\">HERE<\/a>.)<\/p>\n<p>Also in this month\u2019s RM is my review of the really neat faux soundtrack album <strong>Videogram<\/strong> (blending aspects of John Carpenter and Goblin), and the nutbar \/ not-really a sequel to <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/n2o\/2106_Nosferatu1979.htm\">Nosferatu<\/a> <\/strong>(1979), the Klaus Kinski mess <strong>Prince of the Night<\/strong> \/ aka <strong>Nosferatu in Venice<\/strong> \/ aka <strong>Vampire in Venice<\/strong> (One 7 Movies), which had a hugely troubled production history before being released in 1988.<\/p>\n<p>\u2018Round Monday I\u2019ll have some soundtrack reviews, followed by another Twilight Time Goes to War installment, featuring a pairing of their new Blu-ray edition of Oliver Stone\u2019s <strong>Salvador<\/strong> (1986) and a related film co-starring Elpedia Carrillo that\u2019s reviewed from, er, a Betamax source.<\/p>\n<p>Cheers,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interview with Torture Chamber director Dante Tomaselli on the making of his latest film and his series of atmospheric horror albums, plus related review links.<\/p>\n","protected":false},"author":1,"featured_media":10043,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,11],"tags":[70,2562,2563,3114,3113,3112,3115],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/11\/TortureChamber_featured.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-2BK","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10028"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10028"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10028\/revisions"}],"predecessor-version":[{"id":12715,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10028\/revisions\/12715"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/10043"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}