{"id":10780,"date":"2015-02-19T12:31:08","date_gmt":"2015-02-19T17:31:08","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=10780"},"modified":"2015-02-19T12:52:52","modified_gmt":"2015-02-19T17:52:52","slug":"soundtrack-reviews-24","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=10780","title":{"rendered":"Soundtrack Reviews"},"content":{"rendered":"<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-8421\" alt=\"FilmMusicReviews_square_pic\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg\" width=\"308\" height=\"251\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg 308w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic-300x244.jpg 300w\" sizes=\"(max-width: 308px) 100vw, 308px\" \/><\/a>I\u2019m currently finishing up on my podcast interview with composer Craig Safan \u2013 expect soundtrack reviews of <strong>The Last Starfighter<\/strong> (1984) and <strong>Warning Sign<\/strong> (1985) to flank the Q&amp;A \u2013 but here are six reviews featuring a diversity of innovative talent.<\/p>\n<p>Following in the footsteps of my <a href=\"http:\/\/kqek.com\/mobile\/?p=10634\">podcast interview<\/a> with John Murphy is a review of <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=10793\" target=\"window\">Anonymous Rejected Filmscore<\/a><\/strong> (Taped Noise), Antonio Sanchez&#8217; drum score for <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=10790\" target=\"window\">Birdman<\/a><\/strong> (Milan Records), Frederik Wiedmann\u2019s music from Paul Schrader\u2019s <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=10788\" target=\"window\">Dying of the Light<\/a><\/strong> (Lakeshore Records), Tyler Bates and Joel J. Richard\u2019s <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=10785\" target=\"window\">John Wick<\/a><\/strong> (Varese Sarabande), the jazz + bonus score cuts by Clark Terry, Justin Kauflin and Dave Grusin from<strong>\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?p=10782\" target=\"window\">Keep on Keepin\u2019 On<\/a><\/strong> (Varese Sarabande), and James Newton Howard\u2019s <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=10778\" target=\"window\">Nightcrawler<\/a>\u00a0<\/strong>(Lakeshore Records).<\/p>\n<p>Lots to do, so this update\u2019s super-brief, but expect DVD reviews of <strong>Birdman <\/strong>and <strong>Dying of the Light<\/strong> sometime next week. Really curious to see how the latter plays, given Schrader and others have essentially disowned the film after studio meddling.<\/p>\n<p><em>Coming shortly<\/em>: reviews of two Burt Lancaster classics on Blu-ray \u2013 <strong>Birdman of Alcatraz<\/strong> (Twilight Time) and <strong>The Swimmer<\/strong> (Grindhouse Releasing).<\/p>\n<p>Cheers,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soundtrack reviews of John Murphy&#8217;s Anonymous Rejected Filmscore (Taped Noise), Antonio Sanchez&#8217; Birdman (Milan Records), Frederik Wiedmann\u2019s Dying of the Light + James Newton Howard\u2019s Nightcrawler (Lakeshore Records), and Tyler Bates &#038; Joel J. Richard\u2019s John Wick + Keep on Keepin\u2019 On (Varese Sarabande).<\/p>\n","protected":false},"author":1,"featured_media":8422,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[3358,3398,3399,3319,2878,3401,2562,58,2563,1455,3400,43,3371,3320,3323,3377,4213,438],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_630x300.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-2NS","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10780"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10780"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10780\/revisions"}],"predecessor-version":[{"id":10815,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/10780\/revisions\/10815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/8422"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}