{"id":11140,"date":"2015-03-18T14:28:44","date_gmt":"2015-03-18T18:28:44","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=11140"},"modified":"2015-03-18T14:28:44","modified_gmt":"2015-03-18T18:28:44","slug":"cd-cinderella-2015","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=11140","title":{"rendered":"CD: Cinderella (2015)"},"content":{"rendered":"

\u00a0<\/i><\/span><\/p>\n

\"Cinderella2015\"<\/a>Score<\/strong>: Very Good<\/p>\n

Label<\/strong>:\u00a0Walt Disney Records<\/a><\/p>\n

Released:<\/strong>\u00a0\u00a0<\/span>March 10, 2015<\/p>\n

Tracks \/ Album Length:<\/strong> \u00a030 tracks \/ 76 mins.<\/p>\n

Composer:<\/strong> Patrick Doyle<\/p>\n

Special Notes:<\/strong>\u00a0 n\/a<\/span><\/p>\n

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Review:<\/strong><\/p>\n

Patrick Doyle\u2019s score for Disney\u2019s 2015 version of the classic fairy tale is a graceful, buoyant work distinguished by an incredible lightness, due in large part to an orchestral palette emphasizing light woodwinds, gentle string passages, and a rather romantic piano accompaniment. The score\u2019s opening track, \u201cA Golden Childhood,\u201d features an energetic midsection reminiscent of Disney\u2019s own classic animated feature films where themes halt, encircle, and leap with youthful-like energy, and strings tend to sweep or lull the listener into states of calm or wonderment. It\u2019s a writing style framed by a classical film scoring artifice, dripping with sentimental theme renditions with the occasional dark shades in lower strings.<\/p>\n

The plus side is Doyle\u2019s score is very charming and intricately orchestrated – the orchestra\u2019s performance is really<\/i> lovely \u2013 but it\u2019s very much a mono-thematic score, and even at its midpoint, on album it begs for some different shades, if not secondary and tertiary thematic material, but most of the album features an interpolation of score and source material, of which the latter comes in the form of waltzes, polkas, and other traditional dances which are lovely, but most are cut from the same main theme. Even a return to tender theme versions like \u201cA Secret Garden\u201d reiterates the same emotional information, making Cinderella<\/b> of interest primarily to avid Doyle fans, and those clearly enchanted by Disney\u2019s latest take on a iconic fable.<\/p>\n

Disney\u2019s album features a perfectly engineered score and the shorter dance pieces, plus a contemporary vocal version of the main theme, an orchestral vocal, and Helena Bonham Carter crooning the classic \u201cBibbidi Bobbidi Boo.\u201d<\/p>\n

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\u00a0<\/span><\/p>\n

\u00a9 2015 Mark R. Hasan<\/p>\n

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Additional Links:<\/strong>
\nEditor’s Blog<\/a> — Composer on IMDB<\/a> \u00a0— \u00a0Composer Filmography<\/a> —\u00a0 Soundtrack Album<\/a>
\n\u00a0<\/span><\/p>\n

Select Merchants:<\/strong>
\nAmazon.ca<\/a>\"\" —<\/span> Amazon.com<\/a>\"\" —<\/span> Amazon.co.uk<\/a>\"\" —\u00a0BSX<\/a> —\u00a0Intrada<\/a> —\u00a0Screen Archives Entertainment<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Patrick Doyle\u2019s score for Disney\u2019s 2015 version of the classic fairy tale is a graceful, buoyant work distinguished by an incredible lightness, due in large part to an orchestral palette emphasizing light woodwinds, gentle string passages, and a rather romantic piano accompaniment…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[3559,1349],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-2TG","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11140"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11140"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11140\/revisions"}],"predecessor-version":[{"id":11160,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11140\/revisions\/11160"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}