{"id":1139,"date":"2010-10-27T01:33:33","date_gmt":"2010-10-27T05:33:33","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=1139"},"modified":"2010-10-27T01:54:18","modified_gmt":"2010-10-27T05:54:18","slug":"dvd-edge-of-darkness-1943","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=1139","title":{"rendered":"DVD: Edge of Darkness (1943)"},"content":{"rendered":"

Return to<\/strong>:\u00a0Home <\/a>\/\u00a0Blu-ray, DVD, Film Reviews<\/a> \/ E<\/a><\/em><\/em><\/em><\/em><\/em><\/em><\/p>\n

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\"\"<\/a>Film: Very Good\/ DVD Transfer: Very Good \/ DVD Extras: Very Good<\/p>\n

Label\/Studio: Warner Home Video \/ Catalogue: 30000-29755 \/ Region: 1 (NTSC) \/<\/p>\n

Released: August 3, 2010<\/p>\n

Synopsis: \u00a0A Norwegian town decides to fight back against its vile Nazi occupiers.<\/p>\n

Special Features: Warner Night at the Movies: “The Hard Way” (1943) trailer + Newsreel + “The United States Marine Band” (1942) musical short + 2 1943 cartoons: “Hiss and Make Up” + To Duck or Not to Duck” (21:55) \/ Theatrical trailer<\/p>\n

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Review:<\/p>\n

\u201cA shot rings out \u2013 and out of the rugged hills of Norway \u2013 flames a story of COURAGE to inspire the world\u201d<\/em><\/p>\n

After Warner Bros. transferred Errol Flynn\u2019s swashbuckling \u2018noble pirate\u2019 screen persona to westerns, the next logical venue were topical anti-Nazi propaganda films, of which Flynn made a handful between 1941-1945 before returning to period films during the remainder of his contract with the studio.<\/p>\n

With the right material and the right director to catch Flynn, he could settle into a part and be credible \u2013 witness his fine turn as the Earl of Essex in\u00a0The Private Lives of Elizabeth and Essex<\/strong>(1939) \u2013 but in spite of being surrounded by a strong cast, a script by Robert Rossen (The Hustler<\/strong>), and kinetic direction by Lewis Milestone (Pork Chop Hill<\/strong>), Flynn\u2019s portrayal of a Norwegian who leads his simpatico villagers to rebel against filthy Nazi\u00a0schwein<\/em> from Norwegian soil just isn\u2019t earnest; it\u2019s Errol Flynn, charismatic star, emoting ever so slightly because Errol doesn\u2019t like to get too emotional.<\/p>\n

That\u2019s actually not a bad thing in a propaganda vehicle \u2013 it works well in the goofy\u00a0Northern Pursuit<\/strong> (1943) \u2013 but\u00a0Edge<\/strong> was designed as a very serious anti-Nazi drama, hitting on all the topical and controversial issues of the day. There was a profound fear that Hitler would stomp beyond Europe\u2019s borders, make a mess of it, and turn each fallen country into a fascist disaster zone where Germany could rape whatever resources it wanted, and treat the locals like sub-humans.<\/p>\n

The film\u2019s structure is rather unique: a Nazi scout plane notices a Norwegian flag flying from a building, and radios for a team to investigate who\u2019s breaking official rules. The team, led by a cynical, gravel-voiced sergeant, finds masses of dead townspeople, and at the local hotel where the soldiers were headquartered, he discovered the German Captain, dead from a humiliating self-inflicted bullet to the head after writing a suicide note to his brother.<\/p>\n

Director Milestone then time-ripples back to the tense period where the town was occupied by Nazis, and any resistance would\u2019ve yielded fatal consequences. Rossen\u2019s script does a clean job in economically introducing the main villains \u2013 Captain Koenig (slimy Helmut Dantine) and his rape-happy troopers \u2013 and resistance heroes and heroines: Gunnar Brogge (Flynn), Karen Stensgard (Ann Sheridan), father Martin (Walter Huston), tough Gerd (Judith Anderson, doing a good Mdme. Defarge), and the retired professor Sixtus Andresen (Morris Carnovsky, buried under Old Man Makeup #12) who\u2019s the first to put his foot down, and pays for it with everything he owns and cherishes.<\/p>\n

Caught in the middle is Mama Anna Stensgard (Ruth Gordon, playing a slightly dim Norwegian matriarch with an unbridled Massachusetts drawl), who\u2019s elated her son Johann (John Beal) is returning home to work in the cannery, but knows he may be the evil quisling daughter Karen claims him to be. Then there\u2019s mama\u2019s brother Kaspar Torgerson (Charles Dingle), owner of the cannery, and a gleeful fascist collaborator who sent for Johann to return home and manage the family business\u2026 and keep an eye on the murky sympathies of Torgerson\u2019s family.<\/p>\n

Dingle\u2019s performance is the unexpected gem in this overbearing melodrama because he\u2019s the ultimate collaborator: he bullies Johann into spying, he has no qualms about sacrificing nieces and nephews to the Nazis because it simply consolidates his power- hold on the town. Dingle delivers every malicious collaborationist phrase with slime-coated cynicism, and it\u2019s a great little personification of banal evil (and Torgerson\u2019s eventual comeuppance is appropriate).<\/p>\n

Nazi Captain Koenig is built from the more common filmic stereotype of an action-hungry elitist sent to manage an rubbish town in the armpit of a country he loathes, and that seething contempt pays off with Koenig gradually losing any semblance of military civility in a pivotal event.<\/p>\n

When ex-professor Andresen humiliate Koenig in front of his men, he lets the stormtroopers mete out the punishment: Andresen is dragged through the streets, tethered to a cart upon which are his belongings, destined for a central bonfire. The merry stormtroopers tears out \u2018pages of knowledge\u2019 from Andresen\u2019s books and tosses them to appalled townsfolk like giant hunks of confetti.<\/p>\n

The parade ends with a bonfire, and while Andresen survives the humiliation, he\u2019d the town\u2019s most public sacrificial lamb: a respected elder who stood up while everyone remain still and obeyed. His torment is one of two key events that motivates the insurgents to mount an assault, aided by British gear, and Churchill\u2019s inspirational radio broadcasts.<\/p>\n

The British gear comes through the careful planning of a clever trickster who infiltrates the Nazi headquarters and earns Koenig\u2019s trust, and inadvertently inspires Koenig\u2019s love toy to rebel, and become another sacrifice for the town. Played by Nancy Coleman (who played an anti-Nazi insurgent in\u00a0Edge of Darkness<\/strong>), Katja is a Polish national who became trapped while performing on the stage in Germany after her homeland was invaded by Hitler. While her heart begs her to return to Poland, she knows it\u2019s an instant death, and she\u2019s been forced to remain with Koenig as his lover because his protection keeps her safe from the wily eyes of the deprived stormtroopers \u2013 one of whom eventually makes a brutal play for Karen.<\/p>\n

It\u2019s unknown how much Rossen retained from William Woods\u2019 novel, but every ugly incident keeps tightening the tension wire until a bloodbath is the only solution, and that\u2019s exactly what occurs in the final act \u2013 the aftermath that\u2019s seen by the investigating stormtroopers at the film\u2019s beginning.<\/p>\n

Rebel Gerd does feel some affection for a civil-minded Nazi \u2013 he\u2019s a carpenter by trade, and a mourning widower entranced by Gerd\u2019s uncanny resemblance to his dead wife \u2013 but it\u2019s a doomed relationship: its function within the drama, though, is to show that not all Nazis are vile \u2013 there\u2019s one or two who were forced into this mess, and if peace and civility were to reign, they\u2019d be ordinary tradesmen, just like the Norwegians.<\/p>\n

Heroism is appropriately heavy-handed, and Milestone\u2019s dramatizations sometimes transcend the melodrama. A nadir is a local shopkeeper who initially lacks the courage to verbally scold the Nazis, but eventually \u2018reminds\u2019 them of Eric the Red\u2019s triumphs in Norway\u2019s history, whereas professor Andresen\u2019s tethered parade through the streets. Milestone is a beautifully choreographed nail-bitter.<\/p>\n

Franz Waxman\u2019s score for\u00a0Edge<\/strong> begins with a big orchestra and mixed chorus quoting Martin Luther\u2019s \u201cA Mighty Fortress is Our God.\u201d The hymn blares while main credits are superimposed over a giant, Paramount-like mountaintop that\u2019s actually never seen in the film. (Norway is inferred to be mountainous, but the image in the title sequence, set to Luther\u2019s\u00a0words<\/a>, is an unsubtle call to arms.)<\/p>\n

Waxman incorporates the hymn throughout the film, and he also crafts a heavy theme for the Nazis: a villainous march comprised of low tones on bass clarinet, and jingling sounds matching shots where the stormtroopers march like marionettes.<\/p>\n

Waxman leadens the theme with rumbling percussion for professor Andresen\u2019s humiliation march, and in both this sequence as well as the final assault between the townsfolk and the Nazis, Milestone does something wholly atypical for a Hollywood director in 1943: he uses a zoom lens. As trivial as it seems, the use of long-range shots and zooming in to close-ups transforms the film\u2019s style from a period propaganda film to a mid-sixties morality play.<\/p>\n

It\u2019s a major stylistic shocker because Milestone uses it several times during moments of dramatic intensity, and it works beautifully: when Katja is warned by a British agent, when Andresen is dragged into the town square, the near-execution of the insurgents, and the final assault. Milestone\u2019s knack for choreographing battle scenes also pays off in the final battle, and he ratchets the tension through deft editing, and minor effects like shaking the frame to give the detonation of an explosive charge a documentary feel. (Also of note are the montage sequences, co-directed by Don Siegel.)<\/p>\n

Edge<\/strong> is outright propaganda \u2013 Norway\u2019s fight for freedom is wholly symbolic of every nation trapped under Nazi dominion \u2013 but the filmmakers aspired to transcend the studio\u2019s programmers with something literary and visceral.<\/p>\n

Warner Home Video\u2019s DVD offers a good transfer from a worn but decent print, and while the digital compression is active at times, there\u2019s a good balance among blacks and greys.<\/p>\n

Extras include the theatrical trailer (with some outtakes), and the Warner Night at the Movies programme, which features a trailer for\u00a0The Hard Way<\/strong> (1943), a newsreel showing Russian willpower as a Soviet convoy fights off German aggressors, and the musical short \u201cThe United States Marine Band\u201d (1942) where fledgling director Jean Negulesco (The Best of Everything<\/strong>) choreographs military songs with montages incorporating ships, planes, and uniformed musicians performing on the steps of Washington monuments and Congress. There\u2019s also two cartoons: the first features the sadistic \u201cHiss and Make Up\u201d (1943), and \u201cTo Duck or Not to Duck\u201d (1943) where Daffy Duck challenges Elmer Fudd to a boxing match, with little wartime references.<\/p>\n

This title is part of Warner Home Video\u2019s TCM Spotlight: Errol Flynn Adventures box, which includes\u00a0Desperate Journey<\/a><\/strong> (1942),\u00a0Edge of Darkness<\/strong> (1943),\u00a0Northern Pursuit<\/a><\/strong> (1943),\u00a0Uncertain Glory<\/a><\/strong>(1944), and\u00a0Objective, Burma!<\/a><\/strong> (1945).<\/p>\n

Flynn\u2019s pre-WWII adventure film,\u00a0Dive Bomber<\/a><\/strong> (1941), is available separately or as part of The Errol Flynn Signature Collection, Vol. 2, which includes\u00a0The Charge of the Light Brigade<\/strong> (1936),The Dawn Patrol<\/strong> (1938),\u00a0Dive Bomber<\/strong> (1941),\u00a0Gentleman Jim<\/strong> (1942), and\u00a0The Adventures of Don Juan<\/strong> (1948).<\/p>\n

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\u00a9 2010 Mark R. Hasan<\/p>\n

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Related external links (MAIN SITE):<\/em><\/p>\n

DVD \/ Film: \u00a0Best of Everything, The<\/a><\/strong> (1959)<\/p>\n

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External References<\/em>:<\/p>\n

IMDB<\/a> \u2014\u00a0Composer Filmography<\/a><\/p>\n

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Return to<\/strong>:\u00a0Home <\/a>\/\u00a0Blu-ray, DVD, Film Reviews<\/a> \/ E<\/a><\/em><\/em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Return to:\u00a0Home \/\u00a0Blu-ray, DVD, Film Reviews \/ E . Film: Very Good\/ DVD Transfer: Very Good \/ DVD Extras: Very Good Label\/Studio: Warner Home Video \/ Catalogue: 30000-29755 \/ Region: 1 (NTSC) \/ Released: August 3, 2010 Synopsis: \u00a0A Norwegian town decides to fight back against its vile Nazi occupiers. Special Features: Warner Night at […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[24,92,25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-in","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/1139"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1139"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/1139\/revisions"}],"predecessor-version":[{"id":1141,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/1139\/revisions\/1141"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}