{"id":11570,"date":"2015-06-11T14:45:37","date_gmt":"2015-06-11T18:45:37","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=11570"},"modified":"2015-06-11T14:46:05","modified_gmt":"2015-06-11T18:46:05","slug":"soundtrack-reviews-27","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=11570","title":{"rendered":"Soundtrack Reviews"},"content":{"rendered":"<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-8421\" alt=\"FilmMusicReviews_square_pic\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg\" width=\"308\" height=\"251\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg 308w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic-300x244.jpg 300w\" sizes=\"(max-width: 308px) 100vw, 308px\" \/><\/a>Just posted is another set of soundtrack reviews, plus one title from the KQEK.com archives.<\/p>\n<p>Cris Velasco\u2019s short but excellent score for the Ubisoft video game <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11578\">Assassins Creed Unity: Dead Kings<\/a><\/strong> (2015) is up, plus Will Bates\u2019 really clever <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11576\">Going Clear: Scientology and the Prison of Belief<\/a><\/strong> (2015) from Lakeshore Records, perfectly encapsulating the weird world of L. Ron Hubbard with a great mix of retro synth sounds.<\/p>\n<p>Varese Sarabande released John Frizzell\u2019s score for <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11574\">The Loft<\/a><\/strong> (2014), and I\u2019ve paired it with a review of Wolfram de Marco\u2019s music from <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11583\">Loft<\/a><\/strong> (2008), which MovieScore Media released in tandem with the original Belgium film.<\/p>\n<p>Lastly, there\u2019s Nuno Malo&#8217;s music from the 2012 film <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11569\">LUV<\/a><\/strong>\u00a0via Milan Records, and next week is another composer podcast.<\/p>\n<p><em>Coming next<\/em>: a review of <strong>Day of Anger<\/strong> (1967) from Arrow Video \/ MVD Visual, which features one heck of a corkscrew soundtrack by Riz Ortolani. I need to find this score to remove the theme from my head.\u00a0 <em>It just won\u2019t stop<\/em>\u2026<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soundtrack reviews of Cris Velasco&#8217;s Assassins Creed Unity: Dead Kings (Ubisoft), Will Bates&#8217; Going Clear: Scientology and the Prison of Belief (Lakeshore), John Frizzell&#8217;s The Loft (Varese Sarabande), Wolfram de Marco&#8217;s Loft (MovieScore Media), and Nuno malo&#8217;s LUV (Milan).<\/p>\n","protected":false},"author":1,"featured_media":8422,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[3697,902,2562,3156,2563,3694,30,3699,3693,362,4213,3700,3695,3698],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_630x300.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-30C","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11570"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11570"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11570\/revisions"}],"predecessor-version":[{"id":11593,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11570\/revisions\/11593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/8422"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}