{"id":11796,"date":"2015-07-10T13:13:47","date_gmt":"2015-07-10T17:13:47","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=11796"},"modified":"2015-07-12T12:44:54","modified_gmt":"2015-07-12T16:44:54","slug":"soundtrack-reviews-28","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=11796","title":{"rendered":"Soundtrack Reviews"},"content":{"rendered":"<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg\"><img loading=\"lazy\" class=\"alignleft  wp-image-8421\" alt=\"FilmMusicReviews_square_pic\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg\" width=\"216\" height=\"176\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic.jpg 308w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_square_pic-300x244.jpg 300w\" sizes=\"(max-width: 216px) 100vw, 216px\" \/><\/a>Just posted are soundtrack reviews of CDs featuring strong material from a skilled trio of composers: Lorne Balfe\u2019s atmospheric <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11802\">Blackwood<\/a><\/strong> (2014), from Lakeshore Records; one of James Horner\u2019s final scores, <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11799\">Southpaw<\/a><\/strong> (2015), from Sony Classics; and Penka Kouneva\u2019s really engrossing concept album <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=11795\">The Woman Astronaut<\/a><\/strong> (2015) from Varese Sarabande.<\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2015\/07\/RM_July_2015_cvr.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-11808\" alt=\"RM_July_2015_cvr\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2015\/07\/RM_July_2015_cvr.jpg\" width=\"120\" height=\"162\" \/><\/a>Featured in this month\u2019s issue of Rue Morgue are my score reviews of the car-thrillers <strong>Duel<\/strong> (1971) by Billy Goldenberg and <strong>The Car<\/strong> (1977) by Leonard Rosenman from Intrada, and Claudio Simonetti\u2019s <strong>Demons<\/strong> (1985), newly released, remastered &amp; expanded by Italy\u2019s Rustblade.<\/p>\n<p>Back in May I spoke with Rustblade\u2019s <a href=\"http:\/\/kqek.com\/mobile\/?p=11402\">Stefano Rossello<\/a> and <a href=\"http:\/\/kqek.com\/mobile\/?p=11399\">composer Simonetti<\/a> in separate interviews, and coming next week (no, really), is the full half-hour conversation with Fabio Frizzi. There are rumours he may well bring his Frizzi 2 Fulci tour to Toronto this fall, so why not hear him speak about the concert which enthralled both fans and composers at London\u2019s Barbican last fall?<\/p>\n<p><em>Coming next:<\/em>\u00a0several documentary reviews, and another set of score reviews.<\/p>\n<p>Cheers,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soundtrack reviews of Lorne Balfe&#8217;s Blackwood (Lakeshore Records), the late James Horner&#8217;s Southpaw (Sony Classics), and Penka Kouneva&#8217;s The Woman Astronaut (Varese Sarabande).<\/p>\n","protected":false},"author":1,"featured_media":8422,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[3777,2562,3133,2563,327,163,194,3776,3775],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/04\/FilmMusicReviews_630x300.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-34g","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11796"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11796"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11796\/revisions"}],"predecessor-version":[{"id":11815,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/11796\/revisions\/11815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/8422"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}