{"id":12801,"date":"2015-12-09T15:04:29","date_gmt":"2015-12-09T20:04:29","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=12801"},"modified":"2015-12-09T16:01:54","modified_gmt":"2015-12-09T21:01:54","slug":"cd-shape-shift-2015","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=12801","title":{"rendered":"CD: Shape Shift (2015)"},"content":{"rendered":"<p><span style=\"color: #ffffff;\"><i>\u00a0<\/i><\/span><\/p>\n<p><strong><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2015\/12\/ShapeShift.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-12813\" alt=\"GD30OB2-N.cdr\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2015\/12\/ShapeShift.jpg\" width=\"120\" height=\"120\" \/><\/a>Score<\/strong>: Excellent<\/p>\n<p><strong>Label<\/strong>: <a href=\"http:\/\/www.relapse.com\/label\/zombi-shape-shift-cd.html\" target=\"_blank\">Relapse Records<\/a><\/p>\n<p><strong style=\"line-height: 1.5em;\">Released:<\/strong><span style=\"line-height: 1.5em;\"> \u00a0October, 2015<\/span><\/p>\n<p><strong>Tracks \/ Album Length:<\/strong> \u00a09 tracks \/ 56 mins.<\/p>\n<p><strong>Composer:<\/strong> Zombi (Steve Moore, A.E. Paterra)<\/p>\n<p><span style=\"line-height: 1.5em;\"><strong>Special Notes:<\/strong>\u00a0 Also available on CD, LP, and cassette tape.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Review:<\/strong><\/p>\n<p>Steve Moore (<a href=\"http:\/\/kqek.com\/mobile\/?p=12803\"><strong>Cub<\/strong><\/a>) and A.E. Paterra\u2019s non-film album draws heavily from the instrumental sounds of Goblin, Tangerine Dream, and Fabio Frizzi (and maybe a little Stomu Yamashta), but each track is distinct in both design and tone, ultimately making <strong>Shape Shift<\/strong> feel like a newly discovered prog-rock concept album from the early 1980s.<\/p>\n<p>Paterra\u2019s drums and Moore\u2019s electric bass showcase their obvious performance skills (the duo\u2019s work in &#8220;Total Breakthrough&#8221; is especially brilliant), but then there\u2019s the subtleties in other instrumentation, and a crazy fidelity to specific synth nuances that admittedly overtake tracks beyond their natural lengths (such as &#8220;Siberia II,&#8221; which is heavily cyclical at nearly 15 mins.).<\/p>\n<p>And yet it all works, as drums, bass, electric guitar, gyrating synths and elliptical motifs induce a trance state, especially the multi-layered &#8220;Metaverse&#8221; with its unrelenting ostinato and fat, drippy synth chords. There\u2019s no doubt <strong>Shape Shift<\/strong> is made for a live if not vinyl experience, featuring a riveting music that needs to be played loud<\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<p>\u00a9 2015 Mark R. Hasan. This review originally appeared in the October 2015 issue of Rue Morgue magazine.<\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Additional Links:<\/strong><br \/>\n<a href=\"http:\/\/kqek.com\/mobile\/?p=12795\">Editor&#8217;s Blog<\/a> &#8212; <a href=\"http:\/\/www.imdb.com\/name\/nm1922014\/reference\">Composer on IMDB<\/a> \u00a0&#8212; \u00a0<a href=\"http:\/\/www.soundtrackcollector.com\/composer\/11622\/Steve+Moore\">Composer Filmography<\/a><br \/>\n<span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<p><strong>Select Merchants:<\/strong><br \/>\n<a href=\"http:\/\/www.amazon.ca\/s\/?_encoding=UTF8&amp;camp=15121&amp;creative=390961&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;rh=n%3A916514%2Ck%3Asoundtracks&amp;tag=kqco-20&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" alt=\"\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" width=\"1\" height=\"1\" border=\"0\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/s\/?_encoding=UTF8&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=390957&amp;rh=n%3A5174%2Ck%3Asoundtracks&amp;field-keywords=soundtracks&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" alt=\"\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" width=\"1\" height=\"1\" border=\"0\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/s\/?_encoding=UTF8&amp;camp=1634&amp;creative=19450&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;tag=kqco-21&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" alt=\"\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" width=\"1\" height=\"1\" border=\"0\" \/> &#8212;\u00a0<a href=\"http:\/\/www.buysoundtrax.com\/\" target=\"window\">BSX<\/a> &#8212;\u00a0<a href=\"http:\/\/store.intrada.com\/\" target=\"window\">Intrada<\/a> &#8212;\u00a0<a href=\"http:\/\/screenarchives.com\/\" target=\"window\">Screen Archives Entertainment<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steve Moore (Cub) and A.E. Paterra\u2019s non-film album draws heavily from the instrumental sounds of Goblin, Tangerine Dream, and Fabio Frizzi (and maybe a little Stomu Yamashta), but each track is distinct in both design and tone&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[4129,4130,3947,4131],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-3kt","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/12801"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12801"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/12801\/revisions"}],"predecessor-version":[{"id":12814,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/12801\/revisions\/12814"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}