{"id":13210,"date":"2016-02-25T01:53:19","date_gmt":"2016-02-25T06:53:19","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=13210"},"modified":"2016-02-25T03:21:19","modified_gmt":"2016-02-25T08:21:19","slug":"robert-mugges-sun-ra-a-joyful-noise-1980-comes-to-blu","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=13210","title":{"rendered":"Robert Mugge&#8217;s Sun Ra &#8211; A Joyful Noise (1980) comes to Blu"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignleft wp-image-13215 \" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/SunRa_featured.jpg\" alt=\"SunRa_featured\" width=\"221\" height=\"286\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/SunRa_featured.jpg 816w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/SunRa_featured-232x300.jpg 232w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/SunRa_featured-791x1024.jpg 791w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/SunRa_featured-768x994.jpg 768w\" sizes=\"(max-width: 221px) 100vw, 221px\" \/>I\u2019d heard of Sun Ra years ago, but even then I knew he was a jazz pianist, plus a figure associated with a more theatrical presentation of jazz music.<\/p>\n<p>One day I bought a LP of Walt Dickerson\u2019s sublime<strong> <a href=\"https:\/\/en.wikipedia.org\/wiki\/Impressions_of_a_Patch_of_Blue\">Impressions of Patch of Blue<\/a><\/strong> (1965), a great reworking of Jerry Goldsmith\u2019s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/p2r\/2327_PatchOfBlue.htm\">Patch of Blue<\/a><\/strong> themes into material that sounded nothing like the original \u2013 an approach that probably delighted Sun Ra who was a player on the recording.<\/p>\n<p>The good: the album got a measure of play.<br \/>\nThe bad: the album is one of those dastardly quirks of fate where there\u2019s no Side B \u2013 just Side A pressed on both sides, so to this day <em>I\u2019ve never heard the other half of the album!<\/em><\/p>\n<p>In addition to Dickerson \u2013 a sorely forgotten figure in jazz \u2013 the name of Sun Ra stayed in my mind, buried for a while, but a figure I knew one day I\u2019d explore.<\/p>\n<p>Jump ahead 20 years and I\u2019m still a bit behind in getting to know this eccentric, but two things recently caught my eye online: a pair of performance recordings of Sun Ra and his Arkestra with visuals created by Bill Sebastian and his OVC gizmo, a kind of mega-organ that renders 3-D styled video graphics.<\/p>\n<p><img loading=\"lazy\" class=\"alignleft size-full wp-image-13209\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/SunRaJoyfulNoise_BR.jpg\" alt=\"SunRaJoyfulNoise_BR\" width=\"120\" height=\"139\" \/>It\u2019s a seamlessly match of Sun Ra\u2019s music with amazingly intricate imagery, and by coincidence there are two YouTube extracts, \u201c<a href=\"https:\/\/youtu.be\/CPuK7hfWCfA\" target=\"window\">Calling Planet Earth<\/a>\u201d and \u201c<a href=\"https:\/\/youtu.be\/jgkktzPVz3I\" target=\"window\">Sunset on the River Nile<\/a>.\u201d Some info on the Sebastian\u2019s gizmo is detailed at <a href=\"http:\/\/videocircuits.blogspot.ca\/2013\/09\/bill-sebastians-outer-space-visual.html\" target=\"window\">Video Cicuits<\/a> as well as Sebastian\u2019s own site, <a href=\"http:\/\/www.visualmusicsystems.com\/ovc.htm\" target=\"window\">Visual Music Systems<\/a>. (Another video, \u201c<a href=\"https:\/\/youtu.be\/0D2PjmB72X0\" target=\"window\">Return of the OVC<\/a>,\u201d is also available.)<\/p>\n<p>In both pieces, one can see Sun Ra as an artist who adapted himself in part to his own eccentric visions as well as adopting sounds and contemporary synths and keyboards in a quest to stay spiritually young \u2013 quite unusual for an artist whose career goes far back into the 1930s and 1940s playing a variety of classic jazz styles.<\/p>\n<p>Although he continued to play well into his senior years, he was still a force to be reckoned with in 1980 when Robert Mugge directed <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=13210\">Sun Ra: A Joyful Noise<\/a><\/strong>, a 16mm 50 min. documentary recently reissued on Blu-ray by MVD Visual from very clean film materials.<\/p>\n<p>In addition to the review, here are the links to those two aforementioned OVC-backed performances:<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/CPuK7hfWCfA\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/jgkktzPVz3I\" width=\"420\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>And those curious about more consumer-grade video synthesizer should jump over to <a href=\"http:\/\/bigheadamusements.com\/wordpress\/?p=1862\" target=\"_blank\">Big Head Amusements<\/a>, where I\u2019ve posted a trio of test videos made using a Showtime Video Ventures Video Colorizer, a very odd creation that sort of solarizes and creates a kind of internal feedback using three primary colours. When sound is fed in \u2013 especially electronic music and jazz \u2013 and the footage is imported into Adobe Premiere and layered with minor effects, you get candy-coloured animations like the following:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"wp-image-13221 aligncenter\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h13m07s620-1024x576.jpg\" alt=\"vlcsnap-2016-02-25-01h13m07s620\" width=\"601\" height=\"338\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h13m07s620-1024x576.jpg 1024w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h13m07s620-300x169.jpg 300w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h13m07s620-768x432.jpg 768w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h13m07s620.jpg 1280w\" sizes=\"(max-width: 601px) 100vw, 601px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"wp-image-13223 aligncenter\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h08m24s094-1024x576.jpg\" alt=\"vlcsnap-2016-02-25-01h08m24s094\" width=\"601\" height=\"338\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h08m24s094-1024x576.jpg 1024w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h08m24s094-300x169.jpg 300w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h08m24s094-768x432.jpg 768w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-01h08m24s094.jpg 1280w\" sizes=\"(max-width: 601px) 100vw, 601px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"wp-image-13224 aligncenter\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-00h57m19s562-1024x576.jpg\" alt=\"vlcsnap-2016-02-25-00h57m19s562\" width=\"601\" height=\"338\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-00h57m19s562-1024x576.jpg 1024w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-00h57m19s562-300x169.jpg 300w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-00h57m19s562-768x432.jpg 768w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/vlcsnap-2016-02-25-00h57m19s562.jpg 1280w\" sizes=\"(max-width: 601px) 100vw, 601px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Thanks for reading,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review of Robert Mugge&#8217;s classic 1980 jazz documentary Sun Ra: A Joyful Noise (MVD Visual) plus links to related performance videos.<\/p>\n","protected":false},"author":1,"featured_media":13212,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[4284,2562,2563,4285,4283],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/02\/SunRa_pic_featured_flat.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-3r4","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/13210"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13210"}],"version-history":[{"count":9,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/13210\/revisions"}],"predecessor-version":[{"id":13228,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/13210\/revisions\/13228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/13212"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}