{"id":13636,"date":"2016-05-24T12:54:49","date_gmt":"2016-05-24T16:54:49","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=13636"},"modified":"2016-05-24T12:54:49","modified_gmt":"2016-05-24T16:54:49","slug":"answered-prayers-a-prayer-for-the-dying-1987","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=13636","title":{"rendered":"Answered Prayers: A Prayer for the Dying (1987)"},"content":{"rendered":"<div id=\"attachment_13647\" style=\"width: 216px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-13647\" loading=\"lazy\" class=\"wp-image-13647\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/05\/PrayerForTheDying_Sp_poster-723x1024.jpg\" alt=\"PrayerForTheDying_Sp_poster\" width=\"206\" height=\"292\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/05\/PrayerForTheDying_Sp_poster-723x1024.jpg 723w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/05\/PrayerForTheDying_Sp_poster-212x300.jpg 212w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/05\/PrayerForTheDying_Sp_poster-768x1087.jpg 768w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/05\/PrayerForTheDying_Sp_poster-1085x1536.jpg 1085w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/05\/PrayerForTheDying_Sp_poster-1447x2048.jpg 1447w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/05\/PrayerForTheDying_Sp_poster.jpg 1720w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><p id=\"caption-attachment-13647\" class=\"wp-caption-text\">Nope, not Blade Runner. Prayer Runner.<\/p><\/div>\n<p><strong><a href=\"http:\/\/kqek.com\/mobile\/?p=13633\">A Prayer for the Dying<\/a><\/strong>\u00a0(1987) is a <em>very<\/em> flawed film &#8211; not traumatically, but enough to make it rather clumsy in parts &#8211; and yet for many it retains this peculiar aura that&#8217;s elevated a former theatrical dud into a minor cult film.<\/p>\n<p>It features Mickey Rourke stretching his linguistic skills with dialogue delivered in a Belfast accent, director Mike Hodges (<strong>Get Carter<\/strong>) once again handling a story featuring ruthless characters deeply enmeshed in clashing crime worlds, and one of Bill Conti&#8217;s most lush and exquisite main themes supporting the grim tale of a runaway IRA hitman (more or less) laying low with a priest while three rival parties hunt him down.<\/p>\n<p>It&#8217;s also a movie that&#8217;s been surrounded by misinformation &#8211; being pro-IRA, shredded by producers into a wonky mess &#8211; and yet it&#8217;s been available off &amp; on on home video for several decades. The old Image NTSC\u00a0laserdisc featured great sound but a grainy panned &amp; scanned transfer, and the later widescreen MGM DVD lacked extras to contextualize the film within the careers of its director and star.<\/p>\n<p>Had\u00a0<strong>Prayer<\/strong> been released by other labels on Blu-ray, it may well have been a straight bare bones edition, but Twilight Time&#8217;s goosed their edition with an isolated score track featuring Conti&#8217;s music in uncompressed stereo DTS, plus new interviews with director Hodges and cinematographer Michael Garfath.<\/p>\n<p>Besides Rourke in (arguably) his 1980s career and physical prime &#8211; his excellent performance in\u00a0<strong>Barfly<\/strong> would follow that same year &#8211;\u00a0<strong>Prayer\u00a0<\/strong>also features Liam Neeson in a small role, and Alan Bates as a local mobster and full-time mortician \/\u00a0funeral director CEO.<\/p>\n<p><em>Coming next:<\/em>\u00a0the epic dramas <strong>Admiral<\/strong> \/\u00a0<strong>Michiel de Ruyter<\/strong> (2015),\u00a0<strong>Exodus<\/strong> (1960), and\u00a0<strong>Risen<\/strong> (2016), plus\u00a0Arrow Video\u2019s Gangster VIP set.<\/p>\n<p>Cheers,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review of Mike Hodges&#8217; flawed but alluring political thriller A Prayer for the Dying (1987), new on Blu from Twilight Time.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[4445,4442,2562,2563,1203,4444],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-3xW","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/13636"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13636"}],"version-history":[{"count":8,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/13636\/revisions"}],"predecessor-version":[{"id":13651,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/13636\/revisions\/13651"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}