{"id":14,"date":"2010-09-07T17:16:13","date_gmt":"2010-09-07T21:16:13","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=982"},"modified":"2010-09-07T17:16:13","modified_gmt":"2010-09-07T21:16:13","slug":"big-screen-hamlet","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=14","title":{"rendered":"Big Screen Hamlet"},"content":{"rendered":"<p><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2010\/09\/Hamlet1996_BR.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-984\" title=\"Hamlet1996_BR\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2010\/09\/Hamlet1996_BR.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>There are only a handful of films I kick myself for having  missed on the big screen, and near the top is the 4 hour version of <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/h\/3697_Hamlet1996.htm\">Hamlet<\/a><\/strong>, starring and directed by  Kenneth Branagh in 1996.<\/p>\n<p>The shorter version was doing the rounds, but there was a  special 70mm engagement at the York Cinemas, a place beloved by film  connoisseurs for the big screen and superb sound system that was always  top-notch. Most epics played at the York (<strong>Gandhi<\/strong> being a favourite), and it was a natural place to catch a movie that, due to  its length and dialogue-heavy content, probably wouldn\u2019t come back to the  screen for a while.<\/p>\n<p>I\u2019m not sure exactly how or why I failed to catch it, but I  did; this in spite of the trailer constantly teasing the viewer with that  spectacular shot of confetti reigned down on the royal court while an immobile  figure of Hamlet stood somberly in the foreground.<\/p>\n<p>The film did get a VHS and laserdisc release, each  showcasing the fabulous widescreen cinematography by Alex Thomson \u2013 a personal  favourite for lensing <strong>Alien 3<\/strong> (1992), <strong>The Krays<\/strong> (1990), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/781_Legend1986.htm\" >Legend<\/a><\/strong> (1985), and <strong>The Keep<\/strong> (1983). With the exception of <strong>The Krays<\/strong>, not all great films (ahem), but worth watching (perhaps  with stimulants) for the cinematography and respective music scores.<\/p>\n<p>Apparently legal issues kept the film off home video for a  while \u2013 Columbia  \/ Sony owned the distribution rights for a while \u2013 but around 2000 the film was  back in circulation via Warner Home Video. Its absence on DVD may have been due  to distributor concerns over its length, in terms of which version \u2013 242 mins,  or the \u2018safety\u2019 150 mins. cut? \u2013 to release, and whether its 70mm elements made  it worth putting in the queue for a proper HD transfer than a stop-gap to keep  fans quiet for a while.<\/p>\n<p>Fans are certainly happy the 2007 DVD and 2010 Blu-ray are  widely available, but I gather teachers now have a more powerful tool to use in  their literature classes, because the only version available now is the one  originally intended by Branagh and original production company Castle Rock: the  uncut monster, known affectionately as the Eternity version.<\/p>\n<p>The version show in my high school was the 1948 Olivier  version, which was gloomy, mopey, engrossing, and blessed with William Walton\u2019s  most depressing score \u2013 an assault that left an indelible impression, making  that version quite special to me. The only flaw that I could never get passed  was Ophelia\u2019s death, floating down the river in song with her flowers like an  extract from a comedy sketch. It was bathos, and thankfully the scene (and its  preceding dramatic strains) was given a more sobering translation by Branagh.<\/p>\n<p>Shakespeare\u2019s <strong>Hamlet<\/strong> is a work of art, but it\u2019s also been a popular target for satirists because  everyone knows the basic story, if not quotes used, re-quoted, or appropriated  in other mediums.<\/p>\n<p>No other parody stands out better than that episode (\u201c<a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Producer\" >The Producer<\/a>\u201d) of <strong>Gilligan\u2019s Island<\/strong> in which the idiot  castaways mount a musical version of <strong>Hamlet<\/strong> for a stranded producer. Three songs managed to worm their way into brains of  young viewers (like me), which is why there are probably other adults besides myself  who chuckle when phrases like \u201cHamlet, my dear, your problem is clear,\u201d \u201cGet  thee to a nunnary, a nunnary, a nunnary\u201d or \u201cTo be or not to be\u201d are said in  some variance or approximation.<\/p>\n<p>It may sound silly to say Branagh\u2019s version locked up those  echoing parodies, but it did. More importantly, the uncut text is so involving  that one may well quietly mourn the end of the saga, because for 4 hours, one  was plunged into their tragic world.<\/p>\n<p>For teachers, the film will likely intensify the play\u2019s  impact (and bore others), but it\u2019ll also give them more material with which to  discuss the work, the politics, and the nuances of grief that drove a prince  into a fatal state of madness.<\/p>\n<p class=\"style3\">.<\/p>\n<p class=\"style3\">.<\/p>\n<p class=\"style3\">.<\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong><a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">KQEK.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review of Warner Home Video&#8217;s Blu-ray edtion of Hamlet (1996), filmed in gorgeous 65mm, and originally released in 70mm, multu-track sound&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,5],"tags":[7],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-e","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}