{"id":14001,"date":"2016-08-09T21:57:16","date_gmt":"2016-08-10T01:57:16","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=14001"},"modified":"2016-08-09T21:59:37","modified_gmt":"2016-08-10T01:59:37","slug":"moved-a-passionate-what-two-naughties-from-the-seventies","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=14001","title":{"rendered":"A Passionate What? &#8211; Two Naughties from the Seventies"},"content":{"rendered":"<p>When I last signed off before the move with &#8220;More nonsense to follow,&#8221; I didn&#8217;t realize the level of nonsense that would and continues to follow, due largely to a bungled attempt by Bell to move a land line to a new address &#8211; a simple maneuver that goes back decades to the pre-cellphone era.<\/p>\n<p>A trio of CSR&#8217;s managed to make sense of the disaster that continues to be, but at present I&#8217;ve no phone, no internet, and my 27 year loyal relationship with the telco was quashed because of, well, I don&#8217;t know.<\/p>\n<p>When I changed internet providers in 2009, it took 3 months to sort out the messy divorce, but this debacle&#8217;s made posting, uploading, and checking for updates challenging. Hopefully things will be resolved by the end of the week.<\/p>\n<p>So in the meantime, here are two reviews tied to a pair of erotic films from the early seventies, recently released on Blu. Twilight Time&#8217;s\u00a0<strong><a href=\"http:\/\/kqek.com\/mobile\/?p=13999\">Appassionata<\/a><\/strong> (1974) involves bad relations between a dentist and his teenage daughter&#8217;s best friend, and features a strong (and arguably film-saving) performance by Valentina Cortese.<\/p>\n<p>Nevermind Ornella Muti &#8211; Cortese is what augurs the film&#8217;s sleaze and keeps it closer to director Gianluigi Calderone&#8217;s aspiration to make an erotic drama. Twilight Time&#8217;s Blu sports an isolated score by the great Piero Piccioni.<\/p>\n<p>A more blatantly provocative work is Roman Polanski&#8217;s\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?p=13995\"><strong>What?<\/strong> \/\u00a0<strong>Che?<\/strong><\/a> (1972), made between the grimy\u00a0<strong>Macbeth<\/strong> (1971) and the Oscar-winning neo-noir classic\u00a0<strong>Chinatown\u00a0<\/strong>(1974). Polanski needed some light subject matter between pictures, and this highly politically incorrect sex comedy remains a puzzling choice.<\/p>\n<p>Severin&#8217;s Blu sports a gorgeous transfer and fine extras, including a great interview \/ profile of composer Claudio Gizzi (<strong>Blood for Dracula<\/strong> and\u00a0<strong>Flesh for Frankenstein<\/strong>).<\/p>\n<p>Both films aren&#8217;t smut per se, but they&#8217;re hardly the deep, satirical commentary the filmmakers may have aspired to realize.<\/p>\n<p>More reviews to follow Thursday.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Move update + reviews of two early seventies oddities: Roman Polanski&#8217;s sex comedy What? \/ Che? (Severin) and Gianluigi Calderone&#8217;s Appassionata (Twilight Time) on Blu.<\/p>\n","protected":false},"author":1,"featured_media":14015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[4569,4563,4561,2562,2563,4565,4564,694,911,4568,4562],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/08\/What_featured2.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-3DP","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14001"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14001"}],"version-history":[{"count":9,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14001\/revisions"}],"predecessor-version":[{"id":14025,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14001\/revisions\/14025"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/14015"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}