{"id":14759,"date":"2016-11-21T17:28:36","date_gmt":"2016-11-21T22:28:36","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=14759"},"modified":"2016-11-21T17:47:13","modified_gmt":"2016-11-21T22:47:13","slug":"film-do-not-resist-2016","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=14759","title":{"rendered":"Film: Do Not Resist (2016)"},"content":{"rendered":"<p><strong><img loading=\"lazy\" class=\"alignleft size-full wp-image-14766\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2016\/11\/DoNotResist_poster.jpg\" alt=\"DoNotResist_poster\" width=\"120\" height=\"179\" \/>Film<\/strong>:\u00a0Excellent<\/p>\n<p><strong>Transfer<\/strong>: \u00a0n\/a<\/p>\n<p><strong>Extras<\/strong>: \u00a0n\/a<\/p>\n<p><strong>Label:\u00a0<\/strong> \u00a0n\/a<\/p>\n<p><strong>Region:<\/strong> \u00a0n\/a<\/p>\n<p><strong>Released:<\/strong>\u00a0 \u00a0n\/a<\/p>\n<p><strong>Genre:<\/strong>\u00a0 Documentary<\/p>\n<p><strong>Synopsis:<\/strong>\u00a0Unsettling examination of local police departments accepting federal government grants to purchase army surplus vehicles, leading to a gradual militarization of local law enforcement.<\/p>\n<p><span style=\"line-height: 1.5em;\"><strong>Special Features:<\/strong>\u00a0 \u00a0n\/a<\/span><\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Review:<\/strong><\/p>\n<p>After serving as cinematographer and co-producer on several documentaries (including 2012\u2019s festival hit <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=5604\">Detropia<\/a><\/strong>), Craig Atkinson\u2019s directorial debut comes with a bang as the chance positioning with a camera crew in Ferguson, MI, resulted in capturing footage of the street protests and police crackdown, the latter involving the use of heavy decommissioned army surplus vehicles.<\/p>\n<p>According to Atkinson\u2019s meticulous research, the overwhelming use of industrial force isn\u2019t a rarity, and he traces the stages in which an excess of barely-used military gear are granted to local police departments, and coupled with S.W.A.T., they\u2019ve created an overuse of might and become a replacement for street-level, community-based policing. The extra quirk of involving S.W.A.T. teams includes an unexpected revenue stream which transforms costly search and arrest mandates into a for-profit mechanism that enables both federal and local government to seize purported crime assets.<\/p>\n<p>Amid interviews, ride-a-longs with S.W.A.T. teams in small towns, training sessions, conferences, lectures, and congressional investigations, <strong>Do Not Resist<\/strong> captures a broken system that ultimately pegs local citizens as perpetual, possible, if not future persons of interest.<\/p>\n<p><strong>Do Not Resist<\/strong> finishes its run at the <a href=\"https:\/\/boxoffice.hotdocs.ca\/websales\/pages\/info.aspx?evtinfo=57986~fff311b7-cdad-4e14-9ae4-a9905e1b9cb0&amp;epguid=a1a41036-cbe1-4f35-bc34-1ed13d4bd525&amp;\" target=\"_blank\">Hot Docs Ted Rogers Cinema<\/a> this Wednesday.<\/p>\n<p>A podcast interview with director Craig Atkinson is also available via KQEK.com\u2019s <a href=\"https:\/\/itunes.apple.com\/ca\/podcast\/kqek.com-digital-big-head\/id955326826?mt=2\" target=\"window\">iTunes<\/a>, <a href=\"http:\/\/bigheadamusements.libsyn.com\/kqekcom-interview-with-craig-atkinson-director-of-do-not-resist-2016\" target=\"window\">Libsyn<\/a>, and <a href=\"https:\/\/youtu.be\/FHy7xPIQPUs\" target=\"_blank\">YouTube<\/a> channels, and features a lengthy, detailed discussion of the complex issues captured in <strong>Do Not Resist<\/strong>.<\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<p>\u00a9 2016 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>External References:<\/strong><br \/>\n<a href=\"http:\/\/kqek.com\/mobile\/?p=14761\">Editor&#8217;s Blog<\/a> &#8212; <a href=\"http:\/\/www.imdb.com\/title\/tt5557976\/combined\">IMDB<\/a><br \/>\n<span style=\"color: #ffffff;\">\u00a0<\/span><br \/>\n<strong>Vendor Search Links:<\/strong><br \/>\n<a href=\"http:\/\/www.amazon.ca\/b?_encoding=UTF8&amp;site-redirect=&amp;node=917972&amp;tag=kqco-20&amp;linkCode=ur2&amp;camp=15121&amp;creative=330641\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <span class=\"style8\">&#8212;\u00a0<\/span> <a href=\"http:\/\/www.amazon.com\/b?_encoding=UTF8&amp;site-redirect=&amp;node=130&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <span class=\"style8\">&#8212;\u00a0<\/span> <a href=\"http:\/\/www.amazon.co.uk\/b?_encoding=UTF8&amp;site-redirect=&amp;node=283926&amp;tag=kqco-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738\" target=\"_blank\">Amazon.co.uk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After serving as cinematographer and co-producer on several documentaries (including 2012\u2019s festival hit Detropia), Craig Atkinson\u2019s directorial debut comes with a bang as the chance positioning with a camera crew in Ferguson, MI, resulted in capturing footage of the street protests and police crackdown, the latter involving the use of heavy decommissioned army surplus vehicles&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[4789,4791,4790,4792],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-3Q3","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14759"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14759"}],"version-history":[{"count":5,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14759\/revisions"}],"predecessor-version":[{"id":14775,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/14759\/revisions\/14775"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}