{"id":16044,"date":"2017-05-19T01:12:54","date_gmt":"2017-05-19T05:12:54","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=16044"},"modified":"2017-05-19T01:31:05","modified_gmt":"2017-05-19T05:31:05","slug":"film-mandala-beats-2016","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=16044","title":{"rendered":"Film: Mandala Beats (2016)"},"content":{"rendered":"<p><strong><img loading=\"lazy\" class=\"alignleft wp-image-16051\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2017\/05\/MandalaBeats_poster.jpg\" alt=\"\" width=\"120\" height=\"183\" \/>Film<\/strong>:\u00a0Very Good<\/p>\n<p><strong>Transfer<\/strong>: \u00a0n\/a<\/p>\n<p><strong>Extras<\/strong>: n\/a<\/p>\n<p><strong>Label:\u00a0<\/strong> n\/a<\/p>\n<p><strong>Region:<\/strong> n\/a<\/p>\n<p><strong>Released:<\/strong>\u00a0 n\/a<\/p>\n<p><strong>Genre:<\/strong>\u00a0\u00a0Documentary \/ World Music<\/p>\n<p><strong>Synopsis:<\/strong>\u00a0Documentary on gifted Israeli bassist Yossi Fine, and his trip to the\u00a0Rajasthan International Folk Festival in India.<\/p>\n<p><span style=\"line-height: 1.5em;\"><strong>Special Features:<\/strong>\u00a0 n\/a<\/span><\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>Review:<\/strong><\/p>\n<p>Montreal-based photographer <a href=\"http:\/\/rebekahreiko.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rebekah Reiko<\/a> makes her directorial debut with this brisk 44 min. documentary on Israel\u2019s <a href=\"https:\/\/en.wikipedia.org\/wiki\/Yossi_Fine\" target=\"_blank\" rel=\"noopener noreferrer\">Yossi Fine<\/a>, branded by some as \u2018the Jimi Hendrix of the bass guitar.\u2019 Half Lithuanian and Caribbean, Fine soon discovered Indian roots on his mother\u2019s side, igniting a curiosity to explore a new\u00a0cultural facet of his family&#8217;s\u00a0DNA, \u00a0ultimately taking him to a music festival in India where he was\u00a0invited to perform at the <a href=\"http:\/\/www.jodhpurriff.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Rajasthan International Folk Festival<\/a> in the mountainous region of Jodhpur.<\/p>\n<p>Reiko manages to balance a lot of information on her subject \u2013 Fine&#8217;s\u00a0career, family background, musical influences \u2013 and integrate two additional musicians with whom Fine performs in Jodhpur: Israeli musicians <a href=\"https:\/\/en.wikipedia.org\/wiki\/Shye_Ben_Tzur\" target=\"_blank\" rel=\"noopener noreferrer\">Shye Ben Tzur<\/a>, and <a href=\"http:\/\/www.gilronshama.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gil Ron Shama<\/a>.<\/p>\n<p>Structurally, the doc initially introduces us to Fine and his family in Tel Aviv, just as he\u2019s poised to head to India, and follows his arrival and the rehearsal sessions in which he learns aspects of Indian music, and records a song which the multi-ethnic group perform to a riverside audience.<\/p>\n<p>Interpolated throughout the narrative are snapshots and short montages of Fine\u2019s performing at prior\u00a0venues, building up his reputation as a musician hungry to explore and challenge himself, having played rock, reggae, fusion, and now forming a new fusion band that exploits his maturity as an artist and recent exposure Indian culture.<\/p>\n<p>The doc\u2019s pluses are huge: beautiful location cinematography, a dynamic editing style that \u00a0cleverly compacts information culled from a massive trove of footage, plus recurring on-camera interviews with Fine at home and in a studio where he, and Ben Tzur, and Shama reflect on each other, the importance of music in their lives, and it\u2019s value in smashing down barriers.<\/p>\n<p>A cynic would brand some of their statements as na\u00efve, but the film\u2019s positive message is undeniable: their diverse backgrounds and collective performing prove racial divisions, religious friction, and physical walls can be transcended by art. As Shama opines in a reflective segment, music may be the one thing humanity hasn\u2019t screwed up, being an art form that\u2019s lasted thousands of years and brought people together.<\/p>\n<p>Reiko\u2019s editing is extremely sharp and clever in creating a flow of visual and aural information, but by compacting Fine&#8217;s performances into impressions of his artistry, \u00a0you get conundrums like the End Credits which play over Fine rehearing with his new band \u2013 a musical moment that should\u2019ve been allowed to stand and breathe on its own, instead of closing the film in an abbreviated form. Whether a combination of music rights and an eye for a TV airing or just the latter, the inevitable compromise at 44 mins. is us being denied Fine performing a full piece, if not half of several pieces in what&#8217;s an otherwise solid portrait of a curious, driven, benevolent musical soul.<\/p>\n<p><strong>Manada Beats<\/strong> had its World Premiere at the 2017 Toronto Jewish Film Festival, and coming soon are extracts from the director and star Q&amp;A that bookended its screening at the Hot Docs Ted Rogers Cinema on May 14, 2017.<\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<p>\u00a9 2017 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><strong>External References:<\/strong><br \/>\n<a href=\"http:\/\/kqek.com\/mobile\/?p=16047\">Editor&#8217;s Blog<\/a> &#8212; <a href=\"http:\/\/www.imdb.com\/title\/tt6085862\/combined\">IMDB<\/a><br \/>\n<span style=\"color: #ffffff;\">\u00a0<\/span><br \/>\n<strong>Vendor Search Links:<\/strong><br \/>\n<a href=\"http:\/\/www.amazon.ca\/b?_encoding=UTF8&amp;site-redirect=&amp;node=917972&amp;tag=kqco-20&amp;linkCode=ur2&amp;camp=15121&amp;creative=330641\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <span class=\"style8\">&#8212;\u00a0<\/span> <a href=\"http:\/\/www.amazon.com\/b?_encoding=UTF8&amp;site-redirect=&amp;node=130&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <span class=\"style8\">&#8212;\u00a0<\/span> <a href=\"http:\/\/www.amazon.co.uk\/b?_encoding=UTF8&amp;site-redirect=&amp;node=283926&amp;tag=kqco-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon.co.uk<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/201336558\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montreal-based photographer Rebekah Reiko makes her directorial debut with this brisk 44 min. documentary on Israel\u2019s Yossi Fine, branded by some as \u2018the Jimi Hendrix of the bass guitar.\u2019 Half Lithuanian and Caribbean, Fine soon discovered Indian roots on his mother\u2019s side&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[5142,5143,5138,5141,5119,5139],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-4aM","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/16044"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16044"}],"version-history":[{"count":9,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/16044\/revisions"}],"predecessor-version":[{"id":16060,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/16044\/revisions\/16060"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}