{"id":1642,"date":"2010-11-22T12:51:52","date_gmt":"2010-11-22T17:51:52","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=1642"},"modified":"2010-12-20T22:00:33","modified_gmt":"2010-12-21T03:00:33","slug":"dvd-rig-the-2010","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=1642","title":{"rendered":"DVD: Rig, The (2010)"},"content":{"rendered":"<p><em><em><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/ <a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><\/em><\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=631\">P to R<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/11\/Rig2010.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1643\" title=\"Rig2010\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/11\/Rig2010.gif\" alt=\"\" width=\"72\" height=\"101\" \/><\/a>Film: Poor \/ DVD Transfer: Very Good\/ DVD Extras: Good<\/p>\n<p>Label\/Studio: Anchor Bay\/ Region: 1 (NTSC) \/\u00a0Released: October 5, 2010<\/p>\n<p>Synopsis: A skeleton crew left to manage an oil rig during a storm is hunted by a carnivorous creature.<\/p>\n<p>Special Features: \u00a0Audio Commentary with director Peter Atencio and producer James D. Benson \/ &#8220;The Rig&#8221; Behind-the-scenes featurette (9:32) \/ Trailer.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>In the wake of recent the oil rig disaster and BP oil spill,\u00a0<strong>The Rig<\/strong> is innately intriguing for being a horror tale set on an isolated location smack in the middle of bad weather, but there\u2019s so much that doesn\u2019t work in Peter Atencio\u2019s film.<\/p>\n<p>Basically\u00a0<strong>Alien<\/strong> (1979) on an oil rig with characters riffed from that franchise,\u00a0<strong>The Rig<\/strong> deals with a skeleton crew manning a large offshore drilling rig during a dangerous storm system, while a creature (or two) from the ocean depths hunts the human population to a mere handful.<\/p>\n<p>Boss Jim (William Forsythe) wants his daughter Carey (Serah D\u2019Laine) to stay away from crewman Dobbs (Scott Marin) because she deserves better, but her trust in Dobbs deepens when dad is among the creature\u2019s first victims, and the survivors attempt to find a safe room and wait out the storm until the full crew returns.<\/p>\n<p>The father-daughter-boyfriend relationship is effectively borrowed from\u00a0<strong>Armageddon<\/strong> (1998), whereas the stock crewmen are liberally reformulated from\u00a0<strong>Aliens<\/strong> (1986), including teasing blue collar workers, and butch couple Freddy (Stacey Hinnen) and Rodriguez (Carmen Perez) \u2013 the latter blatantly patterned after\u00a0<strong>Aliens<\/strong>\u2019 Drake and Vasquez. (Even the drilling firm \u2013 Weyland \u2013 is named after Weyland-Yutani, the evil company in the Alien series.)<\/p>\n<p>That\u2019s all fine, and the tongue-in-cheek references include a few visual shots reminiscent of Weaver\u2019s frequent too-close-for-comfort encounters with the alien creature in the series, but none of the 4 writers manage to do create interesting conflicts that logically push the characters into desperate situations. The reasons to drag them out of safe rooms and separate them for inevitable kills are pretty feeble, and most of the dialogue is patterned after clich\u00e9d catch-phrases.<\/p>\n<p>Worse are whole scenes far too reminiscent of\u00a0<strong>Alien<\/strong>, particularly a lengthy scene where Faulkner (Robert Zachar) goes rogue and crawls through narrow passages with a flaming harpoon gun only to be snatched and dragged away by a creature \u2013 a steal from Dallas squirming through the ship\u2019s ducts with a flame-thrower and getting snatched by the alien.<\/p>\n<p>An actual oil rig was used, but Atencio makes little effort to milk the location for its inherent eeriness. The lighting is flat, most of the camera setups are static and banal, the HD cinematography feels like DV, and while the gore is quite wet and creature appearances are well-staged, the mangling edits are often spastic and discontinuous.<\/p>\n<p>Atencio also makes use of fadeouts to mask underwritten scenes, Carey\u2019s dead father montages are tiresome and feel like filler material, and sequences are periodically interrupted by the same whirling aerial shots of the oil rig. Another contrived sequence that has two characters crawling beneath the rig over the water is dull because it\u2019s never treated as a dangerous trek \u2013 visually, or with effects detailing the giant storm we never really see outside of heavy rain.<\/p>\n<p>Hans Zimmer\u2019s longtime orchestrator Bruce Fowler (<strong>The Good Shepherd<\/strong>) has a few interesting cues, but the entire film is pretty much wall-to-wall music; several cues feel ported over from other scenes (particularly gnarling brassy cues over simple dialogue scenes), and the total saturation of score is oppressive.<\/p>\n<p>There are no eerie silent moments nor prime sequences where a sound designer could\u2019ve created a chilling aural environment to enhance the location\u2019s isolated and sometimes claustrophobic narrow hallways and passages, and Atencio\u2019s penchant for stark homages has a Beethoven piece playing over scenes much in the way a Mozart piece preceded mayhem in\u00a0<strong>Alien<\/strong>.<\/p>\n<p>Other dramatic flaws in\u00a0<strong>The Rig<\/strong> include a phone system on a noisy rumbling structure with the most feeble buzz ever designed (making it easy for lesser\/dumber characters to be disposed of), and the alien creatures which resemble agile dancers in shiny purple rubber suits.<\/p>\n<p>The creatures\u2019 raison d\u2019\u00eatre is never explained, but neither was the monster in\u00a0<strong>Deepstar Six<\/strong>(1989), which underwater miners disturbed in a similarly designed opening scene. The script does offer a coda for the characters \u2013 reuniting two estranged brothers, as well as giving Carey\u2019s uncle a parting shot at revenge \u2013 but\u00a0<strong>The Rig<\/strong> is too much of a best-alien-hits pastiche.<\/p>\n<p>Anchor Bay\u2019s DVD includes a behind-the-scenes montage, and a filmmaker commentary.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2010 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt1093906\/\">IMDB <\/a>&#8212; \u00a0<a href=\"http:\/\/soundtrackcollector.com\/catalog\/composerdetail.php?composerid=2445\">Composer Filmography<\/a> &#8212; <a href=\"http:\/\/www.therigmovie.com\/\">Official Site<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=631\">P to R<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/ Blu-ray, DVD, Film Reviews \/ P to R . Film: Poor \/ DVD Transfer: Very Good\/ DVD Extras: Good Label\/Studio: Anchor Bay\/ Region: 1 (NTSC) \/\u00a0Released: October 5, 2010 Synopsis: A skeleton crew left to manage an oil rig during a storm is hunted by a carnivorous creature. Special Features: \u00a0Audio Commentary [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[166],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-qu","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/1642"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1642"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/1642\/revisions"}],"predecessor-version":[{"id":1934,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/1642\/revisions\/1934"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}