{"id":19439,"date":"2019-07-05T21:37:53","date_gmt":"2019-07-06T01:37:53","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=19439"},"modified":"2019-07-06T00:35:42","modified_gmt":"2019-07-06T04:35:42","slug":"impeccable-ensembles-beat-the-devil-1953-between-the-lines-1977","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=19439","title":{"rendered":"Impeccable Ensembles: Beat the Devil (1953) + Between the Lines (1977)"},"content":{"rendered":"

It may seem like an improbable pairing, but John Huston\u2019s odd cult movie Beat the Devil<\/a> <\/strong>(1953) shares one great element with Joan Micklin Silver\u2019s dramady Between the Lines<\/a><\/strong> (1977): a talent-heavy ensemble of stars and character actors.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

In the case of Micklin\u2019s film (a slightly autobiographical script by Fred Barron), the cast was comprised of newcomers, some of whom would become film stars (Jeff Goldblum, John Heard), TV stars (Marilu Henner, Stephen Collins, Jill Eikenberry) respected character actors (Lindsay Crouse, Joe Morton), and faces who\u2019d recur in countless TV and feature films (Robert Costanzo, Bruno Kirby, Raymond J. Berry, and Lane Smith). The sparse original score was composed by Michael Kamen, and the cinematography by Kenneth Van Sickle made great use of urban Boston locations.<\/p>\n

Cohen Media Group\u2019s DVD and Blu-ray feature a gorgeous restoration, and bring one of Silver\u2019s few feature films back into circulation. Now all we need is a Blu-ray of Hester Street<\/strong> (1975), her feature debut. Anyone?<\/p>\n

 <\/p>\n

\"\"

The tag line is as vague as the plot and resolution.<\/p><\/div>\n

 <\/p>\n

Any film\u2019s success is vitally attached to good casting, and John Huston\u2019s Beat the Devil <\/strong>(1953) is loaded with major stars Humphrey Bogart, Jennifer Jones, and Gina Lollobrigida, and the impeccable grouping of Robert Morley, Peter Lorre, and Ivor Barnard as twitchy goofballs who might be involved with a recent murder.<\/p>\n

When originally released, Huston\u2019s film was a dud, failing to click with audiences expecting the kind of romance and adventure sold in the very<\/em> waist-clutching images of the poster campaign, and it didn\u2019t help that the film was recut by its U.S. distributor to simplify the story (somewhat).<\/p>\n

I still don\u2019t know what the whole escapade is all about, but this very strange movie, recently restored by Sony in a shimmering 4K scan and released on Blu via Twilight Time, keep drawing me in, perhaps because of its cast, and the gorgeous Amalfi Coast, a locale in Italy when Roman Polanski shot his oddball, nude-heavy sex comedy What?<\/a><\/strong> (1974).<\/p>\n

Devil<\/strong> is flawed, but it’s a film that keeps getting funnier after another viewing, and I wish I could offer a reason with empirical poof; I have none, save for a greater degree of giggling that just gets louder.<\/p>\n

Coming next:<\/em> the affectionate documentary That Guy Dick Miller <\/strong>(2014) from Indiecan \/ Uncork\u2019d, Augusti Villaronga’s Moon Child<\/strong> (1986) in a multi-disc Special Edition from Cult Epic,\u00a0and Robowar<\/strong> (1988), Severin\u2019s stunning new Blu-ray edition of Bruno Mattei\u2019s outrageous Predator<\/strong>–Robocop<\/strong> rip-off.<\/p>\n

Thanks for reading,<\/p>\n

 <\/p>\n

 <\/p>\n

Mark R. Hasan<\/strong>, Editor
\nKQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Impeccable ensemble casts are the main draw in John Huston’s BEAT THE DEVIL (1953) + Joan Micklin Silver’s BETWEEN THE LINES (1977).<\/p>\n","protected":false},"author":1,"featured_media":19444,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[6230,6214,2562,2563,4980,557],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/07\/BeatTheDevil_featured.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-53x","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19439"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19439"}],"version-history":[{"count":5,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19439\/revisions"}],"predecessor-version":[{"id":19459,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19439\/revisions\/19459"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/19444"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}