{"id":19592,"date":"2019-08-20T12:20:13","date_gmt":"2019-08-20T16:20:13","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=19592"},"modified":"2019-08-20T12:20:13","modified_gmt":"2019-08-20T16:20:13","slug":"the-magic-of-robowar-1988","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=19592","title":{"rendered":"The Magic of Robowar (1988)"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"aligncenter wp-image-19594\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Robowar1988_Jap_poster.jpg\" alt=\"\" width=\"450\" height=\"619\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Robowar1988_Jap_poster.jpg 582w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Robowar1988_Jap_poster-218x300.jpg 218w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>The triumvirate formed by Bruno Mattei, Claudio Fragasso, and Rossella Drudi has been getting a lot of love from Severin over the past couple of years, and the release of\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?p=19588\"><strong>Robowar<\/strong><\/a> (1988) may be the trio&#8217;s most enjoyable nonsense &#8211; a blatant rip-off of\u00a0<strong>Predator\u00a0<\/strong>and\u00a0<strong>Robocop<\/strong> with a dollop of\u00a0<strong>Aliens<\/strong> that kind of works.<\/p>\n<p>Its low-budget silliness featuring ludicrous dialogue and exploding huts, houses, shacks, and humans, but there&#8217;s a special fromage factor that&#8217;s far more aromatic that the trio&#8217;s other works, which number an astonishing 21 films over 10 years, many shot two at a time. Sheer madness, but no doubt a rich mine of platinum anecdotes which Fragasso &amp; Drudi could pen into an outrageous and maybe envious autobiography of their long &amp; prolific career in exploitation &amp; sexploitation.<\/p>\n<p>I spent a fair bit of time dissecting &amp; contextualizing\u00a0<strong>Robowar<\/strong> and its implications on home video &#8211; namely showcasing a wild era in Italian film &#8211; as well as Severin&#8217;s more than fair attempt to present the husband &amp; wife team as more than filmmakers of schlock. It&#8217;s still an uphill quest, but maybe interpolated with further Blu-rays of the duo&#8217;s horror &amp; sci-fi efforts, Severin might release the odd \u00a0crime drama or TV production to show another side of the creators of, ahem,\u00a0<strong>Troll 2<\/strong> (1990). I&#8217;m especially keen on seeing <strong>Appuntamento a Trieste<\/strong> (1989),\u00a0a TV mini-series starring Tony Musante (<strong>Bird with the Crystal Plumage<\/strong>, <a href=\"http:\/\/kqek.com\/mobile\/?p=17642\"><strong>The Incident<\/strong><\/a>), Ivan Rassimov (<strong>All the Colors of the Dark<\/strong>)<strong>,<\/strong> Edmund Purdom (<a href=\"http:\/\/kqek.com\/mobile\/?p=3356\"><strong>The Egyptian<\/strong><\/a>), Christiana Borghi (<strong>Nazi Love Camp 27<\/strong>), and directed by Mattei with co-writers Fragasso &amp; Drudi.<\/p>\n<p><em>Coming next:<\/em>\u00a0two tales of international meddling, disruption, and diplomatic bungling, with Gregory Peck in the zippy\u00a0<strong>The Chairman<\/strong> (1969) from Twilight Time, and Marlon Brando in\u00a0<strong>The Ugly American<\/strong> (1963) from KINO.<\/p>\n<p>Thanks for reading,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review of Bruno Mattei&#8217;s PREDATOR-ROBOCOP-ALIENS rip-off ROBOWAR (1988), starring Reb Brown, new on Severin Blu.<\/p>\n","protected":false},"author":1,"featured_media":19593,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[5723,5724,1434,2562,2563,6281,6278,5725],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Robowar_featured.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-560","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19592"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19592"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19592\/revisions"}],"predecessor-version":[{"id":19598,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19592\/revisions\/19598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/19593"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}