{"id":19611,"date":"2019-08-23T10:51:40","date_gmt":"2019-08-23T14:51:40","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=19611"},"modified":"2019-08-23T10:58:13","modified_gmt":"2019-08-23T14:58:13","slug":"diplomatic-bungling-the-chairman-1969-the-ugly-american-1963","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=19611","title":{"rendered":"Diplomatic Bungling: The Chairman (1969) + The Ugly American (1963)"},"content":{"rendered":"<p>Emerging regimes and conflicts outside of Europe motivated Hollywood to seek out topical stories, and nothing better came packaged with drama than culture clashes, espionage, and Cold War troubles.<\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/?p=19608\"><strong>The Ugly American<\/strong><\/a> (1963) takes place in the fictional country of Sarkhan, but the clashes that erupt from a new U.S. Ambassador and his terrible diplomatic skills almost cause a civil war.<\/p>\n<p>Marlon Brando&#8217;s transition from Fox contract player to a freelance and occasional producer didn&#8217;t yield any career peaking works &#8211; <strong>Bedtime Story<\/strong> (1964) may be his strangest attempt at comedy, playing the role later reprised by Steve Martin in the far funnier remake <strong>Dirty Rotten Scoundrels<\/strong> (1988) &#8211; but if TUA was made as a cinematic cautionary tale based on a novel designed to shock the country&#8217;s moldy foreign agent corps, it is unusual, in that instead of being a time capsule and parable of the imminent Vietnam War, it&#8217;s aged into a still relevant drama of what happens when bad policy, ignorance, and outright blundering dominate foreign relations.<\/p>\n<p>Brando is quite good, and newcomer George Englund did a decent job directing the imposing star amid a fine cast of supporting actors. The film&#8217;s emergence on Blu-ray via Mill Creek gives this 1963 production a new life in a climate when nationalism is once again creating friction and punishing tit-for-tat exchanges between formal allies and super power rivals.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_19620\" style=\"width: 460px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-19620\" loading=\"lazy\" class=\"wp-image-19620 size-full\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Chairman1969_poster2_m.jpg\" alt=\"\" width=\"450\" height=\"680\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Chairman1969_poster2_m.jpg 450w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Chairman1969_poster2_m-199x300.jpg 199w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><p id=\"caption-attachment-19620\" class=\"wp-caption-text\">Gregory Peck scrapes his leg in the barbed wire fence while firing one fatal shot at Chinese soldiers causing a massive explosion that distracts his pursuers long enough to escape through a hole blown by the Soviets and crosses into Russia a half second before a bomb blows up his brain like a house of fiery timber!<\/p><\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/?p=19610\"><strong>The Chairman<\/strong><\/a> (1969) is a weirder fusion of topical politics &#8211; Mao&#8217;s Cultural Revolution + James Bondian espionage &#8211; with slight comic book results. Gregory Peck may have been one of the few stalwart veterans who could walk through preposterous scenes with dignity, and J. Lee Thompson&#8217;s direction kicks into high gear during several tense suspense and action scenes, but it&#8217;s very much a product of the Cold War era, with an unexpected allegiance between the U.S., Britain, and the USSR vs. China, who&#8217;ve developed a formula to grow any food in any kind of region.<\/p>\n<p>Naturally Peck&#8217;s recruited to &#8216;save&#8217; the formula and &#8216;donate&#8217; to the global population, hence a trip to Kong Kong. and eventually mainland China, where he&#8217;s (naturally) barred from leaving, and must escape to avoid a cranial kaboom.<\/p>\n<p>Twilight Time&#8217;s disc sports the same extras as the prior Fox DVD, plus an isolated score track that expands Jerry Goldsmith&#8217;s raw, kinetic music in its most complete form to date. There are some issues with the Blu-ray&#8217;s master that I detail in the review, but the film proper is a lot of fun for genre fans, as well as Peckphiles and admirers of director Thompson.<\/p>\n<p>Now, if only Twilight Time would get lucky and release a Blu-ray of <strong>Mackenna&#8217;s Gold<\/strong> (1969), with an isolated stereo track of Quincy Jones&#8217; score, and a commentary with film historians Julie Kirgo and Lem Dobbs that describes this problem-plagued, bloated super-western which has a special place in the heart of unembarrassed, unapologetic fans (like me). There <em>is<\/em> a French Blu of the film, but nothing thus far in North America.<\/p>\n<p>A friend who lived in Detroit recalled going to test screenings of assorted films prior to their theatrical release, and he remembered seeing the longer edit of <strong>Mackenna&#8217;s Gold<\/strong> which had the missing footage of the Hadleyburg characters, and other material. I doubt any stems from the movie exist, let alone a pre-release cut, but hey, if the similarly maligned\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?p=6782\"><strong>Lost Horizon<\/strong><\/a> (1973) can get the kid glove treatment, so should this deeply flawed, star-studded monster directed by Thompson, headlined by Peck and Omar Sharif, scored by Jones, and produced by Dimitri Tiomkin.<\/p>\n<p>Yes, <em>that<\/em> Dimitri Tiomkin.<\/p>\n<p>Thanks for reading,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cold War thrillers and diplomatic bungling galore in THE CHAIRMAN (1969) on Twilight Time Blu + THE UGLY AMERICAN (1963) from Mill Creek.<\/p>\n","protected":false},"author":1,"featured_media":19619,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[2562,2563,6290,2543,4009,398,6292,6291,6284],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2019\/08\/Chairman_featured.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-56j","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19611"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19611"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19611\/revisions"}],"predecessor-version":[{"id":19638,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19611\/revisions\/19638"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/19619"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}