{"id":19910,"date":"2020-01-30T13:57:30","date_gmt":"2020-01-30T18:57:30","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=19910"},"modified":"2021-07-17T02:06:04","modified_gmt":"2021-07-17T06:06:04","slug":"podcast-anne-with-an-e-composers-amin-bhatia-ari-posner","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=19910","title":{"rendered":"Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner"},"content":{"rendered":"
\"\"

Slight erratum…<\/p><\/div>\n

L.M. Montgomery’s Anne of Green Gables<\/strong> has been adapted several times for the big and small screens, starting as a silent in 1919, and most amusingly as a pair of RKO features, Anne of Green Gables <\/strong>(1934) and Anne of Windy Poplars<\/strong> (1940) \u2013 amusingly, because it was billed as a\u00a0\u201cClassic of American Literature.\u201d<\/span><\/p>\n

A 1952 British TV series followed before the CBC decided to launch a trio of teleplays \u2013 a French version in 1957, and two English versions in 1956 and 1958, with the former written and the latter directed by actor-humorist Don Harron.<\/p>\n

The BBC took a crack at a series in 1972 and 1975, a Japanese anime followed in 1975, but it was Kevin Sullivan\u2019s productions in teleplay and series form with Megan Follows as Anne that made the classic of Canadian <\/em>literature a mega-hit and ongoing home video best-seller.<\/p>\n

Spin-offs Road to Avonlea<\/strong> (1990-1996) and Emily of the New Moon<\/strong> (2000) shored up Sullivan Films’ L.M. Montgomery catalogue, and although Anne has appeared in further incarnations, perhaps the most striking is Anne with an E<\/strong> (2018-2019), giving the character a darker shade.<\/p>\n

\"\"<\/a>

Composer Amin Bhatia<\/p><\/div>\n

As developed by Breaking Bad<\/strong>\u2019s Moira Walley-Beckett, the CBC-Netflix production ran for 3 seasons, and the music by veteran composers Amin Bhatia and Ari Posner is available digitally and on disc from Varese Sarabande.<\/p>\n

As you\u2019ll hear in our detailed conversation, the elegant scores echo Anne\u2019s Celtic roots and evoke the striking landscape of Prince Edward Island, and features a wealth of Canadian musicians.<\/p>\n

\"\"<\/a>

Composer Ari Posner<\/p><\/div>\n

Bhatia and Posner\u2019s collaborations span roughly two decades (Flashpoint<\/strong>, X Company<\/strong>, Blood and Fury: America\u2019s Civil War<\/strong>), and their background in long-running TV enabled the pair to meet the demands of the format\u2019s tight scheduling.<\/p>\n

Discussed in the half-hour podcast are aspects of scoring, characters, the importance of the music editor, deadlines, changing technology, plus other candid thoughts, and the podcast is available via GooglePlay<\/a>, iTunes<\/a>, Libsyn<\/a>, SoundCloud<\/a>, and Stitcher<\/a> channels. A CD review will follow Monday, in tandem with a short Instagram podcast teaser.<\/p>\n

Thanks for reading,<\/p>\n

 <\/p>\n

 <\/p>\n

Mark R. Hasan<\/strong>, Editor
\nKQEK.com<\/strong><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.<\/p>\n","protected":false},"author":1,"featured_media":19912,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[2574,6,4,11,1557],"tags":[6358,6361,6359,408,1207,2562,6362,2563,1556,6360,5030,4214],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2020\/01\/AnneWithAnE_featured.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-5b8","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19910"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19910"}],"version-history":[{"count":15,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19910\/revisions"}],"predecessor-version":[{"id":20627,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/19910\/revisions\/20627"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/19912"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}