{"id":2029,"date":"2010-12-31T16:51:34","date_gmt":"2010-12-31T21:51:34","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=2029"},"modified":"2010-12-31T20:20:56","modified_gmt":"2011-01-01T01:20:56","slug":"br-insomnia-2002","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=2029","title":{"rendered":"BR: Insomnia (2002)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=623\">I<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/12\/Insomnia2002_BR.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-2030\" title=\"Insomnia2002_BR\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/12\/Insomnia2002_BR.gif\" alt=\"\" width=\"72\" height=\"101\" \/><\/a>Film: Excellent\u00a0\/ DVD Transfer: Excellent\u00a0\/ DVD Extras: Excellent<\/p>\n<p>Label:\u00a0Warner Home Video\u00a0\/ Region: All \/\u00a0Released:\u00a0July 13, 2010<\/p>\n<p>Genre: Suspense<\/p>\n<p>Synopsis: Severe lack of sleep begins to affect a detective&#8217;s ability to solve a case  during Alaska&#8217;s 24 hour daylight.<\/p>\n<p>Special Features:\u00a0Additional Scenes with optional commentary by Christopher Nolan \/ Audio  Commentary 1: director Christopher Nolan \/ Audio Commentary 2 (scene specific):  actress Hilary Swank, production designer Nathan Crowley, editor Dody Dorn,  cinematographer Wally Pfister, and screenwriter Hillary Seitz \/ 4 Featurettes:  &#8220;Day for Night: Making the Movie&#8221; + &#8220;180 Degrees: A Conversation with  Christopher Nolan and Al Pacino&#8221; + &#8220;In the Fog: Cinematography and production  design&#8221; with optional cinematographer and production designer commentaries +  &#8220;Eyes Wide open: The Insomniac&#8217;s World&#8221; \/ Stills Gallery \/ Theatrical Trailer<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Whereas most American remakes of dark and grim European thrillers tend to get  emasculated \u2013 Steven Soderbergh\u2019s production of <strong>Nightwatch<\/strong> (1997) being a perfect example \u2013 this version of the 1997 Norwegian film  <strong>Insomnia<\/strong> is quite faithful to the original\u2019s grimness.<\/p>\n<p>Some of the more provocative elements from the \u201997 film were toned down, and  under Christopher Nolan\u2019s direction, the remake is a strong procedural whodunnit  with an increasingly potent emphasis on the psychological destruction of lead  investigator Will Dormer), a veteran detective running away from an internal  investigation back in Los Angeles.<\/p>\n<p>Dormer is immediately established as a fish out of water; even his dialect is  a subtle New Orleans drawl, which hints at a life of having to adapt from one  locale to another. Alaska ends up offering the biggest challenge, with 24 hours  of sunlight that rob him of the sleep he needs to remain objective and precise.  After 6 days without proper sleep, Dormer is poised for disaster, and it\u2019s  obvious he\u2019s running on adrenaline during the case\u2019s final days, although what\u2019s  interesting is how he changes from a spot-on detective to a blunderer, and  weakened by sleep deprivation and overwhelming stressors, allows himself to be  coerced by the killer he was initially determined to arrest without  question.<\/p>\n<p>As local author \/ unintended killer Walter Finch, Robin Williams is  surprisingly chilling, giving his character a wholly believable quality of  banality and quiet sophistication in the way a bland man is able to manipulate a  hardened detective into desperate actions. The battle of wits between Dormer and  Finch remains ongoing (much like the weird alliance between killer and innocent  in Alfred Hitchcock\u2019s <strong>Strangers  on a Train<\/strong>), but the scripts expertly balances each player\u2019s chess  moves until the two must collide with explosive violence.<\/p>\n<p>Added to the drama is young cop Ellie Burr (Hilary Swank), initially in awe  of Dormer\u2019s career, and later torn between adulation, respect, and the horror of  discovering Dormer\u2019s may have intentionally shot his longtime partner Hap  Eckhart (Martin Donovan) during a hunt for Finch.<\/p>\n<p>Nolan\u2019s pacing is riveting, with already precise dialogue further sharpened  by Dody Dorn\u2019s superb editing (particularly the action scenes, including the fog  chase where Hap is killed, an incredible log jam chase, and the finale).<\/p>\n<p>Equally memorable is Wally Pfister\u2019s beautiful \u2018scope cinematography that  glows in the new Blu-ray transfer, showing off Alaska\u2019s gorgeous glaciers, and  British Columbia\u2019s isolated regions. Every frame and edit is gripping, and David  Julyan\u2019s score offers a fine balance of orchestral lamentations for the  characters, and impressionistic tones and sonic patterns straddling sound  design.<\/p>\n<p>The supporting cast is fairly strong, including Katherine Isabelle (Ginger  <strong>Snaps<\/strong>) as the dead girl\u2019s two-timing best friend; Jonathan  Jackson (<strong>General Hospital<\/strong>) as the dead girl\u2019s abusive  boyfriend; Paul Dooley (<strong>Seinfeld<\/strong>) playing the station chief;  and Lorne Cardinal (<strong>Corner Gas<\/strong>) in a small role as a cop. Maura  Tierney\u2019s (<strong>News Radio<\/strong>) role as a hotel manager was trimmed down  (as evidenced by a deleted scene on the disc), but her character\u2019s attraction to  and sympathy for Dormer is implied in a few scenes, particularly near the end  where the two may have had an affair.<\/p>\n<p>Warner Home Video\u2019s BR ports over all the extras from the loaded DVD release,  and while there\u2019s no new special content, it\u2019s already a full package that  covers all grounds.<\/p>\n<p>Perhaps the only neglected area is the script. In her few extracted comments  from the secondary commentary track, screenwriter Hillary Seitz explains the  remake focuses on the subtext of the original, and she went though 11 drafts  before the script satisfied the studio. It would\u2019ve been interesting to hear  other aspects from the original Nikolaj Frobenius and Erik Skjoldbjaerg script  that were adapted for the remake, and handful of years it took to crafts a  script that satisfied the studio and director.<\/p>\n<p>Other participants of commentary track 2 include the editor, cinematographer,  production designer, and co-star Swank. Most of their comments are brief and  scene-specific, and one has the option to select specific participants, or play  the entire round.<\/p>\n<p>Nolan\u2019s solo commentary is unsurprisingly unconventional, in that he  discusses the film\u2019s production in the order of the film\u2019s shooting days. With  onscreen disclaimers (\u201cDay 20 Scenes 63, 83, 85\u201d for example) Nolan blends  personal diary with production details in the chronology of the shooting  schedule. It\u2019s somewhat refreshing, but the end result is a more technical  commentary that has repeated details, and gets rather dry. There isn\u2019t much  about the script, the production\u2019s history (both Soderbergh and George Clooney  are credited as executive producers), nor Nolan\u2019s collaborative relationship  with composer Julyan (which goes back to the director\u2019s first film, <strong>The  Following<\/strong>).<\/p>\n<p>The remaining extras include a stills gallery, and a quartet of featurettes  which include a standard making-of narrative (with a brief appearance by  Soderbergh); a candid and lengthy conversation between Nolan and Pacino, taped 6  months after production wrapped; a brief featurette on the fog sequence with  dual commentaries by the production designer and cinematographer; and a another  short featurette on the condition of insomnia, in terms of how it relates to  Dorman, and its affects on people as described by doctors and a pair of  real-life sufferers.<\/p>\n<p><strong>Insomnia<\/strong> marked Christopher Nolan\u2019s leap into A-level  productions, and followed his puzzle film <strong>Memento<\/strong> (2000), and  was followed by <strong>Batman Begins<\/strong> (2005).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2010 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Related links:<\/em><\/p>\n<p>BR \/ Film: \u00a0<strong><a href=\"http:\/\/kqek.com\/mobile\/?p=2025\">Inception <\/a><\/strong>(2010)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Related external links (MAIN SITE):<\/em><\/p>\n<p>DVD \/ Film: \u00a0<strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/n2o\/3684_Nightwatch1994.htm\" target=\"_blank\">Nightwatch<\/a><\/strong><strong> <\/strong>(1997)<strong> &#8212; <\/strong><strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/s\/2916_StrangersTrain2disc.htm\" target=\"_blank\">Strangers on a Train<\/a> <\/strong>(1951)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0278504\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=45443\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/composerdetail.php?composerid=3640\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Buy from:<\/em><\/p>\n<p><strong>Amazon.com<\/strong> \u2013 <a id=\"static_txt_preview\" href=\"http:\/\/www.amazon.com\/gp\/product\/B003ELMR9E?ie=UTF8&amp;tag=kqco06-20&amp;link_code=as3&amp;camp=211189&amp;creative=373489&amp;creativeASIN=B003ELMR9E\">Insomnia [Blu-ray]<\/a><\/p>\n<p><strong>Amazon.ca<\/strong> &#8211; <a id=\"static_txt_preview\" href=\"http:\/\/www.amazon.ca\/gp\/product\/B003M9KXCQ?ie=UTF8&amp;tag=kqco-20&amp;link_code=as3&amp;camp=212553&amp;creative=381305&amp;creativeASIN=B003M9KXCQ\">Insomnia [Blu-ray]<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><em><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em><\/em><\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=623\">I<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ I . Film: Excellent\u00a0\/ DVD Transfer: Excellent\u00a0\/ DVD Extras: Excellent Label:\u00a0Warner Home Video\u00a0\/ Region: All \/\u00a0Released:\u00a0July 13, 2010 Genre: Suspense Synopsis: Severe lack of sleep begins to affect a detective&#8217;s ability to solve a case during Alaska&#8217;s 24 hour daylight. Special Features:\u00a0Additional Scenes with optional commentary by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[237],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-wJ","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2029"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2029"}],"version-history":[{"count":5,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2029\/revisions"}],"predecessor-version":[{"id":2068,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2029\/revisions\/2068"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}