{"id":2345,"date":"2011-02-14T12:55:27","date_gmt":"2011-02-14T17:55:27","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=1657"},"modified":"2011-02-14T12:55:27","modified_gmt":"2011-02-14T17:55:27","slug":"soundtrack-awards-reviews","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=2345","title":{"rendered":"Soundtrack Awards &amp; Reviews"},"content":{"rendered":"<p><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2010\/07\/CompactDisc_image_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-863\" title=\"CompactDisc_image_s\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2010\/07\/CompactDisc_image_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>This past weekend yielded two awards shows, with the BAFTA\u2019s  Anthony Asquith Award for Film Music going to <strong>The King\u2019s Speech<\/strong> (Alexandre Desplat), beating out <strong>127 Hours <\/strong>(A.R. Rahman), <strong>Alice in Wonderland<\/strong> (Danny Elfman), <strong>How to Train Your Dragon<\/strong> (John Powell),  and <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/i\/CD_0252_Inception2010.htm\">Inception<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2036\">M<\/a>] (Hans Zimmer).<\/p>\n<p>In the Grammy Awards, the golden trophy for Best Score  Soundtrack Album went to <strong>Toy Story 3<\/strong> (Randy Newman), beating out <strong>Alice in  Wonderland<\/strong> (Danny Elfman), <strong>Avatar<\/strong> (James Horner), <strong>Inception<\/strong> (Hans  Zimmer), and <strong>Sherlock Holmes<\/strong> (Hans  Zimmer). The music related categories are available <a href=\"http:\/\/www.grammy.com\/nominees?year=2010&amp;genre=11\" >HERE<\/a>, as well  as the <a href=\"http:\/\/www.grammy.com\/nominees?year=2010&amp;genre=11\" >full  tally<\/a> of winners.<\/p>\n<p>Just uploaded is a quartet of soundtrack reviews:<\/p>\n<p>Cliff Martinez\u2019 <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/s\/CD_0266_Solaris2002.htm\">Solaris<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2307\">M<\/a>] (La-La Land Records) is a work  of art, and I\u2019m not the only one who\u2019s spun the album repeatedly because of its  hypnotic and often soothing quality. It\u2019s riveting &amp; mournful, and the  composer\u2019s finest work, after Traffic. He\u2019s reportedly reteamed again with  director Steven Soderbergh for the upcoming virus thriller <strong>Contagion<\/strong>.<\/p>\n<p>Murray Gold\u2019s epic <strong>Doctor  Who<\/strong> music continues to get the deluxe 2-CD treatment, and fans of <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/d\/CD_0263_DoctorWhoS5.htm\">Series 5<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2321\">M<\/a>] will enjoy the rich variety of  material in Silva Screen\u2019s new set.<\/p>\n<p>Also from La-La   Land comes an expanded  release of Christopher Young\u2019s <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/h\/CD_0265_HauntedSummer1988.htm\">Haunted  Summer<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2316\">M<\/a>] for forgotten  director Ivan Passer, and John Morris\u2019 shockingly good music for Gene Wilder\u2019s  unfunny <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/h\/CD_0264_HauntedHoneymoon1986.htm\">Haunted Honeymoon<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2312\">M<\/a>].<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong><a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">KQEK.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BAFTA and Grammy Winners, plus soundtrack reviews of Murray Gold&#8217;s Doctor Who: Series 5 (Silva Screen), and from La-La Land Records&#8217; Cliff Martinez&#8217; Solaris, John Morris&#8217; Haunted Honeymoon, and Christopher Young&#8217;s Haunted Summer&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[307,304,301,308,302,31,4212],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-BP","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2345"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2345"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2345\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}