{"id":2351,"date":"2011-02-17T01:12:24","date_gmt":"2011-02-17T06:12:24","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=1700"},"modified":"2011-02-17T02:48:55","modified_gmt":"2011-02-17T07:48:55","slug":"new-imminent-soundtrack-releases-5","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=2351","title":{"rendered":"New & Imminent Soundtrack Releases"},"content":{"rendered":"

\"\"<\/a>Here’s the latest tally of new and upcoming soundtrack releases on planet Earth, including titles regular and limited, plus a few you totally missed out on because you blinked too slowly.<\/p>\n

(Relax, I too missed Les Baxter’s Fall of the House of Usher<\/strong>, which Intrada released Feb. 7th. Two specific points related to an argument: it’s Baxter, it’s a classic Poe film, so why didn’t you press more for the other few hundred that wanted the blasted score? I wonder if I have to wait another 25 years<\/em> to finally get a copy. Ha-rumpf.<\/em>)<\/p>\n

New to the list is nascent DVD label Twilight Time via Screen Archives Entertainment, who plan to release films on disc with film music goodies, such as isolated scores – a special feature pretty much restricted now to the odd indie title (such as Synapse Films’ recent DVD\/Blu-ray combo of Vampire Circus<\/a> <\/strong>[M<\/a>]) or select Fox Blu-ray titles. More info on the series is available via the Film Score Monthly Message Board<\/a>.<\/p>\n

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Online only via iTunes<\/a> and Amazon.com (Soundtracks)<\/a>\"\"<\/p>\n

Dead Space 2 (Jason Graves)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Alhambra<\/a> (Germany)<\/p>\n

Hindenburg (Dirk Leupolz)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Anti<\/a> (USA)<\/p>\n

Rango (Hans Zimmer) — Mar. 15<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Beat Records<\/a> (Italy)<\/p>\n

Il cinico l\u2019infame il violento \/ The Cynic, the Rat, and the Fist (Franco Micalizzi) — ltd. 1000 copies, Feb.<\/p>\n

Notti porno nel mondo n.2 \/ Sexy Night Reporter N.2 (Gianni Marchetti) — ltd. 500 copies, Feb.<\/p>\n

Roma a mano armata \/ Brutal Justice \u2013 Tough Ones (Franco Micalizzi) — ltd. 1000 copies, Feb.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

BSX Records<\/a><\/span> (USA)<\/p>\n

Bounty, The (Vangelis) — re-recording, 2000 copies<\/p>\n

Night Sins (Mark Snow) — ltd. 1000 copies<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Cinevox<\/a> (Italy)<\/p>\n

Giu\u2019la testa \/ Duck You Sucker (Ennio Morricone) –\u2013 2CDs, Feb.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

DigitMovies<\/a><\/span> (Italy)<\/a><\/span><\/p>\n

Albert e l\u2019uomo Nero (Franco Micalizzi)<\/p>\n

Il Massacro della foresta near (Carlo Savina)<\/p>\n

Roma l\u2019altra faccia della voilenza + La banda vallanzasca (Fabio Frizzi, Franco Bixio, Vince Tempera, Gian Paolo Chiti, Sergio Montori)<\/p>\n

Signora Gioca bene a scopa? La (Alessandro Alessandroni) + L\u2019infermiera (Gianfranco Plenizio)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Disques Cinemusique<\/a> (Canada)<\/p>\n

Guy de Maupassant (Georges Delerue)<\/p>\n

Musique pour l\u2019ecran (Raymond Alessandrini)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Film Score Monthly (FSM)<\/a><\/span> (USA)<\/p>\n

Big Bus, The (David Shire) — ltd. 2000 copies<\/p>\n

Lassie Come Home: The Canine Cinema Collection (various) — 5 CDs, ltd. 1000 copies<\/p>\n

Poltergeist (Jerry Goldsmith) — 2 CDs, ltd. 10,000 copies<\/p>\n

Rich and Famous + One is a Lonely Number (Michel Legrand) — ltd. 2000 copies<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

GDM<\/a><\/span> (Italy)<\/p>\n

Assassination (Robby Poitevin)<\/p>\n

Boccaccio \u201970 (Nino Rota)<\/p>\n

Che c\u2019entriamo noi con la rivoluzione? \u2013 expanded (Ennio Morricone)<\/p>\n

Disubbidienza, La \/ The Disturbance (Ennio Morricone) — late Feb.<\/p>\n

Nuovo Cinema Paradiso \/ Complete Edition (Enno Morricone) — Feb.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Harkit Records<\/a><\/span> (UK)<\/p>\n

Depart, Le + Bariera (Christopher Komeda)<\/p>\n

Green Hornet, The (Billy May)<\/p>\n

Mambo in Paris \u2013 non-film (Lalo Schifrin)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Intermezzo Media \/ Mask Records<\/a><\/span> (Italy)<\/p>\n

Alessandro Alessandroni: Prisma Sonore — mid-Feb.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Interscope Records<\/a><\/span> (USA)<\/p>\n

127 Hours (A.R. Rahman)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Intrada<\/a><\/span> (USA)<\/p>\n

Battlestar Galactica (Stu Phillips) — ltd. 3000 copies<\/p>\n

48 HRS. (James Horner) — ltd. 5000 copies<\/p>\n

House of Usher (Les Baxter) — 1200 copies<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Kritzerland Records<\/a><\/span> (USA)<\/p>\n

Casino Royale (1967) (Burt Bacharach) — 2CDs, ltd.1000 copies, Jan. 18<\/p>\n

Dry White Season, A (Dave Grusin) — ltd. 1000 copies<\/p>\n

Fear Strikes Out \/ The Tin Star (Elmer Bernstein) — ltd. 1500 copies, early Mar.<\/p>\n

Gone with the Wind (Harold Rome musical) — ltd. 1000 copies, early Mar.<\/p>\n

Gorky Park (James Horner) — ltd. 1000 copies<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Lakeshore Records<\/a><\/span> (USA)<\/p>\n

Beastly (Marcelo Zarvos)<\/p>\n

Blue Valentine (Grizzly Bear)<\/p>\n

Drive Angry (Michael Wandmacher)<\/p>\n

Faster (Clint Mansell)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Milan Records<\/a> (USA\/Europe)<\/p>\n

Oldboy (Jo Yeong-Wook)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

MovieScore Media<\/a><\/span> (Sweden)<\/p>\n

Amalia (Nuno Malo)<\/p>\n

Cool Dog (Stephen Edwards)<\/p>\n

Cuckoo (Andrew Hewitt)<\/p>\n

Herencia Valdemar II: La Sombre Prohibida, La (Arnau Bataller)<\/p>\n

Monster Mutt (Chris Walden)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Music Box Records<\/a><\/span> (France)<\/p>\n

L\u2019Incorrigible \/ Va voir maman, papa travaille (Georges Delerue) — ltd. 1000 copies<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Normal Records<\/a> (Germany)<\/p>\n

Alpha 0.7 (Christopher Blaser, Steffen Kahles)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Perseverance Records<\/a><\/span> (USA)<\/p>\n

Death Warrant (Gary Chang) — ltd. 2000 copies<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Quartet Records<\/a><\/span> (Spain)<\/p>\n

Harry & Son (Henry Mancini) — ltd. 1000 copies<\/p>\n

Il Peccato \/ Noche de Verano (Antonio Perez Olea) — ltd. 500 copies<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

RCA<\/a> (USA)<\/p>\n

Bette Davis: Classic Film Scores of Bette Davis (Max Steiner) — Mar. 1<\/p>\n

Citizen Kane: Classic Film Music of Bernard Herrmann \u2013 Mar. 1<\/p>\n

Elizabeth and Essex: Classic Film Scores of Erich Wolfgang Korngold — Mar.1<\/p>\n

Laura + Forever Amber + The Bad & the Beautiful (David Raksin) — Mar. 1<\/p>\n

Now Voyager: Classic Film Score of Max Steiner — Mar. 1<\/p>\n

Spellbound: Classic Film Scores of Miklos Rozsa — Mar. 1<\/p>\n

Sunset Boulevard: Classic Film Scores of Franz Waxman — Mar. 1<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Silva Screen<\/a> (USA \/ UK)<\/p>\n

Brighton Rock (2010) (Martin Phipps) — Feb. 7<\/p>\n

Doctor Who: Series 5 (Murray Gold) — 2CDs<\/p>\n

Eagle, The (Atli Orvarsson) — mid-Mar.<\/p>\n

Francis Lai: The Essential Film Music Collection — Jan. 11<\/p>\n

Next Three Days, The (Danny Elfman)<\/p>\n

Promise, The (Debbie Wiseman)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Trunk Records<\/a> (USA)<\/p>\n

Primitive London (Basil Kirchin)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Twilight Time \/ Screen Archives Entertainment<\/a> – DVDs with isolated scores (USA)<\/p>\n

Kremlin Letter, The \u2013 DVD with isolated score track — ltd. 3000 copies, mid-Mar.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Varese Sarabande<\/a><\/span> (USA)<\/p>\n

Battle: Lost Angeles (Brian Tyler) — March 8<\/p>\n

Fringe: Season 2 (Michael Giacchino) — Mar. 8<\/p>\n

Ironclad (Lorne Balfe) — Mar. 1<\/p>\n

Largo Winch II (Alexandre Desplat) — Mar. 22<\/p>\n

Ligne Droite, La (Patrick Doyle) — Mar. 8<\/p>\n

Princess of Montpensier, The (Philippe Sarde) — Apr. 5<\/p>\n

Pushing Daisies: Season 2 (Jim Dooley) — Apr. 5<\/p>\n

Randy Edelman: ThePacific Flow to Abbey Road — Apr. 5<\/p>\n

Sanctum (David Hirschfelder)<\/p>\n

Unknown (John Ottman) — Feb. 15<\/p>\n

Way Back, The (Burkhard Dallwitz)<\/p>\n

Yeux de sa mere, Les \/ His Mother\u2019s Eyes (Gustavo Snataolalla) — Mar. 22<\/p>\n

Your Highness (Steve Jablonsky) — Apr. 15<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Warner Bros. Records (USA)<\/p>\n

Danny Elfman & Tim Burton Anniversary Music Box<\/a>, The — 16CD deluxe set + 1 DVD + book, Feb. 15 [non-limited set; does not incl. 17th Bonus Disc with ltd. pre-order set from Dec. 2010]<\/em><\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

This handy-dandy list was compiled from various sources, including catalogue announcements at Screen Archives Entertainment<\/a>, Soundtrackcollector.com<\/a>, Chris\u2019 Soundtrack Corner<\/a>, and <\/em>Intrada<\/a>. <\/em><\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

Mark R. Hasan<\/strong>, Editor
\nKQEK.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Long tally of new and imminent soundtrack releases coming your way, including a new line of DVDs from Twilight Time (Screen Archives Entertainment) featuring previously unreleased films on DVD with isolated scores \/ film music goodies…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-BV","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2351"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2351"}],"version-history":[{"count":1,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2351\/revisions"}],"predecessor-version":[{"id":2352,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2351\/revisions\/2352"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}