{"id":2451,"date":"2011-03-07T11:34:04","date_gmt":"2011-03-07T16:34:04","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=2451"},"modified":"2011-03-07T11:34:04","modified_gmt":"2011-03-07T16:34:04","slug":"cd-rat-patrol-1966","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=2451","title":{"rendered":"CD: Rat Patrol (1966)"},"content":{"rendered":"<div>\n<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1509\">P to R<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/03\/RatPatrol_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-2452\" title=\"RatPatrol_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/03\/RatPatrol_s.gif\" alt=\"\" width=\"72\" height=\"72\" \/><\/a>Rating: Excellent<\/p>\n<p>Label: \u00a0<a href=\"http:\/\/www.lalalandrecords.com\/\" target=\"_blank\">La-La Land Records<\/a>\/ Released: January 18, 2011<\/p>\n<p>Tracks &amp; Album Length: 45 tracks \/ (78:40)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: 12-page colour booklet with liner notes by Jon Burlingame \/ Limited to 1200 copies.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: Dominic Frontiere<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p><strong>The Rat Patrol<\/strong> TV series was the creation of underrated  writer \/ director Tom Gries (<strong>Will Penny<\/strong>) which lasted two  seasons before production partner United Artists got \u2018cold feet\u2019 from the  deficit financing arrangement, and canceled the show in spite of its audience  popularity.<\/p>\n<p>According to Jon Burlingame\u2019s CD liner notes, Alex North was hired to score  the pilot episode, but after budget overages, both Gries as director and North  as composer were dumped, and Dominic Frontiere was brought in to score not  specific episodes, but roughly 90 mins. worth of multi-purpose stock music for  the series \u2013 enough to last, at the very least, one season.<\/p>\n<p>What\u2019s remarkable about Frontiere\u2019s custom library music is the immense  variation of material that spans action, tense danger, furtive maneuvering in  dark corners, and source cues \u2013 all based on the composer\u2019s impressions from  printed script pages.<\/p>\n<p>It\u2019s a testament to the composer\u2019s brilliance that this album stands on its  own as a vivid portrait of kick-ass soldiers fighting evil Nazis in the Libyan  desert without melodrama nor jingoistic attitude. There <em>is<\/em> humour in  the series\u2019 theme \u2013 witty, jubilant, and a as tuneful as Elmer Bernstein\u2019s  <strong>Great Escape<\/strong> theme, or the \u201c<a href=\"http:\/\/www.google.com\/search?sourceid=chrome&amp;ie=UTF-8&amp;q=Colonel+Bogey%E2%80%99s+March\" target=\"window\">Colonel Bogey\u2019s March<\/a>\u201d from <strong>Bridge on the River  Kwai<\/strong> \u2013 but Frontiere\u2019s variations are wildly different, and slanted  towards desperate, or in-the-heat-of-the-moment tension.<\/p>\n<p>The big bonus for series fans is the robustness of the music, as Frontiere  recorded his score in Munich in stunning stereo. La-La Land\u2019s mastering is  top-notch, and every nuance of Frontiere\u2019s beautiful writing is crystal clear:  the multiple groups of lyrical brass, the snappy snare drum and rumbling  percussion, and cues with stripped-down instrumentation (\u201cBreaking In and  Searching\u201d).<\/p>\n<p>Among the cues one can hear traces of jazzy rhythms, Spanish harmonics, and  little nods to modern masters, such as the Herrmannesque triadic motif in  \u201cDesert Sun,\u201d the chromatic patterns in \u201cRats in Action,\u201d and the charged  counterpoint between a cascading brass pattern and the series\u2019 merry theme in  \u201cRats on Patrol.\u201d<\/p>\n<p>The CD is sequenced to create a dramatic flow, guiding the listener through  various adventures, but imparting a whole level of subtext: Frontiere\u2019s music  captures the superficial excitement of a good adventure, but he also captures\u00a0  the emotional consequences of reckless actions, being too cocky amongst one\u2019s  mates, genuine mortal danger, and a hunger for a sense the normalcy of home.<\/p>\n<p>La-La Land\u2019s prior Frontiere release was music from <strong>The Outer  Limits<\/strong> TV series, a must-have, multi-disc set that captures a more  haunting side of the composer. Hopefully the label\u2019s next salute will be music  from <strong>The Invaders<\/strong> (1967-1968), and the long-forgotten urban  western drama <strong>Stoney Burke<\/strong> (1962), the latter series  co-directed by Tom Gries.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2011 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0006089\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=35815\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/composerdetail.php?composerid=87\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1509\">P to R<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ P to R . Rating: Excellent Label: \u00a0La-La Land Records\/ Released: January 18, 2011 Tracks &amp; Album Length: 45 tracks \/ (78:40) . Special Notes: 12-page colour booklet with liner notes by Jon Burlingame \/ Limited to 1200 copies. . Composer: Dominic Frontiere . . Review: The Rat Patrol TV [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[326],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-Dx","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2451"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2451"}],"version-history":[{"count":2,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2451\/revisions"}],"predecessor-version":[{"id":2454,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2451\/revisions\/2454"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}