{"id":2602,"date":"2011-03-29T22:25:56","date_gmt":"2011-03-30T02:25:56","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=1804"},"modified":"2011-03-29T22:25:56","modified_gmt":"2011-03-30T02:25:56","slug":"dog-tales-i-lassie-1943-1945","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=2602","title":{"rendered":"Dog Tales I: Lassie (1943-1945)"},"content":{"rendered":"<div id=\"attachment_1806\" class=\"wp-caption alignleft\" style=\"width: 161px\"><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/RinTinTin_film_ad_m.gif\"><img loading=\"lazy\" class=\"size-full wp-image-1806\" title=\"RinTinTin_film_ad_m\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/RinTinTin_film_ad_m.gif\" alt=\"\" width=\"151\" height=\"139\" \/><\/a><\/p>\n<p class=\"wp-caption-text\">Not to be confused with Won Ton Ton, the dog that saved Hollywood. (Ahem)<\/p>\n<\/div>\n<p>Lassie, the regal collie, may be the best-known dog on an  international level, far eclipsing her predecessor <a href=\"http:\/\/en.wikipedia.org\/wiki\/Rin_Tin_Tin\" >Rin Tin Tin<\/a>, a German  Shepherd who similarly enjoyed a career in film (primarily during the silent  era), and whose descendents appeared in a radio series, a TV show in the  fifties, and whose \u2018life story\u2019 was depicted in the 2007 film <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/f\/MP3_0129_FindingRinTinTin2007.htm\">Finding  Rin Tin Tin<\/a><\/strong>.<\/p>\n<p>Lassie excelled in media perhaps because her timing was  perfect: Eric Knight\u2019s book was published in 1940, adapted into a film three  years later, and the devotion between a happy-looking dog (a collie\u2019s long jaw and floppy ears make it far film-friendlier than German Shepherds) and a  young boy were well-suited for weary international wartime audiences wanting  escapist tales where man and beast were supportive of each other to the point  of near-death.<\/p>\n<p>Moreover, as evidenced in Lassie\u2019s second film (set in  Nazi-occupied Norway), German Shepherds were depicted as authority tools of  Nazi masters, whereas the British collie came from a stock not refined in the  art of crowd control, or hunting down Jews (as dramatized in the terrifying 1949  Polish film, <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/b\/3128_BorderStreet1949.htm\">Border  Street \/ Ulica Graniczna<\/a><\/strong>).<\/p>\n<p>In <strong>Son of Lassie<\/strong>,  there\u2019s a moment when a Nazi officer confronts the collie outside of a prisoner  yard with his trusty German Shepherd; <em>his<\/em> dog is clearly feared by the inmates, whereas the inmates all reach out to  touch Lassie through the barbed wire fencing because of the breed\u2019s respected  virtue as a loving, loyal friend.<\/p>\n<p>That scene\u2019s a stark dramatization of a two breeds that have  been worked into very distinct roles in human society, and media-wise, it  probably didn\u2019t get corrected until (as much as I hate to say it), the TV  series <strong>The Littlest Hobo<\/strong> (<em>argh<\/em>) made the German Shepherd a loyal  breed instead of a weapon of sorts.<\/p>\n<p>See, collies just don\u2019t have the image problem associated with other breeds, and that gave MGM\u2019s franchise a lot of life. Warner Home Video\u2019s 2-disc set, TCM\u2019s Lassie collection, gathers the first 4 films released back in 2004, whereas the other 3 remain unavailable on DVD (although they do air time from time-to-time on TCM).<\/p>\n<p><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/LassieComeHomeCanineCinemaColl_FSM_s1.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1810\" title=\"LassieComeHomeCanineCinemaColl_FSM_s\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/LassieComeHomeCanineCinemaColl_FSM_s1.gif\" alt=\"\" width=\"72\" height=\"72\" \/><\/a>Film Score Monthly, however, have somewhat bridged the gap  with a limited <a href=\"http:\/\/www.filmscoremonthly.com\/cds\/detail.cfm?cdID=459\" >5-CD set<\/a> featuring surviving music from the series in the aptly  titled <strong>Lassie Come Home: The Canine Cinema  Collection<\/strong> (1943-1955), goosed with a rare Elmer Bernstein score for the  1955 short film,\u00a0<strong>It\u2019s a Dog\u2019s Life<\/strong>.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Now let\u2019s get back to Lassie.<\/p>\n<div id=\"attachment_1807\" class=\"wp-caption alignleft\" style=\"width: 146px\"><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/LassieComeHome_FR_poster_s.gif\"><img loading=\"lazy\" class=\"size-medium wp-image-1807 \" title=\"LassieComeHome_FR_poster_s\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/LassieComeHome_FR_poster_s-226x300.gif\" alt=\"\" width=\"136\" height=\"180\" \/><\/a><\/p>\n<p class=\"wp-caption-text\">Ooja-booja, mon ami cheuveuse!<\/p>\n<\/div>\n<p>Most of the DVD transfers in the TCM set date from the  mid-00\u2019s, and while it may seem frivolous to suggest the entire series deserves  full HD transfers for loaded Blu-ray discs, <em>it  ain\u2019t<\/em>, because certainly with the first two films, the Lassie series  represents some of the best outdoor Technicolor cinematography on record, and  if you were blown away by <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/a\/2637_AdvRobinHood1938.htm\">The  Adventures of Robin Hood<\/a><\/strong> (1938), the Lassie series would be equally jaw  dropping on BR, since the core sequences in each film involve a search or trek  through wild terrain, be it mountains, glaciers (!), or a treacherous swim.<\/p>\n<p>MGM\u2019s series entries weren\u2019t big budget productions, but  their embracive use of splendid locations gave their simple stories of boy \/  man \/ girl + loyal dog extra oomph.<\/p>\n<p>None of the DVDs include commentaries, featurettes or  interviews (people are <em>aging<\/em>, some  are <em>dying<\/em>\u2026) but if WHV <em>were<\/em> to plan a 7-film BR set, it would  benefit greatly from input by historians and fans, since the films continue to  endure as dog-friendly, family classics. I can\u2019t imagine what parents do when  they realize their child won\u2019t stop crying until they get their own Lassie.<\/p>\n<p>Eeesh.<\/p>\n<p>In any event, I deliberately dove into these family films  because I wanted to see if a cynical writer with allergies towards dogs, cats  &amp; birds (<em>feathers<\/em>, people, it\u2019s  the fine plethora of <em>feathers<\/em> that  itch the <em>nasalium nostrixta<\/em>) could  handle period kid-flicks.<\/p>\n<p>Answer: mostly yeah, but as I said, there are aspects that  should keep adults content.<\/p>\n<p>For example, MGM drew from a fine stable of character  actors, and the series also functioned as training ground and test projects for  up-and-coming talent.<\/p>\n<p><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/TCM_Lassie.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1812\" title=\"TCM_Lassie\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/03\/TCM_Lassie.gif\" alt=\"\" width=\"72\" height=\"101\" \/><\/a>The first film, <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/3753_LassieComeHome.htm\">Lassie Come  Home<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2594\">M<\/a>] (1943), features  a big-eyed Roddy McDowall (thankfully no longer billed under that pretentious  banner \u201cMaster Roddy McDowall, as done for <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/h\/2308_HowGreen.htm\">How Green Was My  Valley<\/a><\/strong>), and Elizabeth Taylor in her second film.<\/p>\n<p>The sequel, <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/s\/3754_SonOfLassie.htm\">Son of Lassie<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2588\">M<\/a>] (1945), features the  physically handsome \/ nasally voiced Peter Lawford; pretty June Lockhart, all  bubbly and glowing in her Natalie Kalmus-approved Technicolor Red dress; and pig-tailed  Terry Moore (soon to appear in <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=2588\">Mighty Joe Young<\/a>, <\/strong>where she perpetually  spouted more <em>somfistakated<\/em> dialogue like  \u2018Oh Joe! Come on Joe! Hurry Joe!\u2019).<\/p>\n<p>I\u2019ve uploaded reviews of the first two pooch films, and will  follow up with not only the rest of the Lassie films in MGM\u2019s franchise, but  related pooch movies about loyal dogs, because apparently I\u2019ve lost some of my  cynicism for family fodder.<\/p>\n<p>Of course, all it takes is a film starring an ugly child and  a dog with grotesque strands of drool (see <strong>Turner  &amp; Hooch<\/strong>. Go on. Watch the head shaking sequence, and call me wrong), and I\u2019m reset back to  Cynic 1.0.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong><a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">KQEK.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editorial blather + links to reviews in a new pooches-on-film series, starting with the first two entries in MGM&#8217;s Lassie series &#8211; Lassie Come Home and Son of Lassie &#8211; newly wrapped up in a 2-disc set from Warner Home Video&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,5],"tags":[402,368],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-FY","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2602"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2602"}],"version-history":[{"count":1,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2602\/revisions"}],"predecessor-version":[{"id":2695,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2602\/revisions\/2695"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}