{"id":2700,"date":"2011-04-11T13:32:01","date_gmt":"2011-04-11T17:32:01","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=2700"},"modified":"2016-12-17T10:59:40","modified_gmt":"2016-12-17T15:59:40","slug":"dvd-mother-lode-1982","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=2700","title":{"rendered":"DVD: Ticket to Heaven (1981)"},"content":{"rendered":"<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/04\/TicketToHeaven1981.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-2701\" title=\"TicketToHeaven1981\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/04\/TicketToHeaven1981.gif\" alt=\"\" width=\"72\" height=\"101\" \/><\/a>Film: Very Good<\/p>\n<p>DVD Transfer: Very Good<\/p>\n<p>DVD Extras: n\/a<\/p>\n<p>Label: Echo Bridge<\/p>\n<p>Region: 1 (NTSC)<\/p>\n<p>Released: 2007<\/p>\n<p>Genre: Drama<\/p>\n<p>Synopsis: Based on a true story, family and friends attempt to kidnap and deprogramme a young man after being trapped in a cult.<\/p>\n<p>Special Features: n\/a<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Review:<\/p>\n<p>This multi-Genie nominated film won Best Picture, Lead Actor (Nick Mancuso), Supporting Actor (Saul Rubinek), and Editing (Ron Wisman) in 1981, and was very well received by critics for its harrowing portrayal of a young man\u2019s inculcation into a cult similar to the Moonies before his family attempts a kidnapping and deprogramming session.<\/p>\n<p>Based on the non-fiction book \u201cMoonwebs: Journey into the Mind of a Cult\u201d by Josh Freed, <strong>Ticket to Heaven<\/strong> never references the Moonies, its leader nor the Unification Church, but it\u2019s plainly obvious they are the central villains in this true tale of Freed\u2019s best friend who was similarly deprogrammed after losing his identity and willpower to the dangerous cult.<\/p>\n<p>Genie winner Mancuso (<strong><a href=\"http:\/\/kqek.com\/mobile\/?p=6014\">Death Ship<\/a><\/strong>, <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=2696\">Mother Lode<\/a><\/strong>, <strong>Marie Chapdelaine<\/strong>, <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=13085\">Heartbreakers<\/a><\/strong>) plays David, an atheist who\u2019s heartbroken over a troubled relationship with girlfriend Sarah (Dixie Seatle). He tells his parents and best friend Larry (Saul Rubinek) that he\u2019s taking a trip down to San Francisco to visit Karl (Stephen Markle), an old friend, presumably an invite to clear his head, and is neatly coerced into tagging along with his buddy to an isolated country retreat named Liberty City, where he\u2019s subjected to emotionally intense group sessions that seem to go on for days without any respite.<\/p>\n<p>David\u2019s told by Karl it\u2019s just a two day retreat, but Karl has clearly lured his friend to a series of brainwashing sessions designed to weaken the newcomers. The film\u2019s first third is devoted to the inculcation sequences, and they\u2019re filmed in a picturesque docu-drama style, with jump cuts that similarly disorient the viewer\u2019s own perception of how long David\u2019s been trapped at the camp. Nights smash cut to daytime and back, and little by little we see David losing his willpower from a combination of protein-deficient diet and ruthless sleep deprivation, round circle campfire sessions designed to create a comfort zone for the newbies to share their deepest weaknesses, and high-energy group activities involving singing, incantation, and prayers by rote.<\/p>\n<p>It takes a while for David to become human putty, but eventually the non-believer is broken down and parrots whatever religious gibberish the camp\u2019s philosophical leader sermonizes in daily sessions, and he no longer has the impulse to run away \u2013 the latter almost impossible due to the camp\u2019s isolation, and a cult member <em>always<\/em> being present with a newbie.<\/p>\n<p>Once he\u2019s one of the group, he\u2019s taken back to San Francisco, where he joins other members loyal to \u2018Father,\u2019 a smiley, suited Indonesian man, seen in a picture to which everyone prays with open palms. The church leader, Ingrid (Meg Foster), manages the group carefully, always pitting a veteran member with a newcomer, making sure any weak moments are purged, even if it\u2019s on a busy city street.<\/p>\n<p>In one scene, David feels he may not be to sell flowers to passersby under the phony pretense of raising cash for a drug rehab centre, but his partner tells him they\u2019re merely taking money Satan took from God, so it\u2019s all good. As the two kneel and pray inside a building\u2019s nook, strangers pass on the sidewalk, some glancing, some ignoring the peculiar intimate moment that symbolizes one man losing his final battle to think independently.<\/p>\n<p>David\u2019s family and best friend become worried, and initial queries find he\u2019s part of some hippy organization, but he\u2019s always away and incommunicado. Larry decides to head to San Francisco, and although he finally meets his friend, he realizes David\u2019s been horribly brainwashed, so Larry decides to pretend he\u2019s interested in a retreat and gets a brainwashing sampling at Liberty City. There he also meets Eric (Guy Boyd), man also pretending to be a potential devotee in order to find his missing sister, and the two dream up a plan to rescue David from the cult.<\/p>\n<p>Whereas the film\u2019s first third deals with David\u2019s brainwashing, the midsection brings back Larry, a businessman (we\u2019re not sure of his profession) and amateur comedian at Yuk Yuks (!). Larry\u2019s bad jokes bring some lightness and absurdity to the film\u2019s first scenes, but by bringing him back into the narrative, it also adds humour where it\u2019s sometimes really unwanted.<\/p>\n<p>Larry is <em>very <\/em>jokey at Liberty City, and it mostly works as the character trying to test the cult for its weak spots by seeing what they find amusing, what is verboten, and what types of behaviour are inappropriate, but the kidnapping sequence which follows is very uneven due to David\u2019s parents and brothers (one played by a young Michael Wincott) who are portrayed as clumsy and cartoonish, but the film\u2019s gravitas somewhat recovers in the final third when a deprogrammer named Linc Strunc (R.H. Thomson) \u2013 a character based on <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ford_Greene\" target=\"_blank\">Ford Greene<\/a> \u2013 arrives to emotionally shock David, and find the right order of steps to break down the illogic that makes David believe his friends and family are all evil.<\/p>\n<p>There\u2019s a lot to admire in <strong>Ticket to Heaven<\/strong>, and in spite of the dramatic wonkiness during the kidnapping sequence, it\u2019s a beautifully crafted drama with several unforgettable scenes of manic madness, particularly the scenes and shots of David in desperate states &amp; experiencing a cultish high \u2013 all of which were ideal fodder for the film\u2019s brilliantly affecting trailer.<\/p>\n<p>Richard Leiterman\u2019s cinematography is a perfect blend of grainy documentary and compositional classicism, and Ron Wisman\u2019s Genie-winning editing compacts inculcation scenes that could easily have dragged on and become monotonous into something eerily impressionistic.<\/p>\n<p>Director Ralph L. Thomas extracted strong performances from the largely Canadian cast, including creepy Patrick Brymer (<strong>The Kidnapping of the President<\/strong>, <strong>Spasms<\/strong>) as Liberty City\u2019s pretentious priest, and Robert Joy (<strong>Amityville 3-D<\/strong>, <strong>Land of the Dead<\/strong>) as David\u2019s wiley handler. While it takes some acclimatization to Kim Cattrall\u2019s bipolar interpretation of Liberty City\u2019s lead indoctrinator, Ruthie, her manic energy makes sense in the end because newcomers can only be swayed by a leader who\u2019s tender at campfires, a screaming banshee during morning exercises, and studiously silent during the daily sermons, waiting to run after anyone who bolts from the room.<\/p>\n<p>Most of the film seems to have been film on location in San Francisco and Toronto (with the latter sometimes doubling for the U.S.), and the film score is mostly vocal pieces, with the rare odd instrumental score cut appearing over scenic shots of San Francisco.<\/p>\n<p><strong>Ticket to Heaven<\/strong> was among the first films to be shown on Canada\u2019s early pay TV stations, and the film was released on VHS <a href=\"https:\/\/youtu.be\/na5nwKLIM1Q\" target=\"_blank\">and CED<\/a> via MGM\/UA, but it\u2019s largely disappeared from local distribution, except for a pair of U.S. DVD releases. Simitar\u2019s 1998 DVD is long out of print, and Echo Bridge\u2019s 2007 DVD is now longer available.<\/p>\n<p>The source materials for the 2007 release seems to be an older PAL master that\u2019s been converted to NTSC \u2013 the speed is slightly off, and there\u2019s serious sync drif in the scene where David runs away from Ruthie and her goons and has a brief exchange with Karl before heading back to the camp\u2019s main buildings. The white levels are also a bit hot, but the print is relatively clean and has good detail. Echo Bridge\u2019s DVD at least doesn\u2019t resemble a poor VHS dub; it\u2019s just an older master.<\/p>\n<p>For a film that won top awards in Canada and received high praise from leading Canadian and U.S. critics, it\u2019s absurd no one\u2019s bothered to make a special edition DVD or Blu-ray release, particularly since many of the participants are still around. It\u2019s even more absurd it took an American company to release a Canadian film on home video \u2013 but that\u2019s become the norm for many native films produced during the tax shelter years.<\/p>\n<p>One of the film\u2019s co-financers was Famous Players, a leading (foreign) film distributor that was able to stave off government Cancon regulations in exchange for setting up a token fund for the production, in whole or part, of about 1-2 films a year. In most cases their films hit pay-dirt \u2013 <strong>The Apprenticeship of Duddy Kravitz<\/strong> (1974), <strong>Meatballs<\/strong> (1979), <strong>Heavy Metal<\/strong> (1981), <strong>Les Plouffe<\/strong> (1981), and <strong>Videodrome<\/strong> (1984) \u2013 but 25 films over 14 years is pretty paltry.<\/p>\n<p>The film\u2019s producer, Vivienne Leebosh, also produced Rubinek\u2019s directorial debut, <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/3434_JerryAndTom.htm\" target=\"_blank\">Jerry and Tom<\/a><\/strong> (1998).<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u00a9 2011 Mark R. Hasan<\/p>\n<p>&nbsp;<\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0083201\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/soundtrackcollector.com\/catalog\/composerdetail.php?composerid=2387\">Composer Filmography<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Buy from:<\/em><\/p>\n<p><strong>Amazon.com<\/strong> \u2013\u00a0<a href=\"http:\/\/www.amazon.com\/gp\/product\/B000MTEFTQ\/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;tag=kqco06-20&amp;link_code=as3&amp;camp=211189&amp;creative=373489&amp;creativeASIN=B000MTEFTQ\">Ticket to Heaven<\/a><\/p>\n<p><strong>Amazon.ca<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.amazon.ca\/gp\/product\/B000MTEFTQ\/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;tag=kqco-20&amp;link_code=as3&amp;camp=212553&amp;creative=381305&amp;creativeASIN=B000MTEFTQ\">Ticket to Heaven<\/a><\/p>\n<p><strong>Amazon.co.uk <\/strong> &#8211;\u00a0<a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/B000MTEFTQ\/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;tag=kqco-21&amp;link_code=as3&amp;camp=2506&amp;creative=9298&amp;creativeASIN=B000MTEFTQ\">Ticket to Heaven [DVD] [Region 1] [US Import] [NTSC]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film: Very Good DVD Transfer: Very Good DVD Extras: n\/a Label: Echo Bridge Region: 1 (NTSC) Released: 2007 Genre: Drama Synopsis: Based on a true story, family and friends attempt to kidnap and deprogramme a young man after being trapped in a cult. Special Features: n\/a &nbsp; &nbsp; Review: This multi-Genie nominated film won Best [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[408,53,404,67],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-Hy","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2700"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2700"}],"version-history":[{"count":7,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2700\/revisions"}],"predecessor-version":[{"id":14975,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2700\/revisions\/14975"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}