{"id":2996,"date":"2011-06-06T11:43:09","date_gmt":"2011-06-06T15:43:09","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=2996"},"modified":"2011-06-06T11:43:09","modified_gmt":"2011-06-06T15:43:09","slug":"dvd-autopsy-macchie-solari-1975","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=2996","title":{"rendered":"DVD: Autopsy \/ Macchie solari (1975)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=615\">A<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/06\/Autopsy1975.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-2997\" title=\"Autopsy1975\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/06\/Autopsy1975.gif\" alt=\"\" width=\"72\" height=\"101\" \/><\/a>Film: Good\/ DVD Transfer: Good\/ DVD Extras: Standard<\/p>\n<p>Label: Anchor Bay\/ Region: 1 (NTSC) \/\u00a0Released: March 21, 2000<\/p>\n<p>Genre: Giallo \/ Mystery \/ Thriller<\/p>\n<p>Synopsis: A sudden flurry of suicides and murders possibly influenced by sun spots begin to affect the emotional state of a city coroner.<\/p>\n<p>Special Features: International \u201cThe Victim\u201d and U.S. theatrical trailers<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Not unlike a Larry Cohen shocker (think <strong>God Told Me To<\/strong>),  Armando Crispino\u2019s <strong>Autopsy<\/strong> begins with a strange, lurid hook:  solar flares are causing ordinary people to commit mass murder and off  themselves in bewilderingly violent fashion, and the secret life of city coroner  Simona Sana\u2019s father may hide some clues to this peculiar pattern of violence  that\u2019s now endangering the pretty gamine.<\/p>\n<p>Actually, <em>no<\/em>.<\/p>\n<p>SPOILER ALERT<\/p>\n<p>Crispino, along with hack writer Lucio Battistrada, junk their novel premise  + Simona\u2019s weird delusions of seeing splayed cadavers advancing towards her in  the autopsy room for a standard giallo, where people are being killed because of  an inheritance connected to the flooding of Venice which destroyed valuable city  records.<\/p>\n<p>END OF SPOILER<\/p>\n<p>The strange thing about <strong>Autopsy<\/strong> is had Crispino stuck with  the mystery tale alone, the film would\u2019ve had a better chance of succeeding, but  it\u2019s also saddled with an unintentionally schizophrenic leading heroine who  always manages to recover from horrid trauma as though she\u2019d just taken a  magical aspirin.<\/p>\n<p>Whatever aspirations Farmer had of eking our a serious acting career in Italy  kind of went south when she began to slide into banal genre entries in which  women were put onscreen to be pretty, scared, naked, scared, curious, scared,  and occasionally content.<\/p>\n<p>Crispino\u2019s film bears one of the most misogynistic attitudes among gialli  because every male character\u2019s a sleazy pig, and wants to get between Simona\u2019s  legs: her colleague, for example, gropes and attempts to rape Simona in the  autopsy room, and when the event is brought to the attention of her boyfriend  (played by a mechanical by Ray Lovelock), his response is to exclaim it\u2019s a lack  of recognizing her beauty. He then tears off her top, and boffs her hard, after  which she\u2019s fine, and forgotten all about being treated like a piece of  meat.<\/p>\n<p>Gialli aren\u2019t female-friendly &#8211; women tend to die horribly \u2013 but there\u2019s so  much sexual rage among the male characters, one can\u2019t help wondering if Crispino  actually liked women. There\u2019s such a foul attitude in <strong>Autopsy<\/strong>,  and it\u2019s a major undercurrent which may be why the solar flare premise was  junked in favour of a familiar heroine struggling to make sense of a mounting  mystery \u2013 more opportunities to stage encounters between Simona and  crotch-hungry hands,<\/p>\n<p>Crispino also intercuts the same stock documentary footage of solar flares to  maintain a sense of thematic cohesion, but there\u2019s none, and he has the  attention span of a gnat, smash- and jump-cutting shots and connective scenes in  a manner that might infer Godard or the brilliant Franco Arcalli (<strong>Death Laid an  Egg<\/strong>), but is really just the poorly imitative work of a rank  hack.<\/p>\n<p>Ennio Morricone slummed his way through the score, sticking to his formulaic  contrast of a lullaby main theme and chaotic weirdness; it works (particularly  the bizarre vocal effects), but it\u2019s a smart score that fails to elevate the  film\u2019s banality.<\/p>\n<p>The plus side of Crispino\u2019s nonsense lies in the spastic nature of scenes:  actors blurt reactions, spout quotably awful dialogue, and the terrible editing  ensures a fast pace regardless of whether it turns a tragic moment into bathos.  The gore is minor; the cinematography is hasty, making otherwise stylish Italian  architecture look plain ugly; and Barry Primus plays the role of ex-race car  driver \/ newbie priest (!) with hysterical gravitas.<\/p>\n<p>The film\u2019s best moments tend to involve Farmer freaking out (either from an  awakening cadavers or her sleazy apartment concierge), plus a ridiculous scene  where Simona\u2019s father Gianni (an embarrassed Massimo Serato) lies in a hospital  bed with a busted back, and hooked up to some flashing light gizmo, attempts to  spell the name of a needed clue in lieu of his busted voicebox. It\u2019s a scene  that presages the blinky-blinky headband mind-meld in <strong>Exorcist II: The  Heretic<\/strong> (1977), and it\u2019s top fragrant film fromage.<\/p>\n<p>Anchor Bay\u2019s DVD (reissued in 2007 by Blue Underground) includes a trailer  sporting the alternate title \u201cThe Victim,\u201d and reveals every money shot \u2013  include the finale \u2013 so avoid viewing prior to the film.<\/p>\n<p>Mimsy Farmer\u2019s other  giallo entries include <strong>Four Flies on Grey Velvet<\/strong> (1971),  <strong>The Perfume  of the Lady in Black<\/strong> (1974), and <strong>The Black Cat<\/strong> (1981).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2011 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Related links:<\/em><\/p>\n<p>DVD \/ Film: \u00a0<strong><a href=\"http:\/\/kqek.com\/mobile\/?p=1689\">Exorcist II: The Heretic<\/a><\/strong> (1977) &#8212;\u00a0<strong><a href=\"http:\/\/kqek.com\/mobile\/?p=3002\">Perfume of the Lady in Black, The<\/a><\/strong> (1974)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Related external links (MAIN SITE):<\/em><\/p>\n<p>DVD \/ Film: <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/d\/3301_DeathLaidEgg.htm\" target=\"_blank\">Death  Laid an Egg<\/a> <\/strong>(1968)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0073327\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=23673\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=23673\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Buy from:<\/em><\/p>\n<p><strong>Amazon.com<\/strong> \u2013\u00a0<a href=\"http:\/\/www.amazon.com\/gp\/product\/B000KRNG4A\/ref=as_li_tf_tl?ie=UTF8&amp;tag=kqco06-20&amp;link_code=as3&amp;camp=211189&amp;creative=373489&amp;creativeASIN=B000KRNG4A\">Autopsy (1975)<\/a><\/p>\n<p><strong>Amazon.ca<\/strong> &#8211;\u00a0<a href=\"http:\/\/www.amazon.ca\/gp\/product\/B000KRNG4A\/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;tag=kqco-20&amp;link_code=as3&amp;camp=212553&amp;creative=381305&amp;creativeASIN=B000KRNG4A\">Autopsy<\/a><\/p>\n<p><strong>Amazon.co.uk <\/strong> &#8211;\u00a0<a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/B000KRNG4A\/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;tag=kqco-21&amp;link_code=as3&amp;camp=2506&amp;creative=9298&amp;creativeASIN=B000KRNG4A\">Autopsy [1974] (NTSC) [DVD] [1975] [Region 1] [US Import]<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><em><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em><\/em><\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=615\">A<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ A . Film: Good\/ DVD Transfer: Good\/ DVD Extras: Standard Label: Anchor Bay\/ Region: 1 (NTSC) \/\u00a0Released: March 21, 2000 Genre: Giallo \/ Mystery \/ Thriller Synopsis: A sudden flurry of suicides and murders possibly influenced by sun spots begin to affect the emotional state of a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[518,131,517,519],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-Mk","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2996"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2996"}],"version-history":[{"count":5,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2996\/revisions"}],"predecessor-version":[{"id":3008,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/2996\/revisions\/3008"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}