{"id":3032,"date":"2011-06-10T13:05:21","date_gmt":"2011-06-10T17:05:21","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=3032"},"modified":"2011-06-10T13:06:55","modified_gmt":"2011-06-10T17:06:55","slug":"mp3-submarine-2010","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=3032","title":{"rendered":"MP3: Submarine (2010)"},"content":{"rendered":"
\n
\n

Return to<\/strong>:\u00a0Home <\/a>\/\u00a0Soundtrack \u00a0Reviews<\/a> \/ <\/em>S<\/a><\/p>\n

.<\/span><\/p>\n

\"\"<\/a>Rating: Very Good<\/p>\n

Label: MovieScore Media<\/a>\/ Released: May 3, 2011<\/p>\n

Tracks & Album Length: 15 tracks \/ (18:46)<\/p>\n

.<\/span><\/p>\n

Special Notes: n\/a.<\/p>\n

.<\/span><\/p>\n

Composer: Andrew Hewitt<\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

Review:<\/p>\n

One of the advantages of a digital album is a score\u2019s brevity isn\u2019t a hindrance; buyers are more likely to quibble when it\u2019s an under-20 minute score, provided the price is right, and the quality is right there.<\/p>\n

Andrew Hewitt\u2019s already proved his film scoring skills in the thriller Cuckoo <\/strong>(2009), and Submarine (2010) presents his writing in a much light style for this coming-of-age comedy drama. The opening cut begins with his main theme set in a delicate funeral lament, but from the steeped Delerue strings and slowly flowing harmonics Hewitt shifts to a cheekier version in \u201cInvestigations,\u201d, moving from a grave orchestral intro towards a quirky theme statement. Much like the circuitous figures in Cuckoo, Hewitt repeats his thematic figure on organ but plays with the supporting instrumentation for dramatic variation among the album\u2019s 15 cues.<\/p>\n

Circular figures are also central to \u201cThe Pamphlet,\u201d with a lovely balance of woodwinds and layered strings, and some fine little nuances, including slight accompaniment from harp in jazzy and more classic modes. \u201cLloyd Tate\u2019s Mysteries of the Deep\u201d is a glossy variation with easy listening instrumentations, whereas \u201cFish Out of the Water\u201d is all solo classical piano.<\/p>\n

Most of the album consists of theme variations designed to make precise impressions, and the mood shifts are sometimes startling (particularly when Hewitt returns to the melancholy Delerue instrumentation), but it\u2019s a decent presentation of a score that probably had to share space with source songs. As is typical with MovieScore Media\u2019s albums, the music is crisply engineered, and features up-close miking for an intimate performance style.<\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

\u00a9 2011 Mark R. Hasan<\/p>\n

.<\/span><\/p>\n

Related links:<\/p>\n

MP3: \u00a0Cuckoo <\/strong><\/a>(2009)<\/p>\n

.<\/span><\/p>\n

External References:<\/p>\n

IMDB <\/a>— Soundtrack Album<\/a> — Composer Filmography<\/a><\/p>\n

.<\/span><\/p>\n

Return to<\/strong>:\u00a0Home <\/a>\/\u00a0Soundtrack Reviews<\/a> <\/em>\/\u00a0S<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ S . Rating: Very Good Label: MovieScore Media\/ Released: May 3, 2011 Tracks & Album Length: 15 tracks \/ (18:46) . Special Notes: n\/a. . Composer: Andrew Hewitt . . Review: One of the advantages of a digital album is a score\u2019s brevity isn\u2019t a hindrance; buyers are more likely […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[346],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-MU","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3032"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3032"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3032\/revisions"}],"predecessor-version":[{"id":3037,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3032\/revisions\/3037"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}