{"id":3348,"date":"2011-08-02T13:38:16","date_gmt":"2011-08-02T17:38:16","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=2271"},"modified":"2011-08-02T13:38:16","modified_gmt":"2011-08-02T17:38:16","slug":"women-in-prison-part-iii-jungle-warriors-1984","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=3348","title":{"rendered":"Women in Prison, Part III: Jungle Warriors (1984)"},"content":{"rendered":"<div id=\"attachment_2273\" class=\"wp-caption alignleft\" style=\"width: 303px\"><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/08\/JungleWarriors_Egyptian_poster_b.gif\"><img loading=\"lazy\" class=\"size-full wp-image-2273\" title=\"JungleWarriors_Egyptian_poster_b\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/08\/JungleWarriors_Egyptian_poster_b.gif\" alt=\"\" width=\"293\" height=\"423\" \/><\/a><\/p>\n<p class=\"wp-caption-text\">Apparently in Egypt, when women rebel against male arrogance, they enter a state of ocular bliss.<\/p>\n<\/div>\n<p>With the review of <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/3782_JungleWarriors1984.htm\">Jungle  Warriors \/ Euer Weg f\u00fchrt durch die  H\u00f6lle<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=3338\">M<\/a>] (1984) now live,  one would think that\u2019s all one can say about WIP films, but Aha! you are  mistaken, because this genre is more populous than one would believe.<\/p>\n<p>JW, in fact, isn\u2019t a true WIP film, but a WIJP (Women in  Jungle Prison) film \u2013 a variant that adds some exotica to already politically  incorrect elements, generous moments of cruel nudity, and foliage.<\/p>\n<p>It sounds insignificant (and may well be, when compared to  Kurosawa\u2019s empirical dialectic on the non-sequitorium vashtinator modes  inherent to the samurai film under the aegis of global mossium-pablum and  female wig making cooperatives), but JW is a strange mix of elements packed  into what\u2019s essentially a disposable grindhouse idiocy.<\/p>\n<p>No, Linda Blair doesn\u2019t appear in JW, but Sybil Danning and  John Vernon do, as well as Marjoe Gortner, Alex Cord, Dana Elcar, and Paul  Smith, riffing his evil Turkish prison guard persona so beautifully honed in <strong>Midnight Express <\/strong>(1978).<\/p>\n<p>This is the last of the 3 films in Panik House\u2019s new WIP  trilogy (including <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/c\/3780_ChainedHeat1983.htm\">Chained Heat <\/a><\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=3218\">M<\/a>] and <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/p2r\/3781_RedHeat1985.htm\">Red  Heat<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=3281\">M<\/a>]), offered in  conjunction with Mr. Skin, but have no fear, because this particular stream of  grindhouse fodder doesn\u2019t end here. In upcoming installments I\u2019ll have  additional reviews, including that other WIP film Blair doesn\u2019t care to discuss  (and rightly so) \u2013 <strong>Savage<\/strong><strong> Island<\/strong><strong> <\/strong>(1985).<\/p>\n<p>Lastly, those familiar with JW will be aware of its unique  claim in possessing one of the most wretched theme songs in history. Crooned by  Marina Arcangeli, I\u2019ve taken great pains to not only transcribe the lyrics, but  add <em>latinesque<\/em> performance notations,  so you too can sing like an \u2018arch angel\u2019 and be emboldened with the same hunger  for \u201cheat\u201d that Arcangeli demands over 4 minutes of interminable musical  crapulence.<\/p>\n<p>\u2018Yes, yes,\u2019 that is all.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong><a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">KQEK.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yes, there&#8217;s a Part 3, and the focus is Ernst R. von Theumer&#8217;s Jungle Warriors \/ Euer Weg f\u00fchrt durch die H\u00f6lle (1984), the third and final WIP film in Panik House&#8217;s dynamic trilogy. Not only is there a film review, but a detailed transcription of the vile theme song lyrics, written by a drunken donkey&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[636,586,637,616,584,638,633],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-S0","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3348"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3348"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3348\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}