{"id":3562,"date":"2011-09-16T16:04:22","date_gmt":"2011-09-16T20:04:22","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=2417"},"modified":"2011-09-16T16:04:22","modified_gmt":"2011-09-16T20:04:22","slug":"american-porn-tales-i-meet-monica-velour","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=3562","title":{"rendered":"American Porn Tales I: Meet Monica Velour"},"content":{"rendered":"<p>Sorry for the big time gap, but the past week&#8217;s been rather nutty. I&#8217;ve several review clusters coming up this weekend, which will make up for the dearth of blather at KQEK.com. (Intelligent and provocative blather, I might add.)<\/p>\n<p>On to this week&#8217;s update, which I&#8217;ve dubbed &#8216;American Porn Tales&#8217; because it&#8217;s an American filmmaker exploring issues of morality within the conservative realm of U.S. film, in terms of what the MPAA prefers gets made for general consumption (no &#8216;NC-17, please&#8217;), the studios (frankness &amp; wrongness is too tough to advertise), and advertisers (although one suspects that with physical mags and papers hungry for ad revenue, the aversion towards carrying ads for NC-17 films has weakened).<\/p>\n<p>Years ago, when I was reviewing a trio of classic erotic  films, I wondered what it would be like if an avid fan met an idol, and came  face to face with her age, her career outside of the film world, and I pondered whether  he would be able to cope with those changes, after having this fantasy exist in the mind for years.<\/p>\n<p>No, not me (although I\u2019ve a different story regarding  obsession &amp; celluloid unreality in the works), but it\u2019s a thought that  could easily apply to any icon who once made a splash in TV, film, or fashion,  and chose to drift into deep private life, or befell a terrible fate.<\/p>\n<p>Greta Garbo shielded herself from all cameras after she  stepped away from moviemaking, as did Marlena Dietrich, and Bettie Page, for  that matter. They wanted to be left alone, and preferred privacy after a very  public career in film, theatre, or the erotic \/ adult world.<\/p>\n<p>In the case of porn stars, fans probably know every aspect  of an adult star\u2019s body, and because their fame relied on their actions,  personality, and total physical being, there\u2019s the question of whether fans  could handle the affects of aging and illnesses, or a performer just being  comfortable with whatever life has wrought, and their decision not to hide anything nor opt for  cosmetic tweaking.<\/p>\n<p>Billy Wilder twice explored the \u2018What if\u2019 of a big star long  out of the limelight: first in the mordant black comedy-drama <strong>Sunset Boulevard <\/strong>(1950), where the  great Nora Desmond simply went bonkers as she slipped into a delusional world;  and later in <strong>Fedora<\/strong> (1978), where a  producer attempts to lure a reclusive actress out of deep seclusion.<\/p>\n<p>In <strong>Garbo Talks<\/strong> (1984), director Sidney  Lumet played with Garbo\u2019s myth in a story where a dying woman desperately wants  to meet her idol \u2013 again following the theme of fans wanting a personal  encounter and emotional connection with a celluloid idol.<\/p>\n<p>Hardcore porn being taboo in mainstream Hollywood  product means a story involving a real porn star was also taboo if a filmmaker  wants to be graphically faithful to the subject\u2019s world (i.e.: pickles &amp; beavers in locomotion).<\/p>\n<p>When P.T. Anderson focused on the lives of seventies adult film stars in\u00a0<strong>Boogie Nights <\/strong>(1997), that epic (a sometimes meandering, indulgent, but brilliantly  rendered) drama followed the rise and fall of John Holmes-inspired Dirk  Diggler, going from a well-hung schlub to porn star, drug dealer, has-been, and  pre-credit redemption.<\/p>\n<p>For the lead and some supporting characters, most things  turned out pretty good, whereas in the 2003 (unofficial) follow-up drama, <strong>Wonderland<\/strong>, the focus was the messy  decline into drugs and murder trial which thoroughly destroyed the real John  Holmes\u2019 reputation prior to his death from complications due to AIDS.<\/p>\n<p>The comedy <strong>The Girl  Next Door<\/strong> (2004) contemporized pop culture\u2019s fascination with porn by  having a teen\u2019s obsession with his pretty neighbour blossom into a pubescent  fantasy of dating a porn star and getting laid by a pro, with villains trying  to muck up a good thing; and in <strong>Zack and  Miri Make a Porno<\/strong> (2008), the goofy decision of amateurs to make a porno  allowed Kevin Smith to play with various levels of morality.<\/p>\n<div id=\"attachment_2418\" class=\"wp-caption aligncenter\" style=\"width: 320px\"><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/09\/MeetMonicaVelour_still_s.gif\"><img loading=\"lazy\" class=\"size-full wp-image-2418\" title=\"MeetMonicaVelour_still_s\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/09\/MeetMonicaVelour_still_s.gif\" alt=\"\" width=\"310\" height=\"166\" \/><\/a><\/p>\n<p class=\"wp-caption-text\">&#39;Meet Princess Lay-Me&#39;<\/p>\n<\/div>\n<p>Keith Bearden\u2019s film <strong>Meet  Monica Velour<\/strong> (originally titled <strong>Miss  January 1978<\/strong>) kind of bridges the gap between the Wilder films, in which a  character seeks out a mythical figure, and coming of age tales.<\/p>\n<p>In <strong>Velour<\/strong>, the central character is a  freshly minted high school graduate who\u2019s compelled to take advantage of a  one-time chance to see his idol in person &#8211; a classic collision of fantasy and  reality.<\/p>\n<p>Sort of.<\/p>\n<p><strong>Velour<\/strong> is an odd  film with a highly unusual conceit: when Tobe attends the stripping debut of  his idol, he\u2019s <em>enamored <\/em>by her, and utterly blind to age, let alone the tragedy  of a working single mom hitting a low point to get full custody of her daughter  from a scumbag ex-husband.<\/p>\n<p>Both the title and campaign art of <strong>Meet Monic Velour<\/strong> are disingenuous to Bearden\u2019s film because they  play up Kim Cattrall\u2019s <strong>Sex &amp; the  City<\/strong> persona, which misleads audiences into thinking it\u2019s a vanity piece in  which the actress \u2018gets serious\u2019 for Oscar bait.<\/p>\n<p>It\u2019s a small, smartly written  film that\u2019s beautifully produced, and boasts strong performances by uber-dork  Dustin Ingram, Keith David and his magical voice, and Brian Dennehy doing a half-Keitel.<\/p>\n<p>Bearden\u2019s background is as a film writer &amp; interviewer,  and it\u2019s a fine feature debut from a mature writer who decided a career change  was due, and it was time to move into long-form filmmaking after directing a pair of  successful short films.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: center;\"><strong>Review Link + Brian Dennehy in Toronto<\/strong><\/p>\n<p>The <a href=\"http:\/\/www.kqek.com\/dvd_reviews\/m\/3922_MeetMonicaVelour.htm\">review <\/a>[<a href=\"http:\/\/kqek.com\/mobile\/?p=3556\">M<\/a>] of Anchor  Bay\u2019s gorgeous Blu-ray is up, and  those in Toronto can also see Dennehy (fully clothed) at the  Appel Salon at the Toronto Reference Library Tues. September 27 in a Q&amp;A  with writer Richard Ouzounian, where he\u2019ll discuss his return to the stage,  including his recent run at <a href=\"http:\/\/www.toronto.com\/article\/693769--brian-dennehy-finding-the-laughter-inside-the-darkness\" >Stratford<\/a>.  (Note: while the Appel Q&amp;A is now sold out, the <a href=\"http:\/\/www.torontopubliclibrary.ca\/detail.jsp?Entt=RDM90291&amp;R=90291\" >website <\/a>states there will be video of Dennehy\u2019s appearance online soon. Presumably clothed.)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: center;\"><strong>Recent Compatibility Issues with Anchor Bay Titles &amp; LG Blu-ray  Players<\/strong><\/p>\n<p><strong><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/09\/LGBD370.gif\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-2420\" title=\"LGBD370\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2011\/09\/LGBD370.gif\" alt=\"\" width=\"200\" height=\"58\" \/><\/a><br \/>\n<\/strong><\/p>\n<p>Lastly: there have been reports of some new Anchor Bay  Blu-rays that have been unplayable on some LG units, particularly the BD-370,  which I have.<\/p>\n<p>LG has made available a new flash update on their website, under  the <a href=\"http:\/\/www.lg.com\/ca_en\/support\/product\/support-product-profile.jsp?customerModelCode=BD370C&amp;matchedModelCode=2300000067&amp;searchEngineModelCode=BD370C&amp;initialTab=documents&amp;targetPage=support-product-profile\" >Drivers  &amp; Software tab<\/a> (you have to download it, unzip it, and install it via  USB or burned disc), but it doesn\u2019t solve the problem of the player spitting  out the BR disc after a few loud spins and a \u201cDisc Error\u201d warning.<\/p>\n<p>My workaround is a weird one.<\/p>\n<p>The 370 model will retain  memory of where you left off on a disc if you turned off the machine or ejected  a disc. It seems to do this for 3-4 titles before the memory is replaced with  the next title.<\/p>\n<p>Long story short: put in &amp; play the first seconds of a disc  before ejecting it. Do this 4 times using different BRs or DVDs, and then try the Anchor Bay  disc.<\/p>\n<p>I find that on average the player will eventually see the  disc after a slight delay, and will load the disc without error. (It <em>may <\/em>also  start the disc correctly if you turn off the player with the disc inside during  a successful playback, and turn it on again when you want to continue.)<\/p>\n<p>My guess is the bug has to do with an existing compatibility  between Anchor Bay BR discs; it may play them fine once, but a second, third and fourth  try stores memory of a \u2018bad disc\u2019 \/ failed reading error, instead of where you left off, which is why  it can\u2019t find the last clean point to reload a disc.<\/p>\n<p>It\u2019s not a BD live issue where you have to have a thumb in  the player&#8217;s USB port when you start a disc. Tried that, and it did nothing. Hope the  workaround helps others, as some have reported a similar issue with Lionsgate  titles in the U.S.<\/p>\n<p style=\"text-align: center;\">* * *<\/p>\n<p><strong>Coming next<\/strong>: by a brilliant coincidence of release schedules, there are 3 films now out by forgotten scribe William Rose.<\/p>\n<p>In the first part, I&#8217;ll have reviews of the wonderful British comedy <strong>Genevieve<\/strong> (VCI) and the giddy <strong>The Flim-Flam Man<\/strong> (Twilight Time), followed by <strong>It&#8217;s a Mad, Mad, Mad, Mad World <\/strong>(MGM) &#8211; released on Blu-ray in one of those dumb exclusive deals &#8211; and a review of La-La Land&#8217;s deluxe 2-disc soundtrack set which makes available most of the original score.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong>KQEK.com <\/strong>(  <a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">Main Site<\/a> \/ <a href=\"http:\/\/www.kqek.com\/mobile\/index.php\">Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Editor&#8217;s Blog on Meet Monica Velour (Anchor Bay), and vanilla filmmaker fascination with porn figures in American film, plus Brian Dennehy in Toronto this month, and compatibility issues with Anchor Bay Blu-rays + LG players.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,4],"tags":[731,732,726,724,733,725,734,275],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-Vs","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3562"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3562"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3562\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}