{"id":3932,"date":"2011-12-13T01:23:15","date_gmt":"2011-12-13T06:23:15","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=3932"},"modified":"2011-12-13T01:23:15","modified_gmt":"2011-12-13T06:23:15","slug":"cd-sleeping-with-the-enemy-1991","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=3932","title":{"rendered":"CD: Sleeping with the Enemy (1991)"},"content":{"rendered":"
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Return to<\/strong>:\u00a0Home <\/a>\/\u00a0Soundtrack \u00a0Reviews<\/a> \/ <\/em>S<\/a><\/p>\n

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\"\"<\/a>Rating: Excellent<\/p>\n

Label:\u00a0La-La Land Records<\/a> \/ Released: September 13, 2011<\/p>\n

Tracks & Album Length: 24 tracks \/ (55:45)<\/p>\n

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Special Notes: 18-page colour booklet with liner notes by film historian Julie Kirgo \/ Limited to 3500 copies.<\/p>\n

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Composer: Jerry Goldsmith<\/p>\n

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Review:<\/p>\n

During the early nineties, Jerry Goldsmith scored several now-classic suspense entries \u2013 The Russia House <\/strong>(1990), Sleeping with the Enemy <\/strong>(1991), and Basic Instinct <\/strong>(1992) \u2013 and each soundtrack has managed to withstand the test of time, not because the composer re-emphasized orchestra power after a lengthy indulgence in heavy synth integration (culminating in the effective Criminal Law<\/strong>), but due to a reliance on emotive, central themes tailor-made for their emotionally unsettled characters.<\/p>\n

Sleeping<\/strong> is ostensibly about a young woman\u2019s flight from an abusive OCD prick, and her final efforts to reassert herself when he inevitably attempts to reclaim her as his rightful possession.<\/p>\n

Goldsmith\u2019s score has several central elements: a gentle flowing theme for the fragile Laura, filled with tender strings that flow and ebb, and harmonics that evoke her gentility; and contrasting metallic sounds which, in their sparing application, infer either desperation, or the ominous spirit of brute husband Martin. The brass in cues such as \u201cThe Storm\u201d turns Goldsmith\u2019s theme into something harsh and strained, matching Laura\u2019s struggle under natural elements and severe emotional stress; and the bell chimes and matching stiff metallic chords (\u201cBroken Window\u201d) that recur are organically tied to Berlioz\u2019 “Symphonie Fantastique,” which is both Martin\u2019s main theme and his preferred classical piece (heard to grim effect at the end, when he stalks and attempts to punish Laura in her new life away from his Hell).<\/p>\n

Like the aforementioned scores, Sleeping<\/strong> serves as an ideal example of crafting theme variations that may not be diverse \u2013 there are no abstract or minimalist reconfigurations, for example \u2013 but still chart a character’s desperation, and Goldsmith’s slight variations in instrumentation beautifully capture Laura\u2019s gradual independence.<\/p>\n

La-La Land\u2019s CD presents Goldsmith\u2019s complete score, including the brief theme statements and bridge material left off the otherwise satisfying 1991 CD which featured several source songs. The 2011 disc is all-score (plus two alternate cue mixes), and it captures the ideal balance of orchestral and synth ingredients in a Goldsmith score, where keyboards, samples, synth percussion hits, and watery effects and drones (\u201cBroken Light\u201d) aren\u2019t dominant and gimmicky.<\/p>\n

The newly added cues \u2013 many averaging just over a minute – now function as teasers and lead-ups to the score\u2019s previously released gems, such as the eddying \u201cThe Ring,\u201d with its marvelous whizzing motifs and gripping urgency; or as portents of meatier suspense cues, such as \u201cThe Carnival.\u201d There\u2019s also a decisive effort by Goldsmith to evoke the classicism of Bernard Herrmann, as in \u201cWhat Did He Do?\u201d with its slow, pensive strings that devolve into sterile, electronic renderings before a rich flip to orchestral writing (including some lovely woodwind gestures).<\/p>\n

Beautifully mastered, the CD is accompanied by Julie Kirgo\u2019s liner notes which provide a solid background on the film\u2019s central themes and Goldsmith\u2019s stature which in 1991 was at its peak.<\/p>\n

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\u00a9 2011 Mark R. Hasan<\/p>\n

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External References:<\/p>\n

IMDB <\/a>— Soundtrack Album<\/a> — Composer Filmography<\/a><\/p>\n

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Return to<\/strong>:\u00a0Home <\/a>\/\u00a0Soundtrack Reviews<\/a> <\/em>\/\u00a0S<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ S . Rating: Excellent Label:\u00a0La-La Land Records \/ Released: September 13, 2011 Tracks & Album Length: 24 tracks \/ (55:45) . Special Notes: 18-page colour booklet with liner notes by film historian Julie Kirgo \/ Limited to 3500 copies. . Composer: Jerry Goldsmith . . Review: During the early nineties, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[545],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-11q","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3932"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3932"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3932\/revisions"}],"predecessor-version":[{"id":3937,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/3932\/revisions\/3937"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}