{"id":4018,"date":"2011-12-26T13:42:15","date_gmt":"2011-12-26T18:42:15","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=4018"},"modified":"2011-12-26T13:42:15","modified_gmt":"2011-12-26T18:42:15","slug":"tv-rake-season-1","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=4018","title":{"rendered":"TV: Rake, Season 1"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=631\">P to R<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/12\/Rake_S1_BR_b.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-4019\" title=\"Rake_S1_BR_b\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2011\/12\/Rake_S1_BR_b.gif\" alt=\"\" width=\"120\" height=\"157\" \/><\/a>Film: Excellent\/ DVD Transfer: n\/a \/ DVD Extras: n\/a<\/p>\n<p>Label: n\/a\/ Region: n\/a\u00a0\/\u00a0Released: n\/a<\/p>\n<p>Genre: Drama \/ Black Comedy \/ Television<\/p>\n<p>Synopsis: An unending series of personal and professional crises nearly drive a selfish lawyer to the brink of a meltdown.<\/p>\n<p>Special Features: n\/a<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>The handful Australian TV series that materialize on specialty channels in  Canada tend to star pretty models who happen to be coast guardsmen &amp; women,  or ranchers in soap opera shells where everyone follows the standard playbook of  banal drama.<\/p>\n<p><strong>Rake<\/strong> may be one of the best shows on television, and its  absence on the international scene somewhat echoes the initial situation of  <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/d\/3524_DocMartin1.htm\">Doc  Martin<\/a><\/strong>, which took some time to make its way across several ponds  before it too materialized on DVD in various countries; home video may be the  best chance the rest of the world has in catching this superb example of  character-driven writing, and viciously rude behaviour.<\/p>\n<p>Following the British formula of less is more, <strong>Rake<\/strong> runs a  tight 8 episodes and could very well have run 16, but by whittling down story  ideas to a smaller number, the series\u2019 producers (which include star Richard  Roxburgh) mapped out a perfect character arc for Cleaver Greene, a lawyer with a  gambling &amp; cocaine addiction that\u2019s somewhat tempered by regular consults  with a shrink \u2013 ex-wife Wendy (Caroline Brazier), a superwoman capable of  separating professional from personal because \u2018Cleave\u2019 is such an astounding  fuck-up.<\/p>\n<p>He loves his son Fuzz (Keegan Joyce) but creates a greater distance when he  attempts a frank intervention after his son is found to be sleeping with his  English teacher (appropriately nicknamed \u2018the succubus\u2019). Cleave also adores all  the women in his life, but he\u2019s unable to latch on to his one true real, former  prostitute \/ legal student Missy (Adrienne Pickering).<\/p>\n<p>While on the rebound, Cleave also sleeps with Scarlett (Danielle Cormack),  the wife of his best friend and colleague Barney (Russell Dykstra). The ruinous  nature of that drunken event is part &amp; parcel of Cleave\u2019s train wreck  lifestyle, goosed by regular beatings from the enforcer of a gambling baron whom  he sometimes defends; and a do-good tax lawyer, David (Matt Day), determined to  pin Cleave to the wall for tax evasion while he\u2019s pinning Missy against the wall  and entertaining a serious marriage proposal.<\/p>\n<p>Storylines include odd murders, tax evasion, property division, an ailing  father, swingers, and bestiality \u2013 the last one perhaps the funniest of the lot,  with venerable Aussie export Sam Neill beautifully underplaying a character who  may or may not have questionable fantasies of utterly wrong copulation. Rotating  tertiary characters involve his secretary who pilfers substantive funds, the  oddballs Cleave encounters while renting the offices of vacationing colleagues,  and the odd ex-client whom Missy encounters after she\u2019s decided to abandon her  chicken house career.<\/p>\n<p>There isn\u2019t a miscast actor from top to bottom, but Roxburgh owns his role,  making an otherwise nearly morally bankrupt cad sympathetic; you wish he\u2019d just  stop being an arse, but it\u2019s in his nature to be horrible. Long ago, he came to  terms with his karma, and he\u2019s at peace being a whirlwind bastard.<\/p>\n<p>Production values are slick, and the producers have made a point in not  showing the eye candy typical of Aussie exports \u2013 the natural beauty, iconic  marsupials, etc. \u2013 but merely filming a barrister at work in a modest city; an  everyman who puts himself in extraordinarily idiotic circumstances.<\/p>\n<p>Also unusual (for any series) is the level of frank nudity in <strong>Rake <\/strong>\u2013 people actually copulate and get out of bed naked like normal humans  \u2013 of which many lead actors contribute their fair share. The use of music is  similarly piquant: often the end credits plays material that\u2019s bitterly ironic  or adds the final barb to Cleave\u2019s declining stature in work, friendships, and  family. Among the show\u2019s directors is Rachel Ward (<strong>The Thorn  Birds<\/strong>), and Roxburgh also co-penned a few episodes, reminding film  audiences of the deft, wily talent wholly missed in the recent melodramatic dud  <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/s\/3888_Sanctum2010.htm\">Sanctum <\/a><\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=3010\">M<\/a>] (2011).<\/p>\n<p><strong>Rake<\/strong> is currently available on Blu-ray and DVD in Australia,  but hopefully the series will get some international distribution once the  second season begins in 2012.<\/p>\n<p>Roxburgh\u2019s other work include the TV series <strong>East of  Everything<\/strong> (2008-2009) and Baz Luhrmann\u2019s <strong>Moulin  Rouge!<\/strong> (2011)\u2026 and unfortunately the American stinkers <strong>Mission:  Impossible II<\/strong> (2000), <strong>The League of Extraordinary  Gentlemen<\/strong> (2003), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/v2z\/2953_VanHelsing.htm\">Van  Helsing<\/a><\/strong> (2004), and <strong>Stealth<\/strong> (2005), but let\u2019s  pretend none of these films really exist.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2011 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt1587000\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.abc.net.au\/tv\/rake\/\">Official Website<\/a> &#8212; <a href=\"http:\/\/soundtrackcollector.com\/catalog\/composerdetail.php?composerid=5387\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=631\">P to R<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ P to R . Film: Excellent\/ DVD Transfer: n\/a \/ DVD Extras: n\/a Label: n\/a\/ Region: n\/a\u00a0\/\u00a0Released: n\/a Genre: Drama \/ Black Comedy \/ Television Synopsis: An unending series of personal and professional crises nearly drive a selfish lawyer to the brink of a meltdown. Special Features: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[969,970],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-12O","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4018"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4018"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4018\/revisions"}],"predecessor-version":[{"id":4022,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4018\/revisions\/4022"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}