{"id":425,"date":"2009-11-05T03:12:52","date_gmt":"2009-11-05T07:12:52","guid":{"rendered":"http:\/\/mondomark.com\/?p=425"},"modified":"2009-11-05T03:12:52","modified_gmt":"2009-11-05T07:12:52","slug":"soundtrack-updates","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=425","title":{"rendered":"Soundtrack Updates"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/i917.photobucket.com\/albums\/ad14\/wegeewegee\/SurrogatesFilm_poster_c.gif\" alt=\"\" width=\"166\" height=\"166\" \/><\/p>\n<p>Uploaded late last week is an interview with composer  Richard Marvin, a successful composer \u2013 hugely successful, actually \u2013 in TV (<strong>Six Feet Under<\/strong>,<strong> In Treatment<\/strong>) as well as feature films. A longtime associate of  director Jonathan Mostow, Marvin\u2019s latest score for the film <strong>Surrogates<\/strong> *finally* gets a release  date of November 10th as a downloadable MP3 album and CD from  Lakeshore Records.<\/p>\n<p>The <strong>Surrogates<\/strong> score  is a flawless marriage between electronics and orchestra, and is highly  recommended as a sci-fi soundtrack with strong emotional and kinetic action  content. For a detailed discussion of the score and Marvin\u2019s longtime  experience with electronic instruments (including as a musician on several  beloved Maurice Jarre scores), <a href=\"http:\/\/www.kqek.com\/exclusives\/Exclusives_Marvin_1.htm\">read the  interview<\/a>.<\/p>\n<p>Also uploaded:<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/i917.photobucket.com\/albums\/ad14\/wegeewegee\/GreenLanternFirstFlight_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/p>\n<p>&#8211; Robert J. Kral\u2019s kinetic score for <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/g\/CD_0173_GreenLanternFirstFlight.htm\">Green  Lantern: First Flight<\/a><\/strong> (La-La Land Records), a score that should give your  stereo\u2019s subwoofer a damn fine good workout<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/i917.photobucket.com\/albums\/ad14\/wegeewegee\/TakingWoodstock_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/p>\n<p>&#8211; <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/t2u\/CD_0172_TakingWoodstock.htm\">Taking  Woodstock<\/a><\/strong> (La-La land Records), Danny Elfman\u2019s venture into retro  seventies rock for Ang Lee\u2019s odd little comedy drama<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/i917.photobucket.com\/albums\/ad14\/wegeewegee\/RexSteeleNaziSmasher_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/p>\n<p>&#8211; <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/p2r\/MP3_0174_RexSteele.htm\">Rex Steele:  Nazi Smasher and Other Short Film Scores <\/a><\/strong>(MovieScoreMedia), one of the  best composer compilation albums this year. I\u2019ve yet to interview Ryan Shore,  but this album proves this composer\u2019s ability to write for any genre. For Jack  Ketchum\u2019s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/n2o\/3497_Offspring2009.htm\">Offspring <\/a><\/strong>(2009), it was an icy fuzz electronica  approach deliberately evoking <strong>Cannibal  Holocaust<\/strong>, but <strong>Rex Steele <\/strong>features  a raucous, regal, and moving collection of suites and themes from 7+ short  films<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/i917.photobucket.com\/albums\/ad14\/wegeewegee\/SporeHero2009_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/p>\n<p>&#8211; <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/s\/MP3_0175_SporeHero2009.htm\">Spore  Hero <\/a><\/strong>(EA Games), Winifred Phillips\u2019 latest video game soundtrack. This  time it\u2019s for the new Nintendo Wii game, and it\u2019s an hour-long series of  lengthy, meaty themes and clever variations. Solid narrative, and another album  by a composer to keep watching for (and listening to)<\/p>\n<p><img loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/i917.photobucket.com\/albums\/ad14\/wegeewegee\/EdgeOfDarkness1985_R1.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/p>\n<p>In terms of DVD news, a long while ago I snapped up the  Region 2 BBC release of <strong>Edge of Darkness<\/strong> (1985), the British mini-series that really gave Martin Campbell his big career  break. The series has been remade for American theatrical audiences with Campbell in the director\u2019s  chair, and while it\u2019s easy to say this film version slated for 2010 is NOT  NECESSARY, perhaps it\u2019ll please audiences hesitant to try out the long  mini-series, or have them check it out beforehand (which you should do).<\/p>\n<p>That said, while I\u2019ll have a review of the series up next  week (along with Campbell\u2019s early nudie-roughie-silly Brit sexploitation film  from the seventies), I will confirm that the Region 1 release out this week is  a literally NTSC-PAL conversion of the same Region 2 master, and it includes  the same featurettes, vintage interviews and isolated score by Eric Clapton and  the late, great Michael Kamen.<\/p>\n<p>Clapton\u2019s forays into film and TV are few, but this was one  of his best because of a damned soulful guitar theme which nailed a father\u2019s  heartache in losing his daughter, his horror in finding she was pawn in a  murderous plot, and trying to make sense of the madness when madness itself is mucking  up his own sanity. Big themes nicely delivered in a riveting 3-part mini-series  (and a heroine that\u2019s much more sympathetic than the vague, forgettable  variation in the film version of <strong>The  Constant Gardener<\/strong>).<\/p>\n<p>Also new this week is Criterion\u2019s DVD and Blu-ray releases  of Wim Wenders\u2019 <strong>Wings of Desire <\/strong>(1987),  with a new commentary track, and a second disc of extras I\u2019ll have reviewed in  time for next week\u2019s 20th anniversary of the Berlin Wall\u2019s demise.<\/p>\n<p>And just because variation is important, coming next are two  Tinto Brass features from Cult Epics \u2013 <strong>Nerosubianco<\/strong> \/ <strong>Attraction<\/strong> (1969), and <strong>L\u2019urlo<\/strong> \/ <strong>The Howl<\/strong> (1970) \u2013 two films one can regard as the director\u2019s last  and very sincere editorial experiments in pop art and political\/social\/sexual  satire before he lost his mind and went popo-crazy.<\/p>\n<p>In 1969, there was the group of European provocateurs  Fernando Arrabal, Alejandro Jodorowsky, and Du\u0161an Makavejev\u2026 and Tinto Brass, and I\u2019ll explain why,  without losing my soul.<\/p>\n<p>&#8211; MRH<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uploaded late last week is an interview with composer Richard Marvin, a successful composer \u2013 hugely successful, actually \u2013 in TV (Six Feet Under, In Treatment) as well as feature films. A longtime associate of director Jonathan Mostow, Marvin\u2019s latest score for the film Surrogates *finally* gets a release date of November 10th as a downloadable MP3 album and CD&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,4,11],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-6R","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/425"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=425"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/425\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}