{"id":4644,"date":"2012-04-13T15:28:41","date_gmt":"2012-04-13T19:28:41","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=4644"},"modified":"2012-04-13T15:28:41","modified_gmt":"2012-04-13T19:28:41","slug":"4cds-titanic-collector%e2%80%99s-anniversary-edition-2012","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=4644","title":{"rendered":"4CDs: Titanic &#8211; Collector\u2019s Anniversary Edition (2012)"},"content":{"rendered":"<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1513\">T to U<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/04\/TitanicAnnCollEd_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-4645\" title=\"TitanicAnnCollEd_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/04\/TitanicAnnCollEd_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Excellent<\/p>\n<p>Label: Sony Classical\/ Released: March 26, 2012<\/p>\n<p>Tracks &amp; Album Length: \u00a04 CDs: 57 tracks \/ (4 hrs 5 mins.)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: n\/a.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: James Horner<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Not unlike Maurice Jarre\u2019s \u201cLara\u2019s Theme\u201d from <strong>Doctor Zhivago <\/strong>(1965), James Horner\u2019s love theme from <strong>Titanic &#8211;<\/strong> \u201cMy  Heart Will Go On\u201d &#8211; was a piece so monstrously popular that it became a tune  adored by millions, beaten to death by endless radio play, and gave Celine Dion  a legion of fans, and perhaps millions more wishing the song would be put on a  20-year no-more-play moratorium.<\/p>\n<p>Time (and a period of needed silence) have been more kind to the theme as  well as Horner\u2019s score, because it reveals the composer\u2019s uncanny knack for  writing powerfully dynamic orchestral music that glides easily from romantic to  punchy action. His theme adaptations and periodic reiterations throughout the  score are dramatically sound, and far less repetitive than the best-of  collections which tend to overwhelmingly favour the vocal and piano version.  Those collections offer a different listening experience, but in terms of a  still potent score, Horner\u2019s lovely orchestrations ad reliance on melody and  harmony ensure the innately old fashioned (and ludicrously improbable) romance  in <strong>Titanic<\/strong> still works.<\/p>\n<p>James Cameron\u2019s 3-hour film wouldn\u2019t have flowed so well without a strong  score to keep audiences tuned in when lengthy and melodrama filled up most of  the pre-iceberg crash scenes (which is more than half of the film). Horner\u2019s  flair for modernism \u2013 slow-burning fugues, cascading piano hits, anvil strikes,  and rising brass \u2013 are equally important in bridging the gap between period  d\u00e9cor and modern audience sensibilities, and while people may have devoured the  romantic entanglements of its three prime characters, Horner\u2019s modernism ensured  Cameron\u2019s riveting grasp of montage and grand action scenes didn\u2019t alter the  film\u2019s tone.<\/p>\n<p>Sony\u2019s monster 4-CD set features the original 1997 soundtrack album (72  minutes), plus the <strong>Back to the Titanic<\/strong> follow-up CD released a  year later which, like the Decca CDs for Horner\u2019s <strong>Braveheart<\/strong> (1995) also offered score on the first released, and source + suite material +  additional score + blended dialogue bits on the second CD. As to how many will  prefer the mixed-in dialogue probably depends on how devoted the fans are; those  wanting the score proper will still stick with the first CD.<\/p>\n<p>The other two CDs in what\u2019s billed as the Collector\u2019s Anniversary Edition  include the separately released disc <strong>Gentlemen, It has been a privileged  playing with You tonight<\/strong> featuring chamber versions of popular period  songs used in the film; and <strong>Popular Music from the Titanic Era<\/strong> with original period recordings of songs such as \u201cIt\u2019s a Long Way to Tipperary\u201d  and \u201cOh! You Beautiful Doll.\u201d<\/p>\n<p>Sony\u2019s monster set is nicely mastered and should keep fans busy for about 4  hours, but for ardent fans there still remains the unreleased cues which have  yet to enjoy a commercial release. One suspects Horner (and perhaps rightly so)  feels the original album says everything necessary about the film, but what\u2019s  left to fully satisfy fans is a 2-disc set with unedited film versions. Perhaps  that one\u2019s slated for the 110th anniversary of Titanic\u2019s sinking, or the  eventual Blu-ray release of Cameron\u2019s epic.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0000035\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/title\/9341\/Titanic\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/28\/James+Horner\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1513\">T to U<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ T to U . Rating: Excellent Label: Sony Classical\/ Released: March 26, 2012 Tracks &amp; Album Length: \u00a04 CDs: 57 tracks \/ (4 hrs 5 mins.) . Special Notes: n\/a. . Composer: James Horner . . Review: Not unlike Maurice Jarre\u2019s \u201cLara\u2019s Theme\u201d from Doctor Zhivago (1965), James Horner\u2019s love [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[1209,523,327,1205],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1cU","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4644"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4644"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4644\/revisions"}],"predecessor-version":[{"id":4648,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4644\/revisions\/4648"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}