{"id":4649,"date":"2012-04-13T15:38:03","date_gmt":"2012-04-13T19:38:03","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=4649"},"modified":"2012-04-13T15:38:03","modified_gmt":"2012-04-13T19:38:03","slug":"cd-titanic-an-epic-musical-voyage-2012","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=4649","title":{"rendered":"CD: Titanic &#8211; An Epic Musical Voyage (2012)"},"content":{"rendered":"<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1513\">T to U<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/04\/TitanicEpicMusicalVoyage_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-4650\" title=\"TitanicEpicMusicalVoyage_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/04\/TitanicEpicMusicalVoyage_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Very Good<\/p>\n<p>Label: BSX Records\/ Released: April 10,, 2012<\/p>\n<p>Tracks &amp; Album Length: 15 tracks \/ (67:00)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: n\/a.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: various<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Featuring arrangements by Dan Redfield, the latest Titanic-inspired  compilation offers material from James Horner\u2019s 1997 score and Maury Yeston\u2019s  Tony Award-winning musical <strong>Titanic<\/strong>, with some additional themes  and period songs, all performed by the amusingly titled White Star Chamber  Orchestra, of which some musicians played on Horner\u2019s original score  recording.<\/p>\n<p>In terms of consistency, Redfield\u2019s arrangements are clean and precise, and  the orchestra features a balanced array of chamber, folk, and vocal artists, so  there\u2019s consistency in tone and mood throughout the album. The CD\u2019s engineering  is equally precise, with each instrument\u2019s nuances coming through very  cleanly.<\/p>\n<p>Those <em>not<\/em> fond of Horner\u2019s love theme (and more specifically, its  vocal version) may prefer the original soundtrack album, as the arranged  selections here cover the score\u2019s main and most popular cues \u2013 the title theme,  the ship\u2019s departure from Southampton, a piano version, \u201cHymn to the Sea,\u201d and  an up-tempo vocal version, performed by Zoe Poledouris. Poledouris\u2019 version is a  bit of a struggle as her voice doesn\u2019t quite match the dynamic harmonics which  diva-belter Celine Dion was able to tackle; and the lyrics, sung in a more  measured (and intelligible tone) also reveal the inherent banality of the  libretto. It\u2019s quite clear the song affected listeners because of Dion\u2019s  powerful voice, and the repetitive melody that carried a catchy corkscrew  chorus.<\/p>\n<p>The Yeston songs from the musical offer a better contrast with their  rock-solid lyrics and fine vocal arrangements, and most of the selections are  used to break up the inherent monotony of hearing Horner\u2019s love theme in  slightly different guises. Vocal performances in \u201cNo Moon\u201d and \u201cWe\u2019ll Meet  Tomorrow\u201d are very lovely, and surprisingly avoid the bathos that tends to  affect Horner\u2019s vocal theme. Yeston\u2019s tunes are interpolated between the Horner  cuts, and nestled in-between are versions of \u201cNearer My God to Thee,\u201d the  supposed last song played by the Titanic\u2019s orchestra; John Williams\u2019 \u201cTitanic  Trot\u201d from pilot episode of Irwin Allen\u2019s <strong>The Time Tunnel <\/strong>TV  series; chamber versions of John Barry\u2019s main themes for the cinematic  dud<strong> <a href=\"http:\/\/www.kqek.com\/dvd_reviews\/p2r\/2703_RaiseTitanicR2.htm\">Raise the  Titanic<\/a><\/strong>; and Howard Blake\u2019s rarely heard theme from <strong>S.O.S.  Titanic<\/strong>, cleverly built around three monotonous piano hits mimicking  the Morse Code distress signal.<\/p>\n<p>Blake\u2019s orchestrations are really inventive in the way the 3-note motif  establishes the tempo, spins off the melody, and shifts chords to infer varying  levels dramatic gravitas. It\u2019s the CD\u2019s most dire cue, and the performance  between chamber strings and piano is quite exquisite. Pity more of the score  wasn\u2019t included (or more of Blake\u2019s work exists on CD, for that matter).<\/p>\n<p>BSX Records\u2019 lengthy CD also includes detailed liner notes by Randall Larson,  who provides a brisk overview of prior scores for TV, film, and Broadway, and  comments on the selected themes.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=95294\">Soundtrack Album<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1513\">T to U<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ T to U . Rating: Very Good Label: BSX Records\/ Released: April 10,, 2012 Tracks &amp; Album Length: 15 tracks \/ (67:00) . Special Notes: n\/a. . Composer: various . . Review: Featuring arrangements by Dan Redfield, the latest Titanic-inspired compilation offers material from James Horner\u2019s 1997 score and Maury [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[1210,327,283,148,1211,1205],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1cZ","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4649"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4649"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4649\/revisions"}],"predecessor-version":[{"id":4653,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4649\/revisions\/4653"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}